Aloha amigos! Guess who's back?

Today, I bring you a track that’s bittersweet to talk about—Unlimited Midnight of the Soul. Part of my first album, released five years ago, this one sounds like it came straight out of 1999—not exactly what I was aiming for when it dropped in 2020.

I busted my ass for nine months to finish this album, only for the label to force me into a contract they didn’t even respect. After watching it sell like hotcakes, they refused to pay me a cent in royalties. To make things worse, I was forced to use their "mastering engineer," who drained the life out of the music. Every track ended up sounding worse than stuff I made in 2015—a massive step backward.

That said, I still love the bold ideas I explored here. This album meant a lot to me, but the mastering wrecked all that hard work, it feels like the high end is weak, and the volume is just not there. If there’s a lesson in all this, it’s one I want to share:

Producers, if your track sounds like crap after mastering (and you know it’s not on you), then the engineer is doing a terrible job. Don’t settle for subpar quality, or you’ll be pissed eternally. Work with real professionals—people who enhance your vision, not kill it. A great master—and of course, a solid mix—will make your music last.

For me, this release felt like a setback, because I know it could sound much better.

Sorry for the rant, but I figured you’d appreciate a slice of sincerity. Making music is a wild ride, and frustrations are real—especially when dealing with people who only want to exploit your work. Sadly, there are too many crooks in this industry who will sweet-talk you, take your music, and abuse your enthusiasm. This isn’t an isolated case—it’s a real problem that needs to be addressed.

Hope you enjoy the music, and as always, thanks a ton for your support and positive energy! 🙌

Get it here🔥

Anyer Quantum - Unlimited Midnight of the Soul (Kiss in a Bandage)

‘PAIN | PERSISTENCE | PRIDE’ marks the bold debut of Interpslyce, a producer and DJ redefining the boundaries of electronic music. Blending the raw energy of Techno percussion, the deep, driving bass of Psytrance, and the soaring melodies of Trance, this album carves out a sound that is uniquely his own.

Rejecting the industry's rigid genre constraints, Interpslyce believes true artistic freedom has been stifled by the pressure to prioritize technical prowess over musicality. The result? A scene oversaturated with forgettable, formulaic noise. This album is a rebellion against that—hypnotic, minimal, and designed to ignite imagination. Each track is crafted to be memorable, evocative, and packed with the punch and drive needed for peak-time sets.

This isn’t just an album. It’s a statement.


Interpslyce - Loose At The Zoo (Original Mix)

Cataflex Kantera mix

Kodama's debut single "Echoaura" released with Proponent Records on "PRVA4 - Urbania".

Release date - 24 February 2025

Echoaura (Proponent Records)

Mattero - Molecular shift

Quantum

#01 Toxic Compilation

Ugo Anzoino - Unchained Memories (Kozi Komatsu Remix)

Out now on Night Light Records. Supported by Pan Pot, Anna Tur, Hollen, Shay De Castro, Dax J, Veerus, Mladen Tomic, Sinisa Tamamovic, Sam Divine, Sudo, Paco Osuna, Shiba San, Cristian Varela, and more!

Nino Blink - Chemicals [Night Light Records]

With the release of our third annual Various Artists Compilation, we’re celebrating three years of LAPS Recordings! We are hyped to welcome back our latest family member Lu:cas as well as Hach (DE) for the double amount of Peak-Time power! "Game Over" is the perfect tune for every hour: chill, atmospheric but also driving and energetic! Hach follows in his familiar driving, melancholic and Trance-influenced style with "Always In My Heart" - two tunes that are definetly worth listening to!

Lu:cas - Game Over

Alpha Centauri

Adonai Odins Eye

Neurospicy with a sulphur allergy Producer & DJ, born '91 'Interpslyce' .aka. 'Tony Quinn' promotes quintessential EDM with a modern edge.