Maoupa Mazzocchetti p̸͓̥͖͇̋̍̔̐̀͛͌̐ŕ̷̤̲͎̤̲̩̻̦̑̎͐̕͜esents : 
UXY Dosing© Vol. 2 (NineTr̵̙̀ȧ̸͈̩̤̥͝c̷̫̹̻͈̼͕͇͈̀͒ks Unsel̶̛͔͚̬̞̐̒͝e̸̡̘̩͂͊̀̄̕͜cted by Judaah)
BFD̵̼́͗̽̑̀̐̕̚͝͝M̴̧͕̲̰̰̪͐͑͂̽̈́̒͜025B x ╔҉╦҉╗҉╔҉╦҉╗҉

Prȩ̷̛̛͓͙̘̬̤̻̘͍͊̑̽̀̔͊͆̕ö̸̢̗̤̙̞͔̣̟͔́̈͐̈͆̚͜͝r̴̛̮̱̹̀́͝͝der : maoupamazzocchetti.bandcamp.com/
Out : mar̸͍̬͖̦͕̗̘͎͕͈͗͛̽̽̏c̴̺͉̣̭͚̪̬̽̃͋ͅḩ̷̢̢̺͎̜̝̞͗̍̆̏͌ 28t̵̜̤͖͊̇̎̒̾̈̈́̅̊h 2022

