Infinite Space

Latest track ‘Reflections’ OUT NOW!**👇IN FULL!!

https://youtu.be/BQaTA4H1XdM?si=rYJeP-3yL_OkbK1x

I love music and produce the genre that I love which is Progressive Trance specifically in the style of Trance music from the late 90s to the early 2000s. When I started this project back in the summer of 2002. After coming up with numerous names that would suit my style coined as ‘light, airy and melodic Trance’ I settled on the name ‘Goldengate’..

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Gordon McInnes is from Glasgow and has lived there all of his life. He has been writing and producing music for the past 27 years. Gordon comes from a musical background. His late father was an ardent home producer in his spare time, writing and producing music in the style of New Age and ‘Gregorian Chants’ and has strongly influenced Gordon in his appreciation for the New Age Genre, Enya, Deep Forrest, Enigma. Gordon’s music has been heavily influenced by well known Trance acts such as 'Chicane' ‘Solar Stone’, ‘Blank and Jones’, ‘4-Strings’, ‘Space Brothers’ and ‘Rank 1’ all of which have influenced Gordon’s Trance projects whereby he goes by the alias ‘Goldengate’ which he started as a Trance project back in 2002.

Like to contribute to the Goldengate Project? @ https://paypal.me/Goldengateproj?country.x=GB&locale.x=en_GB

Artist Pick: Farewell Music Video: https://youtu.be/tmc5DB4JlDU
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Greysign is a musical and visual artist that focuses on creating music in the genre of experimental electronic sci-fi inspired soundscapes mixed with ambient tones. The music is filled with elements of sound manipulation, non-linear structures, unconventional instruments, conceptual exploration, and ambiguity. 

Greysign music hopes to captivate listeners with its futuristic, sci-fi-inspired soundscapes, evoking cinematic grandeur while seamlessly blending ambient elements to create an immersive sonic experience that transports the listener to otherworldly dimensions.

Greysign aims to create dynamic experimental electronic music that is unconventional but still resonates with the willing listener. 

  Greysign encourages the listener to experience the music with a pair of great headphones or speakers and to listen to the track without interruption.
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LATEST NEWS:
05/23/25: "Victory" Music Visualizer Video: https://youtu.be/lIl5M97Fs90
02/21/25: "The Awakening" Music Visualizer: https://youtu.be/3CSauYCrZmc
09/06/24: "Farewell" Music Video: https://youtu.be/tmc5DB4JlDU
07/22/24: Defeat Music Visualizer https://youtu.be/ddjyA_gBkM4?si=RYuPsPNBb-N-wSFN
04/18/24: Procession Music Video https://youtu.be/ySlTCuTNcb8
03/01/24: Paragon Video Visualizer https://youtu.be/mLFUR7k92AI
01/10/24: Threshold Video Visualizer https://youtu.be/U6HGZImJ5yY
12/3/23: Belly Video Visualizer: https://youtu.be/QXE6cZKfM7c
10/22/23-Escalation Official Music Video: youtu.be/b1Xu1e4nYb4
9/17/23-Origin Music Video: https://youtu.be/x2sgQ8ShX4c

Ambient, chillwave, post-rock, dream-pop, IDM, and downtempo originals

Disco, funk, house, trance, and chillout DJ sets


Interstellar Noise is the recording project of multi-instrumentalist Rob Campbell based out of Asheville, NC

Spotify: https://open.spotify.com/artist/3h9YFTlhixNcQHPWYrGXOT
Downloads: https://interstellarnoise.bandcamp.com
Instagram: https://www.instagram.com/interstellarnoise/
Booking/Inquiries: interstellarnoise96@gmail.com or contact on FB: https://www.facebook.com/robmcculleycampbell

All links: https://linktr.ee/interstellarnoise

Thanks for listening!

Destined for greatness 🏆
Spotify: Lil Subi
Instagram: Watupjj
Youtube: Lil Subi 
Email: jjlabady04sti@hotmail.com

Born in 1980 under the name KRT, the band began its journey in the raw energy of live shows — in Spain, including a memorable concert in Burgos, and in Brussels at the Teatro. Those early years, intense and furious, were wiped away overnight: all archives, tapes, posters, and memories stolen in a single car theft, as if someone had tried to erase history itself.

By the late ’80s and early ’90s, the group found shelter in the former RKM studio on Avenue Molière in Brussels, under the demanding ear of artistic producer Jean-Claude Maury. From those sessions emerged Fast Beat and The Ballad of the Mouse and the Bird, defining tracks that carved NUR’s sound into stone — dark, restless, untamed.

After a split and years of silence, the band resurfaced under the name NUR, carried this time by the new promise of the digital age. The music could no longer be erased; it was destined to survive.

But fate struck again: the passing of one of the founding members closed the collective chapter. Today, NUR rises once more, as a solo incarnation. More than a project: a resurrection. A flame still burning, more than forty years after its first spark.