RE-POST LIST 1

A tune addressing the fact that the rights extended to women are a token gesture; that equality is a myth obscured by the machinations of controlling males!

ITSY BITSY NEW GUINEA (THE ONLY PLACE ON EARTH WHERE HERMAPHRODITE TURNED)

THROWN INTO THE LAKE OF FIRE

A Collab between IN THIS MODE AND Meter Bridge

Check out more tunes by Meter Bridge here https://soundcloud.com/jill-beaulieu 

"The Squad"   In This Mode V Meter Bridge (Crash Hardwood Edit)

BABY’S ON 
BABY’S ON
G….G….G….GEAR

RUSHING HERE AND RUSHING THERE
ANYTIME AND ANYWHERE
KNOWN FOR NOUGHT BUT NECKING GEAR
SHE’S THE GIRL WHO DOES’NT CARE

SHE NEVER KNOWS WHEN TO STOP
HER HEAD IS ALL OVER THE SHOP
DRIVEN BY THE SEEDS OF A PRIMITIVE NEED

RUSHING HERE AND RUSHING THERE
ANYTIME AND ANYWHERE 
KNOWN FOR NOUGHT BUT NECKING GEAR
SHE’S THE GIRL WHO DOESN’T CARE

SHE NEVER KNOWS WHEN TO STOP
HER HEAD IS ALL OVER THE SHOP
CAUGHT UP IN THE ECHO OF A PRIMITIVE ACT

BABY’S ON
BABY’S ON
G….G….G….GEAR

RUSHING HERE AND RUSHING THERE
ANYTIME AND ANYWHERE
KNOWN FOR NOUGHT BUT NECKING GEAR
SHE’S THE GIRL WHO DOESN’T CARE

DIVING INTO OCEANS OF OBLIVION
SAVVY TO THE SITUATION
DABBLES IN DERIVATIVES OF OPIUM

RUSHING HERE AND RUSHING THERE
ANYTIME AND ANYWHERE
KNOWN FOR NOUGHT BUT NECKING GEAR
SHE’S THE GIRL WHO DOESN’T CARE

WEARY OF THE DREARINESS OF DEXADRINE
SHE SEARCHES FOR A CHEMICAL EXPLOSION
DELVING INTO DEEPER THINGS LIKE PALTHIUM

BABY’S ON
BABY’S ON
G….G….G….GEAR
                                                                                                                                                                                 RUSHING HERE AND RUSHING THERE
ANYTIME AND ANYWHERE
KNOWN FOR NOUGHT BUT NECKING GEAR
SHE’S THE GIRL WHO DOESN’T CARE 

HOOKED ON HIGHS AND HEADY HITS
FROM SCORE TO SCORE SHE’S TURNING TRICKS
SUMMING UP THE WAY SHE TICKS
EVERY PUNTER IS A FIX

RUSHING HERE AND RUSHING THERE
ANYTIME AND ANYWHERE
KNOWN FOR NOUGHT BUT NECKING GEAR
SHE’S THE GIRL WHO DOESN’T CARE

HER BOMBED OUT LETTERS BEG THE BEEB
PLEASE LOCK ME IN A PHARMACY
BUT DREAMS OF SCRIPTS AND COUNTERFIETS
ARE NOT THE SORT THAT JIM’LL FIX

BABY’S ON 
BABY’S ON 
G….G….G….GEAR

RUSHING HERE AND RUSHING THERE
ANYTIME AND ANYWHERE
KNOWN FOR NOUGHT BUT NECKING GEAR
SHE’S THE GIRL WHO DOESN’T CARE

ONCE MORE SHE MUST HURL HERSELF INTO THE BREACH
TO FEEL THE FULL GRAIN BOOMERANG 
FROM HEAD TO FEET

RUSHING HERE AND RUSHING THERE
ANYTIME AND ANYWHERE
KNOWN FOR NOUGHT BUT NECKING GEAR
SHE’S THE GIRL WHO DOESN’T CARE

OFFSPRING TO PINCUSHION MUM
BUT FAVORING HER DARTBOARD DAD
SIAMESE TWIN TO A BOMBED OUT BROTHER
DIKE AND DOWNERS DROVE HER MAD


GEAR (JIM'LL FIX IT)

