Performed by Elisabeth Smalt. 
Released on the CD Subvoice - unsounds.com/shop/physical/subvoice

Music For Viola

I Didn't Care

Please, use headphones or good loudspeakers.

You crawl over seas of granite (2019–20), for amplified, detuned string quartet
commissioned by JACK Quartet, with the support of the Ernst von Siemens Foundation

Live Recording, JACK Quartet, 16 January 2020, Berlin

You crawl over seas of granite (2019–20), for amplified, detuned string quartet

'Form the Fabric' derives from NMAI archaeologist Ramiro Mato's phrase describing the cosmological understandings of the Incan & Andean peoples through description of the Inca Road as 'threads interwoven to form the fabric of the physical and spiritual world.

commissioned by Crash Ensemble and New Music Dublin with funds from the Arts Council of Ireland 2020

premiered by Crash Ensemble during New Music Dublin 2020 @ The National Concert Hall, Dublin Ireland

Form the Fabric [2020] | Crash Ensemble

vertikal

Huellas Entreveradas

Sideways Knowing Glance is the debut single from London based experimental pop duo the mermaid café, out on the 10th of July 2020.

The track emerged from improvisation and experimentation using voices with loop pedals; through collaborative development, it’s grown into a 10 minute dream-pop cloud of honeyed vocals, rich and complex textures, glitchy synthesis, and intricate, intimate storytelling.

Whilst the song has been in gestation for a long time, this release was predominantly recorded and mixed whilst in lockdown in Newcastle. Whilst remaining honest to the mermaid cafe’s roots in DIY and intuitive music making, this single represents a turn towards pristine post-production shimmer in their sound.

This release is the culmination of two years of the mermaid café performing, writing, and improvising together, developing their songwriting practice. the mermaid café represents exciting, fresh collaborative thinking, bringing together many layers of artistic influence: both Ruari and Joanna do work ranging across songwriting, experimental and contemporary classical composition, multi-instrumental and vocal performance, research, activism, and visual art. Joanna is currently studying Composition at the Guildhall School of Music and Drama in London, and Ruari is working as a freelance musician and writer.

This track was mastered by Jeremy Warmsley, and the group has worked with graphic designer Emily Tonkinson-Sharp to develop the cover art and merch for this release.

All music & mixing by the mermaid café
Lyrics by Ruari Paterson-Achenbach
Master by Jeremy Warmsley
Artwork by Emily Tonkinson-Sharp

Sideways Knowing Glance

Nicolas  Tourney: Guitar, Drone.

www.snowinwater.com
www.nicolastourney.com

John Cage - Fontana Mix

HMS Morris - Myfyrwyr Rhyngwladol

TR094 - Iztok Koren - 'Fire Is Armor'

[piece title] [year written] | [performing ensemble]

inti figgis-vizueta (b.1993) is a composer and educator who works to reconcile historical aesthetics and experimental practices with trans & Indigenous futures. Described as a “rising new music star” (LA Times), with “smooth and serrated melodies” (New York Times) and an “intriguing…highly integrated sound” (Gramophone), “wrought from a language we’d do well to learn” (Washington Post), inti has been commissioned and performed by leading artists including the Los Angeles Philharmonic, Cincinnati Symphony Orchestra, San Francisco Symphony, Phoenix Symphony, Oregon Symphony, Dallas Symphony, American Composers Orchestra, New World Symphony, Los Angeles Chamber Orchestra, Ensemble Reflektor, Aspen Music Festival, Ojai Music Festival, Spoleto Music Festival, Kennedy Center’s Sounds of US Festival, International Contemporary Ensemble, Alarm Will Sound, Wild Up, Roomful of Teeth, Carnegie Hall’s Ensemble Connect, Kronos Quartet, Attacca Quartet, JACK Quartet, Music from Copland House, Crash Ensemble, violinist Jennifer Koh, and cellists Andrew Yee and Jay Campbell, among many others. inti’s work has been featured at Lincoln Center, Carnegie Hall, Kennedy Center, Walt Disney Hall Concert Hall, Symphony Center, REDCAT, National Concert Hall (IE), Southbank Centre (UK), Philharmonie de Paris (FR), Muziekgebouw aan 't IJ (NL), and Konzerthaus Berlin (DE). 

Upcoming projects include Earths to Come in VR for the Venice Film Festival, mad scramble for crumbs for Opera Saratoga, Metahaven’s film The Feeling Sonnets, and works for flutist Claire Chase, pianist James McVinnie, and cellist Andrew Yee with Roomful of Teeth. inti is the recipient of the Lotos Foundation Prize, ASCAP Foundation Fred Ho Award, National Sawdust Hildegard Award, Café Royal Foundation Music Grant and residency fellowships from Dumbarton Oaks, Civitella Ranieri, Juilliard Summer Percussion, and Music at Copland House.

inti has held faculty positions with Luna Composition Lab (21-24’), Wildflower Composers (20-22’), Fresh Inc Festival (22’), and Atlanticx Composition (21’). She regularly lectures on her music with recent visits to Harvard University, The Juilliard School, Peabody Conservatory, and CalArts, among many others. inti has curated programs for the Los Angeles Philharmonic Green Umbrella series, Los Angeles Chamber Orchestra Current Series, Wild Up’s Darkness Sounding, and American Composers Orchestra SONiC Festival. She is the 2024 Robert M. Trotter Lecturer for the College Music Society 67th National Conference. 
​
inti studied with Marcos Balter, Felipe Lara, Donnacha Dennehy, and George Lewis. Her mentors include ﻿Tania León﻿, Nico Muhly, Angélica Negrón, Derek Bermel, and Andrew Norman, among many others. inti honors her Quichua bisabuela who was the only woman butcher on the plaza central and used to fight men with a machete.