UXY Dosing© (UD) is a maximalist g̵̡̢̨̛̞̰̼̣̃͊́̍̓̌̆̚͘enre of electronic music that refers to sound productions that make for a radical succession to the minimalist genre, regardless of style and aesthetic practice though mainly à̸͈̙̤̥̝̽̉̈́̕͝s̷̰͍̣͔̤͂͌̽̍s̵͖̙͈͋͋́̏ǫ̵̰̟̩͔̊͂̊̿̎̆̿̀̑̕ͅc̵̥̖̝̞̞̔̈į̶̛̖̰̯̬̋̆̄̀͛͗̌̈́å̷̢͚͚͐̚t̴̺͖̪͎̞̄͛͑̅͛̇e̸̛͇̥̮͕̹̬̱͚̿͆̉̑͒́̊ͅͅd̷̯͇̦̝̻̝͎̦̭̔̒̈̏̕͝ͅ ̷̺͇͘͘ẇ̷̳̝̙͇̑͠ǐ̵̛̮̘̥̰͙̼͉̱̂̀̑͊̏̚͝͝ṭ̴̡͍͙̰̪̫̊̓́͒͂̾̄̍́h̴̢̢̛̲͙͙̮̤͓͈͗̀͌̏͊̎̿͗̓͜ the field of sound arts. More precisely, it designates that which embraces heterogeneity a̷͎̲͇̰̤͇̤͚̼͍̒̌̊̈́̏͂̚͝͝ņ̵̲̳̞͓͎͎̤̱̇d̸̩̈́̓̈̈́̅̄͐ ̶̞̩̼̀̉̇̉͋̋̐͝ȃ̵͕̺̟̘͇l̶̡̧͉̺͖̱̑̏̈̾̌̀ḽ̴͎̈ö̴̓̍̐͆ͅw̶̖̞̹͗̀͌š̸̲͈͔̥̘̩͙̮͕̌͂̄̈͗͜͝ ̴̡̥͙̝̯̣̙̘͈̦̓͠f̵̟̔̔̔͂͐͘͠ơ̵̢̞̞̘̬̐̃͘ͅr̶̹̳͚̱̥̹̦͗̂͘͜͝ ̵̯̖́̓́c̶̡̳̦̗̉̈́ö̸̮͖͎̯͓͇̹͚̙́͐̉̉́̈̍́̒ḿ̶̻͚̥͐̉̀͐̋͊̕͠p̸̣͙̬̔͊̊̒͆̚͝l̶͔̹̹͐͌̍́ͅė̸̛̫̪͔̫͙̻͙̈͆̐̑̑x̸͔͙͌̐̿systems of juxtapositions and collisions, in which all outside influences are viewed as potential raw material. 
However, UD rel̵̛͎̣̾̕į̶̝͎̘́́̈ĕ̴̠̂͆̍̂̇͝s̸̡̨̱̯̭͍̺͇̒͘ ̶̦͖̬̪̆͐̾̋̅̕m̶̪̘̪̮͐̚ȏ̸͎̜́̈̾̓͛͂̏̅̕r̶̬͕̻̈́̃͆́̂̚e̸̢̛̗͓͛̏̆͑̍̄̾͝͝ ̶̛̻̻̝̤̩͕͙̖͇͑̈́̓̊͘o̸̪̓̀͛̒͗́̉n̷̛̛͉͔̮͔̬̹̤̘̣̹͐̐̍̄̚͝ ̶̬̳͐̇̓̀̔̽́̒̏́s̶̲̖̄̍ì̶̫̲̺̻̳͐͂̋͊ṇ̷̟͊̒̐́͐̋͊̓͘̚g̵̼̅̊̋͛͆̓͋ṵ̴͖̜̬̪͚̄l̵͉̦̤̩͈͈̝̼̪͎͆̄͆̒̓̊̋a̵̢̛̝̙̘̜̻͊̂̓r̴̢̰͎̰͉̣͆̂̑̂̊͜͝ ̵̡͉͌̀̀e̵̪̫̣̼̠͒̿̎͒̿́̄͠x̶̜̯̰̝̟̘̖͍̉̅́̆͑̀͋̇͘͠ͅp̸͉̝̱̩̹̳̳̙̓͛̈́͂͛͗̃̉͑͝e̸̛̺͖̳͔͓͈͖̻̗̋͛̈́͛͑̈́̋̚̕r̸̡̧̘̠͔̀͗ȉ̷̹̩͈̫̦̲̪͕̩̈̆̑̑̉͊̂͛͜͠m̶̮̥̗̗͈̘͇̈́͂͊͊͗̎̓̕è̶̢̯̙͕̿͌̈́́̍̑͠͝n̷̲̼͎̈́̚ṯ̶̢̥̙̯͆̄͋̔͑͆̆ą̶̥̫̬̜͛̉̇͊͛̊̔̑͘t̴̜̞̫͆̓́̈̾i̴̝̫͖̠̣̗̽͆o̶͇̍̇̾̓̑̆́͘ņ̵̪͆̽̒̾̀̃̐ ̵̜͕͍̰̻̭̿͘r̸̡̢̃͆̄͑̈́̋̐̏͠͝á̴͙̮̦͍̮̩̯̝͎̂͝t̵̢̧̩͙̜͕̩̬́̋̏̾̚͘͜ḩ̷̳̟͉͈̺̹̯̳̻̔͑́̅́̕ë̴̡̤͍̥̀̊͂͌͛̐͝ṟ̸̹̱͓͈͙̎͂ than the addition of musical characteristics a̸̬̺̓̏̃̒̎̇͑͗͒͝ţ̸̨͔͖̥̭̱̦̌̆́͘͜ţ̶̧̰̦͎͊̅͊a̶̢̡̢̜̮̗͒͆̕c̴̨̨̝̰̝̮͒͐̄̑̽̐̌͘͜͠͝h̴̟͓͌̋ę̸̤͙̞̲̞̼̖̈́͌͝ḍ̴͖̯̜͉̯̝̑̂͂͑́̈́̃͆̏̇ ̶̝͇̻̬̓́̈t̶̯̰̦͓̝͊̌̓̌̔̓̑̾ͅơ̸̬̝̱̼̰̖͖̲ ̸̨̱͓̤͕̻̙̪͙̽̉͛ͅś̵̨̛̰͉͓͖̲pecific genres.  Subsequently, UXY Dosing© gives birth to MDM (Maximal Dance Music) which, beyond a sole m̸̫͕̅̂͛a̴̺̜̪̓̈̋̏̔́̎̉̉͝t̸̨̡̼̹̟̗͙̘̪̑̂t̸͉͍̭͈̣̫̾̈̚͠ͅe̷̙̐̓̊̌͋̍̒͘ṙ̵̢̖̳̭̺̗̾̓̚ ̶̨̡̢̛̘̜̳͓̱̐͆͒̑͝ͅó̷̰̣͚̹̣͕̀̍̑͋͜͠f̴̢̧̰͕̆̉ͅgenre, remains linked to the high cons̷̝̝̠̰̏̀͋͑͑̅͆͐̔͝u̸̡͂̆̃́̔̀͋͐̕m̵͚͐̽͝p̷̧̰̫͖̖̲͖̹̹̮͛̓̑̄̎t̶̳̲̣͐̄͐̏̀́̄ì̷̧̛̞̺̤̘͉̲̊̚͘ǒ̷̦͂͂̌ņ̵͖̹͛̑̈́͂͊͝ ̸̧̛͕͉̗̙̥̖̹̤̼̓̚ơ̴̧̝̭̯̥̣̎̆͗̾f̵̯̝̮͖̰͈̱̻͗̀͐̓́͒̀͗̒͝ ̵̪͊ḏ̷̡̱̙̆̀͆̿e̵̯͆̔̅̏̇́̾͗͒x̵͚̯̜̜̳͙̞̟̀̚͜͠ͅt̶̩̭̰̀͂̌̀͒̅̈́̀r̸̢̟̪͉͋̈́̉ơ̵̯̭̝̊͑̓͂̑̄͊͘s̶̡͚̣̤̜̘̪̻͐̔̆̀͌̀̐ȩ̷̮̲̩̣̤̂ ̸̥̭͇͓͈̭͙̘͈͇̃̑̍̍̇͑̀ą̸̨̘̤̫̐̾̓̐̈́̆̀͝͠ṡ̷̘̞̪͇͉̣̣͗̿͂͋̅͜͜͝s̸̟̻͎̼̤͇̥̜̈́̋ͅo̴̢̡̧̠̳̻͉̱̾̆̒̾͜ç̶̗͚̠̰͕̬͚̭̙̾̋i̵̡̬͉̥̾̓̑̋̆̆͋̍͠a̶̼̯̦͇͑̔͆̄͋̈́̀̒̀͝t̵̛̬̒͆͜ͅȩ̸̯̥̦͎͚̗͐̿͒̀̔̋̽̀͑d̴̡̛̰̬̺͙̦̰̽̈́͊́̏̎͆ͅ ̸̧̤̭̌͛͗̋̌͐̀̾ͅw̶̧̧̻̼͇̤̐̾͂̽̂̍̒͊̒̚i̷͈̩͎̱̗̭̗̯̻̹͐͂́̂̑̒̈́ṭ̶͙̆͒̓̎̌̒ĥ̶̛̼̼͌̋̉̈́̄͐̓̾ ̸̧͎͙͚̠̈́͑̂̀͗̔́̐̕͜͝m̶̺̅̋̀̎̿̋͒͒̚̕i̶̩̙͋̊̾͜l̵̻̗͇̉͠k̴̡̙̻̘̳͉̐͛͋̔̂̚͝͝,̸̦̫̈̽̉̔͑ ̸̻̿̾͋̇͐w̸̛̛̙̙̒̍̿̄̏̌̓͝ḩ̴̡̮͕͚̤̳͔͙̋̈̀̈́̐̎̾͗̚̚ḯ̴̢̢̢͌̓͝ć̶̨̤̞̻̩̝̤h̷̲̦̙̿̋͝ ̴̛̼̬̺̰̲̐͊̈̊͘̚͜d̵͔͖̠̏̈́̇̅͌̑͑̚͜ͅế̸̝̯̼̖̙̒ ̴̼̜́̋̏f̸̲̬́̌ã̵̳̥͗ç̴̧͓͙̼̖͚͎̪̆̽͐͌̾t̵̛̹̪͇̠̬̤̊͒̆̄̊͑̆͠o̶̡̠͉͈̗̙͚̱̭̔̈́̑̈̄̄̊̉̈́̈͜ ̵̢̭̙̎̎́͐̐̏s̶̡̳̭̩̼̮̲͍̮̙͒̽̊h̷͔͙̯̗͙͙̞͎͔́̓̊͝ã̴̛̜̝͓͙͔͆͐͗̔͠ȓ̵̯̺̩̼͓̟͕̲͉͗̇̓͐́̾ͅȩ̸̘̳͔̊̄̓͌̑͘͜s̸͕̜̈̄̉̿͗͗ ̴̯̙̙̥̬͙̼̜̜̙͂̓͆̅̀͌̀̀ţ̶̬͇̝͈̻̩̈̐͑̉̽h̴̦̞̻̫̘̖͆̐̂́ͅȩ̵̢̺̮͚̮̳̥̿̂ ̴̭̃̓̑̋̈́̉̕͜ş̷̖̟͔͇̹̼̀̾͊̎̂̓̾̾͋ͅä̷̙͍̼̭̙́͛̔̀͋̾̄̀̅͘ḿ̶̛̫̭̘̳̘̅̌̉̑̊̉͌̂ͅͅe̷̢̥͕̭̝̣̞̹̿̅̏̀̐̅̀̅̕͠ ̵̡͕̟̳̙̦̦̰̥̽̈́̽ạ̵̡̧̞̩̠̖̄́̆̍͘c̵̯̘͖̭̹̻̫̲͍̍̃̀̿͆̓́̈́̕̕ṟ̶̲̼̬͔͒ͅơ̴̡̲̣̼̦̦̲̿ņ̴̯̬͔̱̃͝ÿ̴̮̻͙́m̴̙̘͗̎͌͛̊͝͝ ̸̡͖̔̿̋̃͗̊̇̕͠ä̵̳̦͚͇͙̹̜͔́̂̑s̶̳͚̙̟̃̄̂́̏̿̎̚ ̷̨̪̺̇͗͗͂͠M̵̜͖̳̦̯͊̓ͅD̶̡͚̥͗͝Ḿ̶̺̻̙͇̞̗̮̱̣͕̍͌ (Maximal Dextrose & Milk). 
R̵͚͍̰̪̬̝̐͆́͒̿̀̍̇͘͘͜e̸̞͖̒̾͋̎̀̽̇͝ạ̵̌́̆͠d̷̡̯̺̠͚̻̘̩͊̈́͐̓͜ : Dextrose, ê̴̡͚͇̗̩͇͍̗̹̆̑̾̃̌̔̈́̓ņ̴̦̼̦̠̬̰͋͆͒́́̿̃͗̀̐e̴͓̭̠̜͋̏́̃̕͜r̴̠̼̫̱̜̦̼̾g̵̗̜̺̰̼̙̬̪̎́̿̈́̇̌̀̊ỉ̴͎̩͂́̂͆͋̇̂͠ś̴̪͘ę̴̰̦̯̤̤̭̲̲͛͐́͆͐͊̄̈́̾̚r̷̙̍͂̽̓͌̄̈ ̴̞̹͓̖̺͚͚̬͍̝̀͗̓̉̏̒ớ̸̛̱̬̭͇̹̐́̾͊̃̇̉ͅr̸͔̣̳̺̫̱̬͂ ̶̧̝̳̞͎͛̅̇͊͒̈́̕̕͝p̶̹̳͚̗̘̯̥̬͖̀̈͝͝ǫ̷̟͔̦̻̝̠̬̃̏̈́̈́̀͊̀͆̕͜͝ison?