LITTLE MISS ELUSIVE
EPHEMERAL MESSIAH
YOUR MIST IS HERE A LITTLE WHILE
THEN QUICKLY DISAPPEARS
	
WHY DO I KEEP TRYING
WHEN TRYING BRINGS YOU NEAR
WOULD THAT I JUST CLOSE THE DOOR
PRETEND THAT YOU’RE NOT HERE

BRIEFER THAN THE TWINKLE IN A MAYFLY’S EYE
LIKE BUILDING BLOCKS OF ACID THAT MELT UNDER SUN
LOVE; A BIRD OF PASSAGE IN A TRANSIENT SKY
APPEARING / DISAPPEARING LIKE THE STAR OF BETHLEHEM

WHY DO I KEEP CRYING 
WHEN NO ONE SEES THE TEARS
WHY DO I KEEP REACHING OUT
WHEN NO ONE EVEN CARES

WHAT’S THE POINT OF CRYING
WHEN NO ONE SEES THE TEARS
WHEN FRANKLY DEARS DON’T GIVE A DAMN
AND LOVE IS INSINCERE

BRIEFER THAN THE TWINKLE IN A MAYFLY’S EYE
LIKE BUILDING BLOCKS OF ACID THAT MELT UNDER SUN
LOVE; A BIRD OF PASSAGE IN A TRANSIENT SKY
APPEARING / DISAPPEARING LIKE THE STAR OF BETHLEHEM

LADY PRIMADONNA 
QUENCHER OF DESIRE
RAINS ON EVERY LOVE PARADE
AND QUELLS THE INNER FIRE

INDIAN AND GIVER
EQUIVOCAL DOVE
BRINGS THE GIFT OF TROJAN LOVE
THAT TAKES YOUR WILL TO LIVE

BRIEFER THAN THE TWINKLE IN A MAYFLY’S EYE
LIKE BUILDING BLOCKS OF ACID THAT MELT UNDER SUN
LOVE; A BIRD OF PASSAGE IN A TRANSIENT SKY
APPEARING / DISAPPEARING LIKE THE STAR OF BETHLEHEM
                                                                                                                                                                                                                                                                         INDIAN AND GIVER                                                                                                                                                             AMBIVALENT LOVE
WHO CAN FATHOM YOUR ORIGIN:
BELOW OR ABOVE

CHANGING LIKE THE WEATHER
AN INVISIBLE AGENDA
THE GREATER EIGHTH WONDER
AND THE GREATEST PRETENDER

BRIEFER THAN THE TWINKLE IN A MAYFLY’S EYE
LIKE BUILDING BLOCKS OF ACID THAT MELT UNDER SUN
LOVE; A BIRD OF PASSAGE IN A TRANSIENT SKY
APPEARING / DISAPPEARING LIKE THE STAR OF BETHLHEM

WHY DO I KEEP WAKING UP 
WHERE DO I GO FROM HERE
WHY MUST I DRINK FROM THE CUP
OF OVERFLOWING TEARS

WHAT’S THE POINT OF STAYING
THE FATES ARE SO UNFAIR
MY SEVEN DAYS OF WAXING PASSED
I’VE WANED FOR SEVEN YEARS

EPHEMERAL MESSIAH vocal

Fat Sphere

Drought

A little over a year since my 2-track release simply named 'Glacial Reverie', I am thrilled to present you a 6-track EP featuring four immersive reinterpretations of the 2 dreamy, vocal-infused tracks 'North Star' and 'Phoenix'. Come and join our listening party on March 12th!

Glacial Reverie EP (full preview)

(English description: please scroll down)
Björn aka @Full-Bucket hat es wieder getan: ein neuer Sythesizer. Dieses mal eine Weiterentwicklung des Ragnarok zu Ragnarok2. Ragnarok 2 ist an vielen Stellen "aufgepppt" worden und ist immer noch so interessant wie der "alte" Ragnarok:

- simuliert einen einmaligen, selbst gebauten Synthesizer aus dem Jahr 1980,
- die Bedienung ist einfach, schnell sind interessante Klänge gemacht,
- soundmässig ist der Synth grossartig, von einfachen bis auch zu (sehr) dreckig klingenden sounds,
- der CPU-Hunger ist gering.

