preview from Matteo's release, a mad tribal dance trip inspired by magic bosketto energies and primitives inner recalls

@matteocoffetti

Matteo Coffetti -  Quentin Selva Fooza

Maoupa Mazzocchetti p̸͓̥͖͇̋̍̔̐̀͛͌̐ŕ̷̤̲͎̤̲̩̻̦̑̎͐̕͜esents : 
UXY Dosing© Vol. 2 (NineTr̵̙̀ȧ̸͈̩̤̥͝c̷̫̹̻͈̼͕͇͈̀͒ks Unsel̶̛͔͚̬̞̐̒͝e̸̡̘̩͂͊̀̄̕͜cted by Judaah)
BFD̵̼́͗̽̑̀̐̕̚͝͝M̴̧͕̲̰̰̪͐͑͂̽̈́̒͜025B x ╔҉╦҉╗҉╔҉╦҉╗҉

Prȩ̷̛̛͓͙̘̬̤̻̘͍͊̑̽̀̔͊͆̕ö̸̢̗̤̙̞͔̣̟͔́̈͐̈͆̚͜͝r̴̛̮̱̹̀́͝͝der : maoupamazzocchetti.bandcamp.com/
Out : mar̸͍̬͖̦͕̗̘͎͕͈͗͛̽̽̏c̴̺͉̣̭͚̪̬̽̃͋ͅḩ̷̢̢̺͎̜̝̞͗̍̆̏͌ 28t̵̜̤͖͊̇̎̒̾̈̈́̅̊h 2022