Dubste̴͇̣̺̪̖̩̬̹̳͒p̵͖̼͚̥͕̄͊͆̌̽̋̄̉͠meme

@luvtoshima

"My second EP - a forest which is a place of shelter for me. All tracks were created in an intuitive way: it's like walking in a forest and encountering random impulses - be it either right or wicked. During this process, I realized that it is not worth forcing music making when I do not have enough capacity, especially knowing that I am most expressive in the state of a productive rest. Hence the title ‘4rest’."

music by Issiaga Camara
artwork by Tamás Páll 
mastered by Roland Nagy @fausto_mercier

www.instagram.com/tomipall/

Buy EP

luvtoshima - 4rest

Tragic Rave w/ VAMPI - 11/07/2022

For EYX009 London based producer Tooth Rust steps out to follow up her breakout release on Cherce Encore ‘Striae’ in 2021. 

The producer from London debuts on Early Reflex with the experimental downtempo three-tracker ‘Glut’, which blends both organic matter and artificial elements yet thinking about the club. 

The enchanted opener ‘Gyre’ swallows immediately the listener into Tooth Rust’s cosmic vortex of eerie sounds, mournful chorus and marching snare drums. The relentlessly hypnotising kick drum and its rhythmic session do their job delivering a spell-casting club tool.

Buy via: https://earlyreflex.bandcamp.com/album/glut


https://www.instagram.com/upper_crust_punk/
https://soundcloud.com/tooth-rust
https://soundcloud.com/earlyreflex

Glut [EYX009]

Premiere: Tooth Rust - Gyre [Early Reflex]

Vision of a dystopian future, between technological fascination and fear
@rinemax

011668 S280F - O
SLUGABED - MMILLKK (S280F remix)
Tendre Ael - More Than
Network Glass - whscr19
Nunu - Hateful
Hyph11e - Black Pepper
EXIT ELECTRONICS (JK FLESH) - DOING IT WRONG
Marc Fell & Gábor Lázár - Track 7
Yves De Mey - Moinen
Crash extract, David Cronenberg
Paraadiso - Unisono
Loft (Aya) - Lassanamae
Rabit - Straps
Kavari - Someone Loved It
MYEN - GUT HEALER
Hyph11e - Encrust
INFX - northbound432
Kavari - Mirroring (Like Me)
Pan Daijing - Metal
Gooooose - Pattern Recognition
Croww - Prosthetic 1
RENHAUDT - THE TASTE OF LEAD BEFORE MY SKIN TURN RED

Rinemax • Mechanical Ballet ep01

IM099 - BOLT RUIN - EHKTA
Label: Infinite Machine
Release Date: September 30th, 2022
Format: 12" / Digital

Infinite Machine is proving again it’s a label that refuses to sonically sit still. Having released everything from code-based compositions to bass-heavy techno in 2022, the imprint is readying the release of the black metal-tinged Ehkta by BOLT RUIN later this month. A musician whose work has been described as ‘apocalyptic’ more than once, on this new mini-album, the Belgian producer blends field recordings, twisted samples and rave signifiers with an eerie tonality born out of his nocturnal production sessions and time spent absorbing the silence of his studio garden.

Bridging the gap from his previous record to this one, ‘Sktone’ is a cinematic opener that unfolds like a bad dream in slow motion. Warped samples of Bulgarian choirs glide over synths wired in closed-circuit loops which feed back on themselves, degrading for infinity. Texture and space is added via field recordings of waves crashing over the ruins of ​​Brighton West Pier. This track exemplifies the unexpected influence BOLT RUIN took from the wildlife he witnessed in the garden of his urban studio when working on Ehkta. Adapting to the material at their disposal, weasels and blackbirds create nests from organic waste and human trash - an astute metaphor for the Belgian producer’s compositional approach.

Next up, BOLT RUIN drives up the tempo with the rave-ready ‘Nehng’, where a frenzy of trance arpeggios and frantic drum programming builds and intensifies over its 5-minute duration. Inspired by Yves Klein’s ‘Leap Into a Void’, ‘Nehng’ definitely evokes that bodily rush of freefalling into the unknown. ‘Nehng’’s driving rhythm is switched out for the brooding ‘Tzarhk’ - an ode to the soundtracks of B-movies composed on a vintage Roland SH-2 (a prominent character of the Stranger Things soundtrack). BOLT RUIN runs thick, syrupy synth slabs and punishing drum patterns through a rain-soaked limiter the producer found lying on the street by chance.

