commissioned by The Primavera Project for Matt Haimovitz in response to Charline von Heyl's 'Primavera 2020'

note| 'the motion between three worlds draws inspiration from the transitional aspects of Spring, centering poetics of new growth, creation, and interconnectivity. The score behaves as a cosmological map, providing visual frameworks for navigation and movement between sets of given harmonic and timbral materials. The directionality of visual objects, lines of connectivity, and cosmological imagery help inform trajectories of transformation. The player is asked to ‘always be moving between.’'

for more information on the project: https://www.theprimaveraproject.com/

the motion between three worlds [2020] | Matt Haimovitz

[piece title] [year written] | [performing ensemble]

inti figgis-vizueta (b.1993) is a composer and educator who works to reconcile historical aesthetics and experimental practices with trans & Indigenous futures. Described as a “rising new music star” (LA Times), with “smooth and serrated melodies” (New York Times) and an “intriguing…highly integrated sound” (Gramophone), “wrought from a language we’d do well to learn” (Washington Post), inti has been commissioned and performed by leading artists including the Los Angeles Philharmonic, Cincinnati Symphony Orchestra, San Francisco Symphony, Phoenix Symphony, Oregon Symphony, Dallas Symphony, American Composers Orchestra, New World Symphony, Los Angeles Chamber Orchestra, Ensemble Reflektor, Aspen Music Festival, Ojai Music Festival, Spoleto Music Festival, Kennedy Center’s Sounds of US Festival, International Contemporary Ensemble, Alarm Will Sound, Wild Up, Roomful of Teeth, Carnegie Hall’s Ensemble Connect, Kronos Quartet, Attacca Quartet, JACK Quartet, Music from Copland House, Crash Ensemble, violinist Jennifer Koh, and cellists Andrew Yee and Jay Campbell, among many others. inti’s work has been featured at Lincoln Center, Carnegie Hall, Kennedy Center, Walt Disney Hall Concert Hall, Symphony Center, REDCAT, National Concert Hall (IE), Southbank Centre (UK), Philharmonie de Paris (FR), Muziekgebouw aan 't IJ (NL), and Konzerthaus Berlin (DE). 

Upcoming projects include Earths to Come in VR for the Venice Film Festival, mad scramble for crumbs for Opera Saratoga, Metahaven’s film The Feeling Sonnets, and works for flutist Claire Chase, pianist James McVinnie, and cellist Andrew Yee with Roomful of Teeth. inti is the recipient of the Lotos Foundation Prize, ASCAP Foundation Fred Ho Award, National Sawdust Hildegard Award, Café Royal Foundation Music Grant and residency fellowships from Dumbarton Oaks, Civitella Ranieri, Juilliard Summer Percussion, and Music at Copland House.

inti has held faculty positions with Luna Composition Lab (21-24’), Wildflower Composers (20-22’), Fresh Inc Festival (22’), and Atlanticx Composition (21’). She regularly lectures on her music with recent visits to Harvard University, The Juilliard School, Peabody Conservatory, and CalArts, among many others. inti has curated programs for the Los Angeles Philharmonic Green Umbrella series, Los Angeles Chamber Orchestra Current Series, Wild Up’s Darkness Sounding, and American Composers Orchestra SONiC Festival. She is the 2024 Robert M. Trotter Lecturer for the College Music Society 67th National Conference. 
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inti studied with Marcos Balter, Felipe Lara, Donnacha Dennehy, and George Lewis. Her mentors include ﻿Tania León﻿, Nico Muhly, Angélica Negrón, Derek Bermel, and Andrew Norman, among many others. inti honors her Quichua bisabuela who was the only woman butcher on the plaza central and used to fight men with a machete.