UXY Dosing© (UD) is a maximalist g̵̡̢̨̛̞̰̼̣̃͊́̍̓̌̆̚͘enre of electronic music that refers to sound productions that make for a radical succession to the minimalist genre, regardless of style and aesthetic practice though mainly à̸͈̙̤̥̝̽̉̈́̕͝s̷̰͍̣͔̤͂͌̽̍s̵͖̙͈͋͋́̏ǫ̵̰̟̩͔̊͂̊̿̎̆̿̀̑̕ͅc̵̥̖̝̞̞̔̈į̶̛̖̰̯̬̋̆̄̀͛͗̌̈́å̷̢͚͚͐̚t̴̺͖̪͎̞̄͛͑̅͛̇e̸̛͇̥̮͕̹̬̱͚̿͆̉̑͒́̊ͅͅd̷̯͇̦̝̻̝͎̦̭̔̒̈̏̕͝ͅ ̷̺͇͘͘ẇ̷̳̝̙͇̑͠ǐ̵̛̮̘̥̰͙̼͉̱̂̀̑͊̏̚͝͝ṭ̴̡͍͙̰̪̫̊̓́͒͂̾̄̍́h̴̢̢̛̲͙͙̮̤͓͈͗̀͌̏͊̎̿͗̓͜ the field of sound arts. More precisely, it designates that which embraces heterogeneity a̷͎̲͇̰̤͇̤͚̼͍̒̌̊̈́̏͂̚͝͝ņ̵̲̳̞͓͎͎̤̱̇d̸̩̈́̓̈̈́̅̄͐ ̶̞̩̼̀̉̇̉͋̋̐͝ȃ̵͕̺̟̘͇l̶̡̧͉̺͖̱̑̏̈̾̌̀ḽ̴͎̈ö̴̓̍̐͆ͅw̶̖̞̹͗̀͌š̸̲͈͔̥̘̩͙̮͕̌͂̄̈͗͜͝ ̴̡̥͙̝̯̣̙̘͈̦̓͠f̵̟̔̔̔͂͐͘͠ơ̵̢̞̞̘̬̐̃͘ͅr̶̹̳͚̱̥̹̦͗̂͘͜͝ ̵̯̖́̓́c̶̡̳̦̗̉̈́ö̸̮͖͎̯͓͇̹͚̙́͐̉̉́̈̍́̒ḿ̶̻͚̥͐̉̀͐̋͊̕͠p̸̣͙̬̔͊̊̒͆̚͝l̶͔̹̹͐͌̍́ͅė̸̛̫̪͔̫͙̻͙̈͆̐̑̑x̸͔͙͌̐̿systems of juxtapositions and collisions, in which all outside influences are viewed as potential raw material. 
However, UD rel̵̛͎̣̾̕į̶̝͎̘́́̈ĕ̴̠̂͆̍̂̇͝s̸̡̨̱̯̭͍̺͇̒͘ ̶̦͖̬̪̆͐̾̋̅̕m̶̪̘̪̮͐̚ȏ̸͎̜́̈̾̓͛͂̏̅̕r̶̬͕̻̈́̃͆́̂̚e̸̢̛̗͓͛̏̆͑̍̄̾͝͝ ̶̛̻̻̝̤̩͕͙̖͇͑̈́̓̊͘o̸̪̓̀͛̒͗́̉n̷̛̛͉͔̮͔̬̹̤̘̣̹͐̐̍̄̚͝ ̶̬̳͐̇̓̀̔̽́̒̏́s̶̲̖̄̍ì̶̫̲̺̻̳͐͂̋͊ṇ̷̟͊̒̐́͐̋͊̓͘̚g̵̼̅̊̋͛͆̓͋ṵ̴͖̜̬̪͚̄l̵͉̦̤̩͈͈̝̼̪͎͆̄͆̒̓̊̋a̵̢̛̝̙̘̜̻͊̂̓r̴̢̰͎̰͉̣͆̂̑̂̊͜͝ ̵̡͉͌̀̀e̵̪̫̣̼̠͒̿̎͒̿́̄͠x̶̜̯̰̝̟̘̖͍̉̅́̆͑̀͋̇͘͠ͅp̸͉̝̱̩̹̳̳̙̓͛̈́͂͛͗̃̉͑͝e̸̛̺͖̳͔͓͈͖̻̗̋͛̈́͛͑̈́̋̚̕r̸̡̧̘̠͔̀͗ȉ̷̹̩͈̫̦̲̪͕̩̈̆̑̑̉͊̂͛͜͠m̶̮̥̗̗͈̘͇̈́͂͊͊͗̎̓̕è̶̢̯̙͕̿͌̈́́̍̑͠͝n̷̲̼͎̈́̚ṯ̶̢̥̙̯͆̄͋̔͑͆̆ą̶̥̫̬̜͛̉̇͊͛̊̔̑͘t̴̜̞̫͆̓́̈̾i̴̝̫͖̠̣̗̽͆o̶͇̍̇̾̓̑̆́͘ņ̵̪͆̽̒̾̀̃̐ ̵̜͕͍̰̻̭̿͘r̸̡̢̃͆̄͑̈́̋̐̏͠͝á̴͙̮̦͍̮̩̯̝͎̂͝t̵̢̧̩͙̜͕̩̬́̋̏̾̚͘͜ḩ̷̳̟͉͈̺̹̯̳̻̔͑́̅́̕ë̴̡̤͍̥̀̊͂͌͛̐͝ṟ̸̹̱͓͈͙̎͂ than the addition of musical characteristics a̸̬̺̓̏̃̒̎̇͑͗͒͝ţ̸̨͔͖̥̭̱̦̌̆́͘͜ţ̶̧̰̦͎͊̅͊a̶̢̡̢̜̮̗͒͆̕c̴̨̨̝̰̝̮͒͐̄̑̽̐̌͘͜͠͝h̴̟͓͌̋ę̸̤͙̞̲̞̼̖̈́͌͝ḍ̴͖̯̜͉̯̝̑̂͂͑́̈́̃͆̏̇ ̶̝͇̻̬̓́̈t̶̯̰̦͓̝͊̌̓̌̔̓̑̾ͅơ̸̬̝̱̼̰̖͖̲ ̸̨̱͓̤͕̻̙̪͙̽̉͛ͅś̵̨̛̰͉͓͖̲pecific genres.  