Root Angel: Reissue

Released nine years ago, this album captured a moment of intense individuation - an attempt to resolve the conflict of polarities through creative alchemy: the conscious and the unconscious, Pagan roots and Christian mysticism, primordial Chaos and divine Structure.
This internal process was mirrored in the transformation of the Infinity Base Cross (the alchemical Sulfur). The music and art became a "sigil," a vessel wherein these contradictions were transmuted into unity.

The album marked the activation of a 9-year cycle, rich in metamorphosis and research. This period resonates with the astrological Lunar Node half-return - a karmic checkpoint for recalibrating one's path. The reissue symbolizes the completion of the old program and the beginning of a new spiral.

The David Lynch aesthetic in the reissue teaser is a tribute to profound synchronicity. It was his work that originally served as the catalyst, opening the portal to the unconscious and making this album possible. The circle closed with the appearance of a White Owl in my dream one week before the Master’s passing. Now, these guides between worlds accompany me throughout this year, confirming that the time of transition has truly arrived.

About the release:

A definitive reissue of Sasha Manick's album, originally released 20.11.2016 on the AMEN records

Includes:

Full Remaster.
Two previously unreleased tracks from the era.
Original version of the title track.
Selected works from Root Angel Remixes (2017, AMEN). 

Written & Produced by: Sasha Manik @holographic-internet
Artwork by Sasha Manik
Mastered by FMSAO @fmsao

Sasha Manik - Aerial Kingdom (Swan Meat Godless Remix)

The Interpol officers are looking for two crooks responsible of a bank robbery at the beginning of 2019 in Bristol (UK).
According to the investigation they go under the aliases of Abele and Caino, they were armed and in motorcycle during the raid in the financial institution. 
The two outlaws are already known to the authorities as OOBE and Aniello.
The suspects are ARMED and DANGEROUS.
The advise is to call without hesitation the following number :
+4401179149042.
The reward for any useful information will be of 999, 99£.

Title : Abele e Caino
Artists : Abele e Caino, OOBE, Aniello
Genre : Electronic, Experimental, Leftfield
Catalogue : BNC002
Format : 12" with poster, plastic sleeve and sticker, 150 limited and numbered
Distributed by Bordello a Parigi.
Tracklist:
A1 - Abele e Caino - Scontro a Fuoco
A2 - Abele e Caino - SIN1
B1 - OOBE - ????
B2 - OOBE - ???
B3 - Aniello - Ryfg
B4 - Aniello - Slow

Bandcamp

Abele e Caino, OOBE, Aniello - Abele e Caino (BNC002)(Preview)

@vinerrrrr
False prophets, idols, dependence. Be tied up.

artwork by Daria Scripal
design by Nelly Mashakova
mastering by Andres Nolvak

винер - 36k2042

BUY VINYL: http://www.darkentriesrecords.com/store/vinyl/de-bons-en-pierre-ep-no-1/

We are proud to present two new EPs from De Bons en Pierre, the duo of Beau Wanzer @bwanz & Maoupa Mazzocchetti @maoupa-mazzocchetti . Beau Wanzer spends the majority of his days sifting through paraffin embedded animal tissues and reading old issues of Fangoria, occasionally breaking his monotonous routine to record in various fits and bursts. As well as solo material, he is also in numerous projects including Streetwalker, Mutant Beat Dance, Civil Duty, and Corporate Park. Maoupa Mazzocchetti is the pseudonym of Florent Mazzocchetti, a French producer based in Brussels. His sonic vision is one which constantly straddles the line between wild experimentation and rhythmic compatibility, drawing influence from early concrète, 80's tape scene and Birmingham school techno. 
After working together on the ‘Crepes’ EP that we released in 2017, De Bons en Pierre reunited for a two day recording session in Brussels. The duo recorded 13 tracks that we’ve split across 2 EPs with 6 tracks on ‘EP No. 1’ and 7 tracks on ‘EP No. 2’. Beau says, “We hooked everything up and just pushed play. We didn’t really discuss much about the process….it was very ‘spur of the moment’.” The equipment set up included a Roland TR-808, TR-606, SH-101, CR-78, CR-8000, two Syncussions and effects. Each EP contains 25 minutes of dance floor perversions that tackle an array of rhythmic forms. Sludgy synths, serrated percussion and viscous distortion goops over leviathan rhythms. All songs are mastered by George Horn at Fantasy Studios in Berkeley. ‘EP No. 1’ is housed in a sewage green jacket featuring a monster mask duo and spiky motifs designed by Florent Mazzocchetti, and ‘EP No. 2’ is radioactive orange with a different pair of monster masks.

