trance comme dnb

Fluid 28

“Niño’s narrative arcs lead the listener down one celestial rabbit hole after another, swathed in comforting washes of sound.” – MOJO [★★★★ review of (I’m just) Chillin’, on Fire]

“The music drifts, floats and flows like the elements themselves...” – Rolling Stone DE

Today we are happy to share two new Carlos Niño & Friends singles, “Maha Rose North 102021, Breathwork” featuring Laraaji and Photay, and “Transcendental Bounce, Run to it” featuring Maia, Deantoni Parks, and Nate Mercereau. 

The tracks mark the third and fourth singles from Niño’s forthcoming album (I’m just) Chillin’, on Fire (out on 2xLP, 2xCD, Cassette, and digitally Friday September 15th). They follow the album’s lead single “Taaaud,” which Remezcla called “a balm of passion for those needing music to soothe the soul,” and the album’s second single “Flutestargate,” about which Treble Zine said: “It’s subtle, but there’s a great deal of beauty to uncover for those who seek it.”

Two New Carlos Niño Singles Out September 6th

It's that time again when we share the musical delights that graced our ears last month.

Twistedsoul Stereo: October

Lost in Time

SUPPORT THE ARTIST: @akul_music
FREE DOWNLOAD: https://hypeddit.com/track/kb5800

FREE DL

[FREE DL] Akul - Ever Felt Like This?

As someone who was diagnosed with anxiety in elementary school, I've spent most of my life trying to find ways to mask it, fight it, suppress it, anything to prevent it from interfering with me achieving my goals in life. This song is intended to be a kitschy representation of the way my anxiety manifests. The duality of the upbeat bubbly music & sad/frustrated lyrics are a reflection of what I present on the outside vs the constant central nervous system meltdown going on inside of me. With mental health awareness becoming more and more prevalent and open discussions about anxiety/depression/trauma/etc becoming less taboo, I know that I am far from alone and that my daily struggles are also a reality for millions, if not billions, of other people. I really hope this song speaks to others who are in an ongoing daily mental health battle and perhaps serves as a silly & fun musical companion to those whom it resonates with.

ANXIETY

Sade - Love is stronger than Pride (Remix)

Travelling Music

Chillin' 4 Work

Produced, Mixed, Edited, and Arranged by Carlos Niño

Bells, Chimes, Cymbals, Drums, Field Recordings, 
Flutes, Gongs, Kalimbas, Keyboards, Leaves, Plants, Rattles, 
Shakers, Sound Design, Synths, Voice, and Whistles 
throughout by Carlos Niño 

with
Aaron Shaw, Adam Rudolph, André 3000,
Andres Renteria, Annelise, Arji, Cavana Lee,
Deantoni Parks, Diego Gaeta, Dntel, Jamael Dean,
Jamire Williams, Jesse Peterson, Josh Johnson,
Kamasi Washington, Laraaji, Lionmilk, Luis Pérez Ixoneztli,
Maia, Mia Doi Todd, Michael Alvidrez, Nate Mercereau,
Pablo Calogero, Photay, Sibusile Xaba, Surya Botofasina,
The Growth Eternal, V.C.R., and Woo

Mastered by David Allen
Cover Photo by Annelise


On The Cover and Insert:
Tile VI (Fall in or Fly Away),
Ceramic, by Aparna Sarkar


Art Direction and Original Elements by Nep Sidhu
Graphic Design and Layout by Craig Hansen

Transcendental Bounce, Run to it (feat. Maia, Deantoni Parks, Nate Mercereau)

Maha Rose North 102021, Breathwork (feat. Laraaji, Photay)

Re-Memory

Rahsaan In the Serngeti

DC Promo Tracks #1205: "The Waxing Gibbous Moon" by Reuben Vaun Smith is part of the release "Da Cuckoo YaYa" on Ubiquity Records  

Buy Now: https://reubenvaunsmith.bandcamp.com/album/da-cuckoo-yaya-2 
Interview: https://www.dreamchimney.com/interviews/Reuben-Vaun-Smith/

More Promo Tracks: https://www.dreamchimney.com/promo

DC Promo Tracks: Reuben Vaun Smith "The Waxing Gibbous Moon"

Part Of: Da Cuckoo YaYa
Release Date: 21.07.23
Buy Link: https://reubenvaunsmith.bandcamp.com/album/da-cuckoo-yaya-2

Reuben Vaun Smith
SoundCloud | https://soundcloud.com/reubenvaunsmith

Ubiquity Records
SoundCloud | https://soundcloud.com/ubiquityrecords
Bandcamp | https://sofamovementsrecords.bandcamp.com

Release Text:
Since he made his debut three years ago with sun-soaked first album Warm Nights, Reuben Vaun Smith has grown and evolved as an artist. His aims, objectives and musical output have changed, too – something that’s evident from the opening bars of his third full-length, Da Cuckoo Ya Ya, which also marks his first appearance on Californian institution Ubiquity Records.