Subsequently, UXY Dosing© gives birth to MDM (Maximal Dance Music) which, beyond a sole m̸̫͕̅̂͛a̴̺̜̪̓̈̋̏̔́̎̉̉͝t̸̨̡̼̹̟̗͙̘̪̑̂t̸͉͍̭͈̣̫̾̈̚͠ͅe̷̙̐̓̊̌͋̍̒͘ṙ̵̢̖̳̭̺̗̾̓̚ ̶̨̡̢̛̘̜̳͓̱̐͆͒̑͝ͅó̷̰̣͚̹̣͕̀̍̑͋͜͠f̴̢̧̰͕̆̉ͅgenre, remains linked to the high cons̷̝̝̠̰̏̀͋͑͑̅͆͐̔͝u̸̡͂̆̃́̔̀͋͐̕m̵͚͐̽͝p̷̧̰̫͖̖̲͖̹̹̮͛̓̑̄̎t̶̳̲̣͐̄͐̏̀́̄ì̷̧̛̞̺̤̘͉̲̊̚͘ǒ̷̦͂͂̌ņ̵͖̹͛̑̈́͂͊͝ ̸̧̛͕͉̗̙̥̖̹̤̼̓̚ơ̴̧̝̭̯̥̣̎̆͗̾f̵̯̝̮͖̰͈̱̻͗̀͐̓́͒̀͗̒͝ ̵̪͊ḏ̷̡̱̙̆̀͆̿e̵̯͆̔̅̏̇́̾͗͒x̵͚̯̜̜̳͙̞̟̀̚͜͠ͅt̶̩̭̰̀͂̌̀͒̅̈́̀r̸̢̟̪͉͋̈́̉ơ̵̯̭̝̊͑̓͂̑̄͊͘s̶̡͚̣̤̜̘̪̻͐̔̆̀͌̀̐ȩ̷̮̲̩̣̤̂ ̸̥̭͇͓͈̭͙̘͈͇̃̑̍̍̇͑̀ą̸̨̘̤̫̐̾̓̐̈́̆̀͝͠ṡ̷̘̞̪͇͉̣̣͗̿͂͋̅͜͜͝s̸̟̻͎̼̤͇̥̜̈́̋ͅo̴̢̡̧̠̳̻͉̱̾̆̒̾͜ç̶̗͚̠̰͕̬͚̭̙̾̋i̵̡̬͉̥̾̓̑̋̆̆͋̍͠a̶̼̯̦͇͑̔͆̄͋̈́̀̒̀͝t̵̛̬̒͆͜ͅȩ̸̯̥̦͎͚̗͐̿͒̀̔̋̽̀͑d̴̡̛̰̬̺͙̦̰̽̈́͊́̏̎͆ͅ ̸̧̤̭̌͛͗̋̌͐̀̾ͅw̶̧̧̻̼͇̤̐̾͂̽̂̍̒͊̒̚i̷͈̩͎̱̗̭̗̯̻̹͐͂́̂̑̒̈́ṭ̶͙̆͒̓̎̌̒ĥ̶̛̼̼͌̋̉̈́̄͐̓̾ ̸̧͎͙͚̠̈́͑̂̀͗̔́̐̕͜͝m̶̺̅̋̀̎̿̋͒͒̚̕i̶̩̙͋̊̾͜l̵̻̗͇̉͠k̴̡̙̻̘̳͉̐͛͋̔̂̚͝͝,̸̦̫̈̽̉̔͑ ̸̻̿̾͋̇͐w̸̛̛̙̙̒̍̿̄̏̌̓͝ḩ̴̡̮͕͚̤̳͔͙̋̈̀̈́̐̎̾͗̚̚ḯ̴̢̢̢͌̓͝ć̶̨̤̞̻̩̝̤h̷̲̦̙̿̋͝ ̴̛̼̬̺̰̲̐͊̈̊͘̚͜d̵͔͖̠̏̈́̇̅͌̑͑̚͜ͅế̸̝̯̼̖̙̒ ̴̼̜́̋̏f̸̲̬́̌ã̵̳̥͗ç̴̧͓͙̼̖͚͎̪̆̽͐͌̾t̵̛̹̪͇̠̬̤̊͒̆̄̊͑̆͠o̶̡̠͉͈̗̙͚̱̭̔̈́̑̈̄̄̊̉̈́̈͜ ̵̢̭̙̎̎́͐̐̏s̶̡̳̭̩̼̮̲͍̮̙͒̽̊h̷͔͙̯̗͙͙̞͎͔́̓̊͝ã̴̛̜̝͓͙͔͆͐͗̔͠ȓ̵̯̺̩̼͓̟͕̲͉͗̇̓͐́̾ͅȩ̸̘̳͔̊̄̓͌̑͘͜s̸͕̜̈̄̉̿͗͗ ̴̯̙̙̥̬͙̼̜̜̙͂̓͆̅̀͌̀̀ţ̶̬͇̝͈̻̩̈̐͑̉̽h̴̦̞̻̫̘̖͆̐̂́ͅȩ̵̢̺̮͚̮̳̥̿̂ ̴̭̃̓̑̋̈́̉̕͜ş̷̖̟͔͇̹̼̀̾͊̎̂̓̾̾͋ͅä̷̙͍̼̭̙́͛̔̀͋̾̄̀̅͘ḿ̶̛̫̭̘̳̘̅̌̉̑̊̉͌̂ͅͅe̷̢̥͕̭̝̣̞̹̿̅̏̀̐̅̀̅̕͠ ̵̡͕̟̳̙̦̦̰̥̽̈́̽ạ̵̡̧̞̩̠̖̄́̆̍͘c̵̯̘͖̭̹̻̫̲͍̍̃̀̿͆̓́̈́̕̕ṟ̶̲̼̬͔͒ͅơ̴̡̲̣̼̦̦̲̿ņ̴̯̬͔̱̃͝ÿ̴̮̻͙́m̴̙̘͗̎͌͛̊͝͝ ̸̡͖̔̿̋̃͗̊̇̕͠ä̵̳̦͚͇͙̹̜͔́̂̑s̶̳͚̙̟̃̄̂́̏̿̎̚ ̷̨̪̺̇͗͗͂͠M̵̜͖̳̦̯͊̓ͅD̶̡͚̥͗͝Ḿ̶̺̻̙͇̞̗̮̱̣͕̍͌ (Maximal Dextrose & Milk). 
R̵͚͍̰̪̬̝̐͆́͒̿̀̍̇͘͘͜e̸̞͖̒̾͋̎̀̽̇͝ạ̵̌́̆͠d̷̡̯̺̠͚̻̘̩͊̈́͐̓͜ : Dextrose, ê̴̡͚͇̗̩͇͍̗̹̆̑̾̃̌̔̈́̓ņ̴̦̼̦̠̬̰͋͆͒́́̿̃͗̀̐e̴͓̭̠̜͋̏́̃̕͜r̴̠̼̫̱̜̦̼̾g̵̗̜̺̰̼̙̬̪̎́̿̈́̇̌̀̊ỉ̴͎̩͂́̂͆͋̇̂͠ś̴̪͘ę̴̰̦̯̤̤̭̲̲͛͐́͆͐͊̄̈́̾̚r̷̙̍͂̽̓͌̄̈ ̴̞̹͓̖̺͚͚̬͍̝̀͗̓̉̏̒ớ̸̛̱̬̭͇̹̐́̾͊̃̇̉ͅr̸͔̣̳̺̫̱̬͂ ̶̧̝̳̞͎͛̅̇͊͒̈́̕̕͝p̶̹̳͚̗̘̯̥̬͖̀̈͝͝ǫ̷̟͔̦̻̝̠̬̃̏̈́̈́̀͊̀͆̕͜͝ison?

