Fleeting Revelations

I Can't (Features)

I Can't

"AZANDOR" is supposed to be a music project that allows me to be creative in an open way. Whatever idea comes to my mind will find itself as a new song here on the page. The style may vary from folk to electronic ambient music to rock/ pop. Or a combination of all. Sometimes I simply like the sound of different instruments together and the new sound they create together triggers a new idea in my head that leads me to a new song ...or may be left aside for a while or may be completely dumped. In the end it´s the creative process that matters most and the joy I feel when something is finally finished and I am satisfied with the result.

https://spotify.link/Q8NX7snbFBb

Video impressions Wannebach Open Air on 23th August, 2025: https://www.youtube.com/watch?v=DvY5mPKCHlg
More video highlights: https://www.instagram.com/stories/highlights/17923495569109036/

NEW Video Trailer "Living": https://www.youtube.com/watch?v=lKm28euxFuE

NEW Video Trailer "First Thing": https://www.youtube.com/watch?v=5Q-58t7gvyg

YT channel: https://www.youtube.com/@PotBarley

Instagram: https://www.instagram.com/potbarleyofficial

Musician & songwriter driven just by passion for songwriting and singing. I am releasing "SoundCloud first" but some selected songs are also on Spotify, Apple, Amazon etc.
Since spring 2023 I have been writing and recording mainly as a "one man band", using acoustic & electric guitars, bass guitar, keyboards, an old piano, conga, etc. and a voice.
Former member of German bands: In Rags (with Sami Yli-Sirniö and Roman Keymer), Sharkpool and Dutch bands Garbitsjkeng, The Wit, Trio van Putten and and a few others. I baptized my Alter Ego and named him "Pot Barley".

Caféine is a French songs duo (Jo and Cathie) with Original, hand-crafted compositions ;- ) Every kind of collaboration welcome!  Work in progress ! songs to enjoy with your morning coffee!
All songs are 100% homemade, handmade, without AI, so it takes us time and the result is 1) uneven and 2) debatable in terms of content and technique. Thank you for your support if you like one or more songs!
Caféine est un duo (Jo et Cathie) de chanson française de compositions originales et artisanales! Toute collaboration est la bienvenue!  - Chansons douces ou vitaminées à déguster avec le café du matin! 
Toutes les chansons sont 100% fait maison, fait main, sans IA, et donc cela nous prend du temps et le résultat est 1-inégal 2-discutable sur le fond et la technique. Merci pour votre soutien si une ou plusieurs chansons vous plaisent!

#chansonfrancaise #Frenchsong #French_song #Songwriter #Pop-French #Feelgood #coffee #morningchill #jazzy #chill #Paris #frenchmusic #bossa #dreamy #calm 
Membre SACEM #France 
 Merci pour votre soutien ! Thanks for your support ! Grazie per  il vostro sostegno! Gracias pour su apoyo!  당신의 지원에 감사드립니다 !謝謝你們的支持  !ご協力ありがとうございます! cảm ơn sự hỗ trợ của bạn!

I'm a guitarist, music producer and beat maker from Portugal, and this is my brand new project for instrumental music, songs and remixes.

Artist BIO smartlink - https://ffm.bio/blackoldfarmbeats
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"Illusion" will be Out at 15/11/2025
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https://ffm.to/illusionblackoldfarmbeats

*since 2023

It’s me, everyone’s favorite walking corpse Cameryn Cadaver!

Follow me on Instagram to keep up to date with me ;)

Recording Artist / Music Producer /Multi-Instrumentalist / Audio Engineer 






I See My Life In Terms Of Music. 🤍

https://linktr.ee/kingdahveed

Snapchat: Yolo_swagah
Instagram: Icedcoffeegod

Sketch and Noise, 
Sound and Texture
Guitarist and Composer

Born in 1980 under the name KRT, the band began its journey in the raw energy of live shows — in Spain, including a memorable concert in Burgos, and in Brussels at the Teatro. Those early years, intense and furious, were wiped away overnight: all archives, tapes, posters, and memories stolen in a single car theft, as if someone had tried to erase history itself.

By the late ’80s and early ’90s, the group found shelter in the former RKM studio on Avenue Molière in Brussels, under the demanding ear of artistic producer Jean-Claude Maury. From those sessions emerged Fast Beat and The Ballad of the Mouse and the Bird, defining tracks that carved NUR’s sound into stone — dark, restless, untamed.

After a split and years of silence, the band resurfaced under the name NUR, carried this time by the new promise of the digital age. The music could no longer be erased; it was destined to survive.

But fate struck again: the passing of one of the founding members closed the collective chapter. Today, NUR rises once more, as a solo incarnation. More than a project: a resurrection. A flame still burning, more than forty years after its first spark.

I Can't

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