Whereas the summery and colourful Warm Nights was the result of time spent teaching himself music and production, not to mention over a year of daily recording, Da Cuckoo Ya Ya was recorded in less than two months. It not only showcases Smith’s sharpened musicianship and his growing love of Eastern exoticism and wide-eyed psychedelia, but also features guest spots from friends (and fellow Leeds locals) Sakura Murakami (a guitarist who also featured on 2021’s Sounds From The Workshop album), bassist Nial Deravairere (on deliciously dubbed-out and hazy closing cut ‘Beams’) and vocalist Lucy Saddler.

While it shares some sonic similarities with its predecessors – not least a greater reliance on live instrumentation and plenty of audible nods towards Malian musical culture – Smith’s new set is his most confident and dynamic yet, with the Leeds-based producer consciously moving closer to the dancefloor whilst polishing his productions further and showcasing all he’s learned to date.

Smith sets the tone with funky and flash-fried opener ‘Da Cuckoo Ya Ya’, a superbly summer-ready statement of intent rich in flanged psych-funk guitar licks, vintage synth riffs and loose-limbed drums, before subtly doffing a cap to highlife on the peak-time-ready dancefloor celebration of ‘Mama’. By the time ‘Oumbadougou’ settles in to its stride in a wave of effects-laden guitars, polyrhythmic breakbeats, lilting violin lines and dusky early evening textures, you’ll be hooked.

The album is peppered with smile-inducing highlights, from the kaleidoscopic nu-disco/Afro-disco fusion of bona fide dancefloor jam ‘The Waxing Gibbous Moon’, the synth-sporting gorgeousness of ‘Mali’ and the explosion of keys solos, psych guitars and nods to Middle Eastern musical culture that is driving club cut ‘Milano Caravan’, to the hot-stepping, piano-sporting bounce of ‘No Puedo Esperar’ and the immersive, percussive and vividly colourful ‘Help Me Ride’. Then there’s triumphant closing cut ‘Beams’, a chugging, Afro-cosmic masterpiece of the sort more often associated with Daniele Baldelli and Marco Dionigi.

There’s no needlessly clever concept here, just ten killer cuts, expertly imagined and executed, that perfectly encapsulate the evolution and quality of Reuben Vaun Smith’s attractive trademark sound. It’s the sound of an artist who is not only comfortable in his sonic skin, but also laying the foundations of a long and fruitful musical career. 

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Berlin House Music
Submit Your Music | https://berlinhousemusic.com/submission
Store | https://berlinhousemusic.com/shop
Instagram | https://www.instagram.com/berlinhousemusic
YouTube | https://www.youtube.com/c/berlinhousemusic 
Facebook | https://www.facebook.com/berlinhousemusic
SoundCloud | https://soundcloud.com/berlinhousemusic

Da Cuckoo YaYa

PREMIERE: Reuben Vaun Smith - Beams [Ubiquity Records]

From the album Welcome to Hell available October 20, 2023 on Western Vinyl

Joseph Shabason: synths
Phil Melanson: drums
Bram Gielen: bass
Thom Gill: keys
Michael Davidson: Vibraphone 
Felicity Williams: Voice 
Hugh Marsh: Violin 

Skateboard noise sound design: Drew Thomas, Quinn Hoodless 

Thanks to Toy Machine Bloodsucking Skateboard Company for use of the footage

Welcome to Hell  

Joseph Shabason - "Jamie Thomas"

For Henry Moore (Reclining Figure 1984)

Again

https://www.facebook.com/Arteus.Vasilis
http://arteus-producer.blogspot.com/
https://www.facebook.com/groups/The.Beginning.of.House.Music/
http://the-beginning-of-house-music.blogspot.com/

Art Of Noise - Moments In Love (Arteus Deep House Remix)

Ecstasy Jesus is a future underground modern-day rave anthem. With soaring and anthemic pads, spine-tingling Arps, and nostalgic vocals. This track will definitely one that you will lose your mind to when played on a big sound system in a club or on your headphones at home.

Tombraver is the B-side to the EP but is just as strong as Ecstasy Jesus. Following on from the success of the C side "Sesh Gremlins" on the "Summer of Rave EP" Richie Blacker treats us to another top B side.
Tomb Raver Start of with melodic pads that feel like a trip back in time to the 90s era of the hacienda, rolling breakbeats, mind-bending arp, hypnotic 303, and catchy female vocal this EP is another perfect example of why Richie Blacker is quickly becoming one of the biggest and fastest-growing talents in our industry, already named Radio One's Future fire artist of 2021 this an artist you want to keep an eye on for the future.

https://soundcloud.com/richie-blacker-fuel
https://www.beatport.com/release/ecstasy-jesus/3279484

PREMIERE: Richie Blacker - Ectasy Jesus [Of Unsound Mind]

Warped Caress

Director's Paralysis

International Anthem is a Chicago-born recording company that produces and promotes progressive media.

Founded by curators from the Uncanned Music family, the IARC label was established to be a productive and distributive outlet for the group’s original music programming.

The mission of International Anthem is to make positive contributions to the changing state of the music industry, and to vitalize the demand for boundary-defying music by presenting unique sounds in appealing packages to untapped audiences.