True St̸̡̛̛̰͎̤̯͇̩́͒̄̃͐̀̈́or̷̳͙̻͖̘̝̫̱̯͛̑͑̎y Ima̶͈͚͚̤͇̺̩̳͐gined

Jonnnah - Social Nebula

Artist: https://soundcloud.com/endobliss

In December 2021, Intersub was born. Part collective, part ensemble, part label, part platform. One year later, our undefinable format has morphed into a compilation of genre-bending sound that journeys through modular synthesis, atmospheric soundscapes, and meditative drones that are disturbed by sirens without compromise. With this compilation we delve into the incomprehensibility of our shared realities - oscillating within the emotive spectrum of the human experience. We celebrate the variety and depth of the music produced by the talented artists in this compilation, and release it with gratitude for the chance to meet such inspiring people in such a short space of time.

Endobliss - Mis Brain So (Fresh Mode Beta)

Amnesia Scanner & Freeka Tet - STROBE.RIP
Label: PAN
Cat.No.: PAN 139
Release Date: 16 June 2023
Purchase: PAN.lnk.to/STROBE.RIP

Amnesia Scanner’s third full-length album titled STROBE.RIP is a collaboration with the artist and musician Freeka Tet, who joins the album and associated live performances as a vocalist and creative collaborator.

Released by PAN records, STROBE.RIP is part of a broader series of live performances, installations, videos and physical products created by the group.

Since its inception in 2014, Ville Haimala and Martti Kalliala have continued to evolve and redefine Amnesia Scanner through experimentation across online and IRL realms. This album brings them a step closer to the latter.

With French-born, New York City-based Freeka Tet on board, STROBE.RIP acquires a new array of influences that draw from the multidisciplinary artist’s hacker mindset, shaping the sound into new forms. As a programmer and technologist, Freeka Tet’s work straddles commerce and art, combining intuitive and performative modes of expression with emergent technology and creative coding. Much like Amnesia Scanner, Tet draws from online vernacular and techno-magic to create satirical, uncanny work – artificially augmented, and highly engineered sounds, textures, images and ideas that translate memes and code into a more human and affective language.

