@yukumusic
 https://yukumusic.bandcamp.com/album/bom-klakk-yukus-supersick-sample-pack-free

YUKU – Bom Klakk Creative Challenge (Circular Square entry)

Cracked

@galtier returns to Plasma Sources with Mainframe Incantation, a five-track release marking the 7th position on the label’s roster. First appearing on the Multi Source compilation earlier this year, Galtier now moves beyond the mechanical, sci-fi focus toward a sound that fuses technology with the divine, inhabiting the liminal space between worlds. 

Rooted in the earliest traditions of percussive music as a vehicle for altered states, Mainframe Incantation channels ritual energy through synthesised and digitised means, closing a cultural loop from origin to present. The result is a tension between the spiritual and the mechanical — feverish, dissonant, and hypnotic. 

The journey begins with "Ausmisis States", a restrained, technical opener of squelchy basslines and coarse pads, setting the stage for contact. "Tincture Pump" bursts through next—erratic, bouncy, and high-velocity, with a swelling distortion lead that injects chaotic energy straight to the bloodstream. 

In "Tink Cycle", the pace slows into a groove-laden trance, its caustic bassline dragged forward by steady kicks and splintering snares. At the centre lies "Hex Crawler", a gurgling, otherworldly entity speaking in alien tones before breaking into a vast, unearthly climax. 

Closer "Phantom Tremors" hurls us back toward reality with hasty techno-inflected percussion, metallic strikes, and roaring sub-frequencies. Pulsing hardware bleeps push the final surge, sealing the ritual in a haze of digital energy. 

Mainframe Incantation

Hex Crawler

Out now - 12 tracks: double vinyl and digital 

In 2013, Different Circles launched with Weightless Volume One, a compilation that helped define a new minimalist aesthetic in electronic music. 

Twelve years later and after a six-year pause, the label returns with its tenth release: Ping Volume One.

Like weightless, ping isn’t a genre. It's an approach to anchoring and propelling sound without relying on the steady pulse of a kick drum.

Instead, a single percussive hit — the ping — holds the centre. Dry and high in the mix, or echoing distantly through space, it becomes a temporal anchor. Around it, the rest of the track can undulate, bend, float or collapse.

The term first appeared on Mumdance’s radio show, where playing “the pingy ones” from the Different Circles back catalogue became a running joke. In the Discord community, it evolved into a shared language, with memes, lore and a mascot known as the Ping Devil.

In 2023, Mumdance aired The “Ping Report” a radio show that gathered everything into a coherent moodboard. It included original tracks made by Discord members for the show and set the foundations. From there, more producers began making ping intentionally, and over time, Ping Volume One took shape.

As the idea came into focus, Logos and Mumdance noticed that much of the Different Circles back catalogue, if not explicitly weightless, could now be understood through the lens of ping. It was a sound they had been drawn to long before they had a language to describe it.

Ping Volume One is a document of shared instinct. A collection of tracks connected by feel rather than formula, shaped by years of dialogue between a community of artists and listeners who were drawn to the same sounds & ideas before they had a name.

AMIT - Dirt Doctor

Send request : info.seeksicksound@gmail.com or join our discord : discord.com/invite/suVpRBStmu www.instagram.com/seeksicksound/

Team GB, Got The Jitters/Thunderbug
Defrostatica, 2025
Pre-order : https://teamgb.bandcamp.com/album/got-the-jitters-thunderbug

@teamgbmcr
@defrostatica

Pre-order

[Premiere] Team GB - Got The Jitters (out on Defrostatica)

It's time to give back again. As usual, 3 tracks by the label's crew, put them in your USBs, as a token of our gratitude.

Artwork by Stacktrace
Mastered by Qant

Bandcamp

Kaval - Clock Tower

Dubs from the Filter Dread hard drive. Link to full drop : https://filterdread.bandcamp.com/album/f-i-l-t-e-r-traxx-void-mix

Dub Void

Listen to "Nimbal Lemon Particle" by WTVR & 451F taken from "Interferences" out on September 15th via Yanked Beats

Pre-order: https://yankedbeatsrec.bandcamp.com/album/interferences

Welcome to the underground of the Portuguese underground. Not necessarily the oldest members, but at least among the most active and the most honest, because WTVR and 451F are the kind of artists who are involved, not to say committed, in their artistic approach and in all their cultural activism. Whether it's a career as a “pyromaniac” visual artist or one made up of encounters and accidents, these two producers certainly share a desire to defy the boundaries between genres, both thirsting for sonic experimentation.

So, is it still footwork? Is it still jungle? Or halftime? Or breakcore? Not really... and a bit of all that at the same time. And that's what makes this production so interesting. So, let's experiment!

Links:
WTVR
https://soundcloud.com/wtvr-vtw
451F
https://soundcloud.com/goncaloincendiario
Yanked Beats
https://soundcloud.com/yankedbeats
https://yankedbeatsrec.bandcamp.com
https://www.instagram.com/yanked_beats

Interferences

pre-order / bandcamp

WTVR & 451F - Nimbal Lemon Particle (Yanked Beats)

Marijn S is a Dutch producer and DJ who showcases the organic age of dance with radiant breaks and gritty, icy soundscapes.

As a producer, Marijn combines multiple contrasts in her work; the raw, pure and timeless essence of music. Embracing simplicity and tranquility, Marijn is also intrigued by darker, experimental, and complex music. Her artistic expression is characterised by the playful juxtaposition of these contrasts. 

She’s played notable gigs such as De School (AMS) Garage Noord (AMS), Dekmantel Festival (AMS), La Cheetah (Glasgow) and participated in events like Ilian Tape’s Amsterdam takeover at the Melkweg. Marijn S has recently made her live performance debut for Speedy J's STOOR / PINK NOISE during ADE, playing only with her so described ‘machine of self expression’: One hour full of her own creations, ranging from textured ambience and dreamy IDM to heavy distorted bass, abstract noise and heavy hitting electro & techno.

Her most recent EP, Digital Tears, is entirely composed and produced using the Elektron Machinedrum MKII. Some tracks, like Digital Tears and Soft Fall, were recorded in a single take to capture the raw energy, live vibe, and personal touch that come from working with analog equipment. She uses techniques like layering, resampling and overdubbing to produce a richer, denser, and reimagined sound (Gleam), as well as recording several elements individually, processing and arranging them in a way that enhances the overall coherence of the sound (Magnetic Fields).

Marijn S - Digital Tears EP will be out on September 12th on Selvamancer.

https://soundcloud.com/selvamancer
https://soundcloud.com/marijnswillens

WTVR & 451F - Nimbal Lemon Particle (Yanked Beats)

#internetghetto