hear

Frisbee in the Park

Ski2frenicbutnais - 4

Lønsj bjutifool lunch - 2

NTS - POOLSIDE

Stamp The Wax

RIDDIM POETRY (ITDT002)
Format: 12”, LP, 180g, Gatefold
Release Date: June 2021
Pre Order: intothedeeptreasury.bandcamp.com/releases

After the success of "Ogooué", the compilation from Gabonese artist François N'Gwa, Into The Deep Treasury presents RIDDIM POETRY. A second opus, shining the light on the emergence of the reggae movement in France, through a selection of hidden gems from the 80's. 
Carefully restored and remastered, Riddim Poetry is an off-beat journey composed of 7 masterpieces influenced by several styles (Pop, Library, Raï, Disco) which characterised the strength and diversity of the French culture in the 80's.

A1 Tchai & Merger - Every Man (Snippets)

Nocturnal Passions Part II

Orbiting

Charlotte Adigéry & Bolis Pupul 'Topical Dancer' [DEEWEE055] is out now. 
Buy the 2LP vinyl/stream/download the album here: 
► https://charlotteandbolis.lnk.to/topicaldancer

Buy tickets for our upcoming UK, EU and US tour 
► http://charlotteandbolis.com/tour 

Belgian-Caribbean provocateur Charlotte Adigéry and her long-term musical partner, Bolis Pupul release their phenomenal debut album Topical Dancer via Soulwax’s iconic label DEEWEE.
 
Cultural appropriation and racism. Social media vanity. Post-colonialism and political correctness. These are not talking points that you’d ordinarily hear on the dancefloor but Charlotte and Bolis have ripped up the rulebook with their debut record. Featuring standout singles ‘Blenda’, ‘HAHA’, ‘Thank You’, ‘Ceci n’est pas un cliche’ and today’s focus track ‘Making Sense Stop’, Topical Dancer - which cements Charlotte and Bolis as a duo under both their names for the first time and is co-written and co-produced by Soulwax – is both a triumph of kaleidoscopic electro-pop and “a snapshot of how we think about pop culture in the 2020s.”
 
Follow Charlotte Adigéry & Bolis Pupul 
► http://charlotteandbolis.com
► https://charlotteadigery.lnk.to/instagramyo
► http://bolispupul.lnk.to/instagramyo 
► https://charlotteandbolis.lnk.to/twitteryo 
 
Follow DEEWEE:
► http://deew.ee 
► http://deewee.lnk.to/instagram​​yo 
► http://deewee.lnk.to/facebookyo
► http://www.youtube.com/deewee

HAHA

Águas de Verão

Natureza

Singamo

Singamo (feat. Leo RD)

Paul Cherry - Our Night

We are proud to present the Mr Bongo pressing of Guilherme Coutinho E O Grupo Stalo's self-titled mythical album. Blending lo-fi, Brazilian tropicalia, jazz, funk and MPB with a unique aroma, this record is pure perfection.

It was originally released in 1978 on Erla - Estudio Rauland, an obscure record label from Belém in Brazil, that only released 7” singles, with this album being one of two exceptions. During the 1970s, Belém had a thriving nightclub scene, but it is thousands of miles away from the music industry hubs of Rio de Janeiro and São Paulo, making this record insanely difficult to find, even in Brazil. Added to the scarcity factor is the magical nature of the recording, which has naturally resulted in a hefty price tag to match. Original copies have become a prized, collector’s item.

The elusive Brazilian band leader and keyboard player, Guilherme Coutinho is a true cult artist. He passed away in 1983, at the age of just 41, and during his career he only seems to have appeared on a handful of marvellous records, which makes them all the more special. This album feels individualistic and distinctive from other albums of the day. Listening back to vocalist Elinho’s (aka Hélio Rubens de Oliveira) delivery, it sounds not too dissimilar to some of Belle & Sebastian’s songs. ‘Guilherme Coutinho E O Grupo Stalo’ is rich in charm, quirky and playful. It feels cinematic, soothing and benefits from being heard in its entirety. A proper album experience.