Haimala and Kalliala say, “Amnesia Scanner is now living in the world it has built,” signaling a sincere commitment to the act. The human dimension in STROBE.RIP is chaotic: a reverse hero’s journey that merges deep-fried baroque with the quasi-angelic into a psychotic megamix of tropes, lyrics, genres, and sonic palettes that are both disorienting and deeply resonant.

The opening track Tongue Demons perfectly summarizes this, with blaring synth stabs and frenetic drum patterns paving the way for a broken melody arranged through a digital brass chord progression. Giggle and Bounds follow right after: two outstanding pieces of introspection signaling the melodic turn of the album, with the latter almost posing as a weirdo 2-step ballad filled with deep pads and pitched-up and down vocals.

The 160bpm, 4-to-4 pulsing kicks of Ledge and the palm-muted chords of Disperse serve as a perfect build-up to Ride, right in the middle of the tracklist: a summer hit from hell, a crooked saxophone-graced tune carried by a crusty, Balearic acoustic arpeggio. The alt acoustics continue with Damon, or at least before the track turns from Nirvana’s Unplugged to Slayer’s double kick drum pedals and becomes thrashtronica with Tet on screamo duties.

Things get softer with Clown, specifically in the chanted refrain, and even more aetherial in the almost trip-hop timbres of abandoned.club, where chopped-and-screwed vocals sing “I lost myself in the club.” Scorpions, Bats & Spiders is the abstract gem declaring the death of Deconstructed Club Music—a genre created by journalists and pioneered by the duo, among others. The words “deconstructed,” “club,” and “panel discussion” are spelled out in a vortex throughout the track as if they were to be carved on the genre’s imaginary gravestone. Closing the album, the saw bass of Cat serves Euro-electro à la Benny Benassi’s Satisfaction, while the doomed outro Merge closes the album in a triumphant aggregation of noise and pixelated drums that render the image of a crust-punk ensemble.

Written by Amnesia Scanner
Produced by Amnesia Scanner & Freeka Tet
Mastered by Enyang Urbiks

Amnesia Scanner & Freeka Tet - Ledge (PAN 139)

LIIIVIIIL XOUT

@le_dom "Schism" EP

Out now : ledom.bandcamp.com/album/schism-ep

Written and produced by Le Dom
Mastered by Jeremy Cox
Artwork by Weirdcore

PRDX006 - Paradoxe Club
www.paradoxeclub.fr

Schism

Le Dom - Side Quest

Try Hard To Remember

Northern Electronics readies its fourth Scandinavian Swords compilation, featuring a whopping 41 tracks. Hear E-Saggila’s glitchy jungle contribution ‘Blue Amps’ now

More info: https://djmag.com/music/premiere-e-saggila-blue-amps

Scandinavian Swords IIII: Atlas of Visions Pt. I

Premiere: E-Saggila ‘Blue Amps’

SUPPORT EMOTIONALWAVES

Lumpex - Engelstr [EMOTIONAL WAVES VOL.1]

Delighted to launch our "premiere" series with Lyon-based @xliks, who is featured on the brand new record label Music for commercials (@user-16359218), dedicated to environmental preservation. All the label's profits are donated to associations for the protection of the environment and anti-advertising actions.
Music for commercials promotes diverse and open aesthetics, from noise, to IDM (Idiocratic Dance music)and destructured pop.

From an ecological point of view, the Lyon-based label's releases take place on floppy disks (these floppy disks are second hand). The race for innovation can make us lose the sense of our priority. They prefer
to use obsolete material to make useful and usable work of art. Nothing is obsolete as long as it is still usable.
musicforcommercials.bandcamp.com/releases

Premiere: xl.iks — Healing Process

Label // Community // Platform

Intersubjectivity is the creation of shared experience between conscious minds. The exchange of subjective phenomena between two or more people. It is essential to the existence of language and the emergence of social meaning. Intersubjectivity shapes our lives and minds as our lives and minds shape our intersubjective experience. It’s the interchange of thoughts and feelings, both conscious and unconscious, between two subjects - facilitated by empathy. The existence, nature, and meaning of things is not entirely up to the individual but subject to social and linguistic constraints within a culture or subculture. These are the very constraints that filter our apprehension of the world.

Run by: @yannic-paroxetin & @envsrl

Endobliss - Mis Brain So (Fresh Mode Beta)

Intersub

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