Another master-class in self-destructive arrangements comes in the form of ‘Rfohmdrá’ as delicate pianos and synth tones atrophy through daisy chained pedals which erode the signal. Valgeir Sigurðsson’s mastering skills shines through here, taking BOLT RUIN’s sci-fi-meets-metal sonics and amping them up to a scale on par with the Björk or Ben Frost records he’s previously worked on.

Conceived of as the mirror reflection of the LP’s opener, ‘Maevr’ pushes the approach of ‘Sktone’ to an even more nightmarish extreme. Embracing chance, the clattering layers of beats are sampled of a knocked mic on a window as BOLT RUIN attempted to capture a recording of rain from his studio. A happy and very effective accident for the foreboding mood of the track!

BOLT RUIN rounds off Ehkta with ‘Ekztamnh’; an ode to that specific sensation of entering through a corridor to a rave and hearing the rumble of a soundsystem from afar. Snarling melodies are run through a reverse granular delay effect which fragments the signal, reverses it and plays them back in irregular order; much like the shattered memories of a late night in a warehouse.

A musical magpie who finds inspiration in the most unlikely of sources, Ehkta is a restless exploration of salvage-punk aesthetics where doom-laden black metal melodies, amen breaks and an experimental approach to sound design sit in an irregular and uneven musical apocalypse. For fans of Blanck Mass or Caterina Barbieri - this is a must-listen material from a fresh producer establishing himself with a singular musical voice.

Ehkta

PRE-ORDER

BOLT RUIN - Ekztamnh (IM099)

Thanks to https://soundcloud.com/myentericplexus.

(+)earth w/ MYEN

3. Jook - Gold Rush (Prettybwoyy Bootleg)

Gheis - C

Premiering "Dispose And Burn" by Bios Contrast taken from "Hiranyagarbha" out on November 26th, self-released

Buy: https://ffm.to/hiranyagarbha

Developed during the pandemic 'Hiranyagarbha' is a complete remake of Bios Contrast's previously released debut album 'Solitary Reaper' & 'The Temple' EP. This record explores the hallucinations a human experiences due to the effect of prolonged isolation.

The word 'Hiranyagarbha' comes from the Vedic philosophy of the universe emerging from a single Golden Egg or a Golden Womb which is the source of creation. This record also takes visual elements from 'Ships of Light: The Carlos Diaz UFO Experience' and questions its true nature with all blind belief, evidence, and skepticism.

The finale track 'Silence' tries to simulate deafness as the tracks in the record gradually get disoriented and broken. The 7 tracks after the finale bring randomness and questions the logic of this record.

'Hiranyagarbha' uses DIY electronics, sound design, and resampling as a foundation accompanied by Harmonium overtones, brass flute, drums, strings, and vocal improvisations.

Links:
https://soundcloud.com/bioscontrast
https://bioscontrast.bandcamp.com
https://www.instagram.com/bios.contrast/

Hiranyagarbha

[Premiere] Bios Contrast - Dispose And Burn (Hiranyagarbha out now)

Small pieces to put back together, maybe a chance for change, what really matters in the end. How long does it take for you to fall into a sound that is quite not there?
Then putting pieces back together, you must remember them first, Is that all? Maybe. Would be easier if you could grab a feeling, and translate it into... what? More pieces to put back together, a senseless mosaic, it feels good tho.

Staying away from: DAILY EXISTENTIAL THREATS, the chairs game...

I said this time I would stay away from the chairs game. I wonder where my friends are??! Sometimes it’s so easy and when it is easy it doesn’t mean it’s bad, or unfinished, maybe you can just make good things rather quick.. someone says hi on the streets I don’t even remember their face, Hey Hey, is it always the sound that finds you, not the other way round?

Still some pieces to put back together... Like that works, for a while.

released November 25, 2022

Track 1, 2, 3, 4, 6, 7, 9 Mastered by Pax
Track 5, 10, 11,13, 14 Mastered by Carlos Villamizar
Artwork by Matt Pleizer @r.ndomzine
Tape design by Kate Chen @kate.ai
Creative Direction by @simone.antonioni

V31

[Premiere] Bios Contrast - Dispose And Burn (Hiranyagarbha out now)

#internetghetto

Related tracks