Nach langer Zeit habe ich mir diesen Monat mal wieder etwas Zeit genommen um mit dem Synthesizer ein Stück für den KVR One Synth Challenge zu erstellen (ja, genau: nur dieser Synthesizer ist für alle Klänge erlaubt)
10 Jahre sind seit dem letzten Track mit dem Ragnarok vergangen der ich der ESA-Misson Rosetta, insbesondere Philae, gewidmet habe (Rotation 23, verdammt lang her).

Also fragte ich mich: was hat der kleine Lander auf dem Kometen erlebt, im Vorbeiflug um die Sonne und wieder zurück in das All. Was alleine schon total verrückt ist ... und so entstand der der Kometentanz mit Philae :)

Alle in diesem Stück verwendeten Klänge sind von mir von Grund auf erstellt worden oder "Tweaks" der Klänge von der Rotation 23.

Viel Spass beim reinhören und Kommentare: wie immer, herzlich willkommen:)

Artwork: von mir (2025 Kraftraum :)
-------------------------------------------------------------------------------------------
Björn aka @Full-Bucket has done it again: a new synthesizer. This time, a further development of Ragnarok into Ragnarok2. Ragnarok 2 has been "upgraded" in many ways and is still as interesting as the "old" Ragnarok:

- simulates a unique, self-built synthesizer from 1980,
- easy to use, interesting sounds are created quickly,
- the synth's sound is great, from simple to (very) dirty sounds,
- it's low on CPU power.

After a long time, I finally took some time this month to create a track with the synthesizer for the KVR One Synth Challenge (yes, that's right: only this synthesizer is allowed for all sounds).
10 years have passed since the last track with the Ragnarok that i dedicated to the ESA Rosetta mission, specifically Philae (Rotation 23, a long time ago).

So I asked myself: what did the little lander experience on the comet, flying past the sun and back into space? Which is totally crazy in itself... and that's how the "Kometentanz mit Philae" (comet dance with Philae) came about :)

All the sounds used in this track were created by me from scratch or are tweaks of the sounds from Rotation 23.

Enjoy listening, and comments: as always, welcome :)

Artwork: by me (2025 Kraftraum :)

Rotation 36 (Kometentanz mit Philae)

Kraftraum - Rotation 36 (Kometentanz mit Philae)

One of my lost/unfinished projects that deserve attetion.

Support on Bandcamp: https://bit.ly/2Pyge59
Stream on Spotify: https://spoti.fi/2zCxInd
Listen on iTunes: soon

Follow me
Instagram: bit.ly/2JPmBvT
Facebook: bit.ly/2xZEIJZ
VK: bit.ly/2xYHfUC

Constellations

Will

https://open.spotify.com/album/1c1xvRi8wajQxC7t7Xuxrc

https://music.apple.com/us/album/a-world-full-of-colours/1510196571?uo=4&app=itunes&at=1001lry3&ct=dashboard

https://www.amazon.com/gp/product/B087K11SZV

The Association - Serenity (Extended Remix)

The intro music of my YouTube channel, recorded with 15 different keyboards:
Amstrad Fidelity CKX-100 (Synth 2)
Casio MT-41 (Recorder, Synth Fuzz)
Casio MT-70 (Chorus)
Casio PT-82 (Celesta, Flute, Violin)
Casio VL-1 (Fantasy)
Casio VL-5 (Trumpet)
Kawai MS720 (Banjo (edit.), Drums, User 2)
Yamaha HS-200 (Violin)
Yamaha PC-100 (Violin, Trumpet)
Yamaha PS-3 (Guitar)
Yamaha PSS-A50 (Marimba, Punchy Chordz)
Yamaha PSS-100 (UFO),
Yamaha PSS-130 (Xylophone)
Yamaha TYU-30 (Piano)
Yamaha SHS-10 (Celesta, Drums, Harpsi, Music Box, Wood Bass)

Yamaha SHS-10 Rhythms "Fusion 2", "Hard Rock" and "Country" were doubled with Kawai MS720 Drums. Pitch bend and arpeggio FX made with the Yamaha PSS-A50. No external FX, just a limiter on the master track.

www.youtube.com/watch?v=XzhI09Kau-Y

Keen On Keys Theme 2020

Shifting the gears a bit on this one with some dark dubstep vibes.