EP No. 1 

De Bons en Pierre - EP No. 1 PREVIEW CLIPS

Moltres

Meropa & J. Boomhauer - George Cooney

Taken from the album 'No Shortage Of Rope' (ALT58)

Buy here: https://alterstock.org/product/no-shortage-of-rope/

NO SHORTAGE OF ROPE

Nick Klein - Time Changes The Garden (ALT58)

ORAMICS is honored to premiere a track from @aleksandra_slyz debut album on @Pointless-Geometry

Oramics Premiere is our new series on SoundCloud and YouTube that will showcase fresh tracks and videos from female, non-binary and queer producers. We want to use our platform to celebrate emerging talents and independent labels who support them.

https://pointless-geometry.bandcamp.com/album/aleksandra-s-y-human-glory

Aleksandra Słyż is a composer, sound designer, and sound engineer. She is fascinated by interactive and multimedia art. In her music, she looks for connections between the human body, sound, and technology. Her works presented so far have been in the United States and Europe.

Aleksandra Słyż's debut album "Human Glory" has a dual nature. Intense and very emotional experience, built by layering, thickening, and intensifying drone parts of synthesizers (MG), intertwines with recordings created using motion sensors (BG), which created the sound recording of the choreography. Słyż is not afraid to lead the listener along winding paths - through silence and intricate details fragments of sound design, to massive, tectonic walls of sound. The precise logic of the composition naturally blends with intuition, and the album's narrative freely leads the listener from the microscale of the smallest particles of the world to epic film panoramas.

[PL]

ORAMICS ma zaszczyt przedstawić utwór z debiutanckiego albumu Aleksdandry Słyż, wydanego w Pointless Geometry.

Aleksandra Słyż to kompozytorka, sound designerka, realizatorka dźwięku. Fascynuje się sztuką interaktywną i multimedialną. W swojej muzyce szuka połączeń między ludzkim ciałem, dźwiękiem i technologią. Jej prace prezentowane do tej pory były w Stanach Zjednoczonych i Europie.

Debiutancki album Aleksandry Słyż  “Human Glory” ma dwoistą naturę. Intensywne i bardzo emocjonalne doświadczenie, budowane przez nawarstwiające, gęstniejące i intensyfikujące się dronowe partie syntezatorów (MG), przenika się z nagraniami stworzonymi z wykorzystaniem sensorów ruchu (BG), dzięki którym powstał zapis dźwiękowy choreografii. Słyż nie boi się wieść słuchacza krętymi ścieżkami - przez ciszę i pełne kunsztownych detali fragmenty sound designu, aż do masywnych, tektonicznych ścian dźwięku. Precyzyjna logika kompozycji w naturalny sposób przenika się z intuicją, a narracja albumu swobodnie prowadzi słuchacza od mikroskali najmniejszych drobinek świata, do epickich filmowych panoram.

PREMIERE: Aleksandra Słyż: MG I

This special mix for #INTERNETGHETTO is done by menzurrr, also known as a curator for the podcast series titled 'Will-o'-the-wisp'

Гостевой микс специально для #INTERNETGHETTO от menzurrr , также известного, как куратор подкастов Will-o'-the-wisp

Links:
https://soundcloud.com/menzurrr
https://www.instagram.com/sashakurpa
https://vk.com/willooothewisp

#INTERNETGHETTO MIX #8 - MENZURRR

sirenius

ISHAM KOUIDRI “ALL I SEE IS BLUE” (ENXPL03)

Paris based artist Isham Kouidri presents his debut release “All I See Is Blue” for the Enmossed and Psychic Liberation collaboration series. On “All I See Is Blue”, the artist extrapolates a sonic environment from a single piano loop. As the recording progresses through it’s respective acts, A side “Through The Window” and B side “Now He’s Gone”, tension and the sublime interplay compositionally. Isham Kouidri uses his time on “All I See Is Blue” to allow for his process to subvert the reverie he has created, but the light is always right around the bend.

Mastered by Glyn Maier
Art by Pierre Roy-Camille
purchase : https://psychicliberation.bandcamp.com/album/enxpl03-all-i-see-is-blue

ENXPL03 - ISHAM KOUIDRI - B3. NOW HE'S GONE PT.3

we are getting closer

for premieres msgs to our soundcloud inbox only please

#INTERNETGHETTO MIX #8 - MENZURRR

#internetghetto