Guilherme Coutinho E O Grupo Stalo - Rio Corrente

So Good EP: smarturl.it/SoGoodEP

Get the February 15 EP here: 

Digital: http://smarturl.it/feb15 
Vinyl: http://smarturl.it/feb15lp
Spotify: http://smarturl.it/feb15spotify
YouTube: https://youtu.be/9PAxxJQVSko 

NAO vs. A. K. Paul - So Good

When You Call My Name - POiSON GiRL FRiEND

Spring

Hand In Hand

If We Never Try (DJ Normal 4 Sealife Safari MixX)

Dianne Reeves

Sky Islands

Houdou Nisbi

5 To 7 PM

Written and Produced by Anup Paul. Vocals, Guitar, Bass Guitar, Synthesisers, Percussion and Programming by Anup Paul. Sound Design and Effects by Anup Paul. Engineered, Mixed and Mastered by Anup Paul. Recorded at Spicy Benefit Studio and The Doogh, London, England.
℗ 2016 A. K. Paul
Artwork © 2016 Paul Institute
http://paul.institute

LANDCRUISIN'

Liquid Diamonds

Morning Song (Original)

Time & Again: The Anthology, Pt. 2

What You Won't Do for Love

Imaginary People

Healer

Magnetic Eyes

Hear My Heart

"Do The Zru" by Zru Vogue - Zru Vogue LP - Zero Risk Records, USA 1982

As a first release on our newly founded label, we are proud to offer two totally unique and undiscovered Ethophian synth groove recordings by blind keyboardist Haile Mariam G. Ghiorgis. Both tracks are taken from the highly collectable and extremely rare debut solo album “Tigill Lemenor (Survival)”. An LP that Ghiorgis released privately in 1985 on his own Pentaton label. 

Born in Ethiopia in 1952, Haile M. Ghiorgis originally worked as a music instructor after school and played music together with several prominent groups of his countrymen – he was the keyboardist of Mahmoud Ahmed & Ibex Band and played for national stars like Tilahun Gessesse, among others. Due to the communist revolution in Ethopia in 1974, Haile decided to leave his motherland and due to his blindness in 1977 he was allowed to do so. Finding a new home in Hamburg, he performed together with various bands, including the afro pop group Soulful Dynamics and Jah Love (an early band of funk drummer and reggae artists Curvin Merchant aka Jamaica Papa Curvin). When those groups disbanded, Ghiorgis was retrained as a piano-tuner but also focussed on his own music.

Haile M. Ghiorgis was particularly fascinated by the digital-controlled synthesizer and rhythm-machines, whose operation he mastered without any difficulties in spite of his blindness. The drums came from a Yamaha drum computer and were recorded first. On top of that, bass and the melodies were added. Haile was using a Yamaha DX-7 keyboard, an old small Roland synth as well as an organ by Solton.

On the album, which was recorded in his small home studio in Hamburg on a TEAC 8-track tape machine, Haile M. Ghiorgis harmoniously blends western pop and jazz music with his native country’s folklore. Our favourite track, “Man biye?” is a sort of melancholic love song – it means “What shall I call you?”. A man searches for something though in vain to compare with the beauty of his beloved. The atmospheric instrumental features brilliant synth solos over deep downtempo beats – sort of like jazzy ethno synth funk in slow motion.

Side B of the single concludes the release with an uplifting solid disco track, simply called “A Happy Disco Song”. As it says in the liner notes of the LP, the song esteems Ethiopian hospitality and relates how welcome every stranger is and how even the poorest is ready to share with him. The track has a charming “private” vibe and surely should appeal to DJs and disco/boogie aficiandos.

The original LP “Survival” was primarily sold on live shows when he was on tour in the late 1980s throughout Europe, accompaning fellow Ethopian musicians including jazz legend Mulatu Astatke, among others, and almost never pops up. Therefore, we are very happy to be able to offer you this brilliant piece of music on a fresh sounding 7” single.

TAC-001 Haile M. Ghiorgis - Man Biye? / A Happy Disco Song (Snippet Preview)

We love true music gems. And as a special treat because you came all the way here to listen to some real kick ass music, here’s Steve Monite’s true 1984 hit Afro-Disco single “Only You”… Steve Monite is from Nigeria.  Tell me you love this...

Steve Monite - Only You

Anambra

Anambra River

'Yellow Rain' is taken from Normil Hawaiians' debut album 'More Wealth Than Money' (1982). Remastered and reissued this December through Upset The Rhythm.

www.upsettherhythm.co.uk/
normilhawaiians.com/

Normil Hawaiians had a transformative 1982. With two 7” singles and a 12” EP under their belts they suddenly found themselves disillusioned with the increasingly generic sounds surrounding them, so they forced the hand of change and began reaching out with that very hand. The band’s true constant in Guy Smith soon found himself with a new crew of musicians, Simon Marchant, Noel Blanden and Mark Tyler. Normil Hawaiians’ communal take on post punk quickly sprouted leaves from its mouth, and began carving out a new furrow. Greater emphasis was awarded to improvisation within the group and as a result their songs embarked on longer, freer journeys towards the beaten bounds. They wanted these new songs to bear the weight of their new collective spirit so comfort zones had to be left behind. Tape loops, echo boxes, extended percussive sessions and duteous faith in the tones emanating from a particular old wah-wah pedal were all employed by Normil Hawaiians to stretch their sonic fabric into wild and redolent new dimensions.