Much love x

Ascension

https://open.spotify.com/track/2ve5Mtog8tgEJxeaGMZ1v1?si=iYgrv46dRU2oLudjXl0o7A

Tranquil

THOUGH BEING OUTSPOKEN MEANS MEDIA & AUDIENCE REJECTION, I WILL NEVER JOIN THE NEW BREED OF MUSICIANS;

THOSE WHO HAVE F_CK ALL TO SAY!


Can't match them on studio production because these tunes were not done in a studio, but creatively, ACID HOUSE OF HORROR tunes can stand up to ANYTHING #DaftPunk have done! Listen, prove me wrong!

Listen, leave feedback, and I PROMISE to do the same for you! Swapping support and hype is FREE PROMOTION; paying for promotion is throwing money away on a SCAM! @Steven A Horne @MusiciansWithVision

Likes alone don't do anything; only feedback brings more listeners!

Feedback keeps the post in circulation, and it serves as hype; people respond to hype; on the other hand, viewers see posts without feedback and assume it must be crap so they don't even bother to listen; psychology!

Some of the best music on Soundcloud gets no attention precisely because of this negative psychology! 

And some genres are pushed right out of the picture, even though the artist is making some to finest music on there!

in this mode - the space between my thoughts : the muse : creator: of my inner world : music

ABOUT

- I N T H I S M O D E -
 
Albums 

The Untitled One

A darker collection of work exploring the themes of death, birth and the space in between the two. Life is a continuous stream and birth and death happen as events on the stream. 


NEW EP - En-Trance-D

Trance or achieving a Trance-like state is a spiritual experience. It can take to an experience of reality that is beyond normal every day thinking. Nature has designed us well, we are beings of light as much as the stars in the heavens, we are made in the image of the divine cosmic universe to which we are linked. Trance can take us back home, back to the stars, while still being on the Earth. All we need is the music, let your body and mind go and let the music take you home. 

 SINGLE - HERE I STAND-

The "Here I Stand" single is an expression of the deepest aspects of myself. The raw places in my soul that I have travelled to over the last years of my life. The places I felt I needed to let go and the places I needed to stand firm and resist the temptation to capitulate to a way of being that didn't honour my true self. The Goddess Ishtar journeyed to hell and back to save her lover and in the process she had to shed seven veils or layers of her personality (hence the dance of the seven veils) Its not really about being physically naked, thats easy, but getting emotionally naked.

See more at www.inthismode.com 

BTW the art work for this and my other two releases is created and produced by Leia Sidery from Fablecraft be sure to check out her work 
http://www.fablecraft.com.au
  
MORE ABOUT IN THIS MODE

The moment I heard the opening few bars of Gary Numan’s “Are Friends Electric” my life changed. It was like a doorway opened into a new reality for me. An alien landscape that I felt oddly at home in. Music featured strongly in my childhood growing up as the younger brother of one of the founding fathers of punk rock in Australia. I began my musical life with intensity and have never really looked back. But from that moment back in 1979 synthesisers and electronic music have been an integral part of my musical expression. Along the way I have played in a couple of synth bands, studied classical piano, cello and recorder including a stint in the local symphony orchestra. Far and away the most creative thing I have done in my life is to become a parent. Its the agony and ecstasy of this that has I believe led to “In This Mode”. At any one time I operate in a different mode or role all of which are aspects of who I am but none of them completely defining me and so all the while I am a parent living through the roller-coaster ride of emotions that can involve another part of me is creating musical ideas.

Musical influences are probably to numerous to mention but heres some of it, some of the giants  of electronic music, Gary Numan, John Foxx, Kraftwerk, Depeche Mode, Ultravox, Visage, Human League, Tangerine Dream leading into The Shaman, The KLF, Front 242,  Dead Can Dance, Cocteau Twins,  Sisters of Mercy, Orbital, Dead Can Dance and more recently Assemblage 23, VNV nation, and Royksopp just to name a few. Along the way lots of classical music found its way in there and a bit of Jazz as well. The list really is to long to list so I won’t but my thanks to any one who has ever provided musical inspiration. In This Mode is a reincarnation of a once dormant aspect of my  creative self using synthesisers and technology to create electronic dance, synth pop, downtempo and ambient music to put into form what has been formless for sometime.

"The Squad" In This Mode V Meter Bridge (Crash Hardwood Edit)

In This Mode

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