اپیزود ۴۵ جاده فرعی 

بالاخره ۹۹ به پایان رسید

در این قسمت می‌شنویم :

بارون - رعنا فرحان 
Carla Bruni - Spring Waltz
شمین - سال بد

جاده‌فرعی - ۴۵ - ۹۹ خلاص

https://open.spotify.com/track/1g5loJnn2IIXtDHoMDhjEV?si=605f2ca6d2a2478b

This Was the Tale and the Night Goes On‌…

Farsi Lullaby | Diane Vocal Ensemble

https://open.spotify.com/track/6NaCnBVMunqYmwKwUelOAY?si=7388c9520e13400e

Dove-Nest Tower

Creek | Mostafa Ghanaat

https://open.spotify.com/track/2AgDkRIUdjj7PBxLSdcDUy?si=698a26c12e7f41bc

Eventide

Court Yard | Vahid Tehrani Azad

https://open.spotify.com/track/5klbNq7UC6aqAeJYoxEqgS?si=3436a959924d4edb

Neyshābuorak | Vahid Tehrani Azad

نشست یکم: اخلاق چیست؟

اردشیر كامكار: كمانچه
شروین مهاجر: كمانچه و كمانچه آلتو 
كامبیز گنجه ای: تنبك 
همایون نصیری: سازهای كوبه ای


07 HAYMARO - هی مرو

Waving Place - Music from common space is a site specific installation piece in Järvafältet that was ongoing between march and october 2012. played by: Anton bergendahl, Anna Högberg, Elin Nilsson, Anton Svanberg, Rosali Grankull, Josefin Carlén, Frida Danielsson, Olof Svenblad, Greta Weibull, and myself. 

Waving Place, samtliga platser på en och samma gång

Morality
0tumn - 2025

Labyrinth as the sequencer and 2-voice synth
Strega as a third voice and a weird echo for itself and the Labyrinth
Tempera to add a touch of a ringing pad
Recorded with Ableton Live with a few FX like Valhalla Vintage reverb

Empathy makes a better society, don't you think?

Take care!

Morality

An improvisation from a far distance. Me and Soheil Shayesteh tried to make music from a far distance.

Duo for piano, electronics with Kamanche

در عینِ عیانی ابوالفتح پیوسته مستور بود | وصفِ ابوالفتح | هزاردستان | علی حاتمی

The Intimate Sentiments is the title of a collection we are going to release from now on, each as an independent CD. The artists of this series are some sort of selected musicians whom we have asked to produce simple but impossible works; works within the scope of no order, no boundaries. In fact, the aim is to create a work of deeply personal musical expression and taste of the artist without the intention of attracting the audience.
Each time, the result was a big surprise to us. Each new recording had its own artistic expression which reflected the innermost layers and potential capabilities of the music of our time.
We hope that these contemporary musical ‘autobiographies’ bring a breath of fresh air to our music.

Neyshābuorak | Vahid Tehrani Azad

Intimate-Sentiments