With Illuminated Records interested in the band’s new visionary approach, Normil Hawaiians relocated from their South London dystopia to a rural idyll in the Welsh hills, determined to develop further this raw language for themselves. They booked into Foel Studios near Llanfair Caereinion for an extended period of time, set the tapes rolling and didn’t look back. They were somewhere they knew they could experiment; at a studio that understood the results would be uncertain. Dave Anderson, who managed and engineered at Foel was exactly the right person to work with them. Anderson had come from an experimental background himself, having played in Hawkwind and Amon Duul II. Normil Hawaiians were encouraged to explore their ideas beyond limitations with Anderson happy to leave the tape recording to capture their embryonic improvisations taking shape. Anderson even joined in on bass for several of those sessions as the ensemble strove to find its authentic voice, supplemented further when their cellist friend Klaus dropped by to spend a spell with them.

At this very moment Normil Hawaiians existed solely for the music, living together in a small cottage in the studio’s shadow, sharing everything together and working long days to nurture and then burnish the music they had discovered between them. This is how the band’s debut album ‘More Wealth Than Money’ was formed, through trial and close listening, through cultivation and patient growth. Of course there were significant amounts of mushrooms involved too and several UFO sightings, but when the sheep began to march in time to the music Normil Hawaiians knew they were creating something unique.

On December 1st, 35 years since the album first appeared, Upset The Rhythm will be reissuing the newly re-mastered ‘More Wealth Than Money’ album, alongside a further full-length collection of demos and unreleased tracks from the album’s overlooked corners. Both the 2xCD and DLP versions also come with a booklet contextualizing the release, full of anecdotes and photos from all band members. This release follows on from 2015’s ‘Return Of The Ranters’, Normil Hawaiians’ lost final album from 1985, which ultimately saw the light of day in a different age through Upset The Rhythm too.

More Wealth Than Money

Normil Hawaiians - Yellow Rain

Coasting

Miss You

@the-expansions take us on a stunning astral journey into soulful sonics. Taken from the debut album Murmuration via @alberts-favourites.

Read more: http://www.stampthewax.com/2018/02/13/premiere-the-expansions-ivory-mountain/
Listen on YouTube: http://bit.ly/the-expansions-ivory-mountain

Murmuration

Listen On YouTube

The Expansions - Ivory Mountain (STW Premiere)

Visit Malphino

The Sleep Tree

Trapped And Unwrapped

Sunkissed

Pode Acreditar

Pode Acreditar (Instrumental)

Melbourne-based label @crownruler unearth a previously unreleased 1979 disco-funk gem.

Read more & buy: http://www.stampthewax.com/2019/02/26/premiere-aaron-broomfield-boomerang-demo-version/
Listen on Youtube: http://bit.ly/aaron-boomerang

Listen on Youtube

Aaron Broomfield - Boomerang (Demo Version)(STW Premiere)

Rubber Bullies / Stayin' Alive

Stayin' Alive

Trumpeter and producer Yelfris Valdés mixes Afro-Cuban jazz with electronic undertones on his debut album for @musicamacondo.

Read more & buy: http://www.stampthewax.com/2019/09/26/premiere-yelfris-valdes-red-eclipse/
Listen on Youtube: http://bit.ly/yelfris-eclipse

For The Ones...

Yelfris Valdés - Red Eclipse (STW Premiere)

Saùde · Pupkulies & Rebecca - Morphine Edit

A remix I did last year for TEED. released digital and on a white label 12" with MJ Cole remix. 

Totally Enormous Extinct Dinosaur - Tapes & Money  (John Talabot's Ritual Reconstruction)

Around Again

Lihue (feat. Nohelani Cypriano, Peter Moon, Jerry Byrd, Kapono Beamer, Roscoe Wright, Master Henry Gibson, John Raposa, Kata Maduli, Wayne Hobbs, Henry Kapono, Winner Female Vocalist of the Year Hoku & Winner Contemporary Hawaiian Album of the Year Hoku)

Paris based reissue record label run with passion by @arthurlastmann & @stepdaw from @collectif-into-the-deep crew

Next Release: 
Prajnaghosa - Flow Of Adhisthana (ITDT003)
Riddim Poetry (ITDT002) 
Ogooué by François N'Gwa (ITDT001)