Fleeting Revelations

I Can't (Features)

I Can't

"AZANDOR" is supposed to be a music project that allows me to be creative in an open way. Whatever idea comes to my mind will find itself as a new song here on the page. The style may vary from folk to electronic ambient music to rock/ pop. Or a combination of all. Sometimes I simply like the sound of different instruments together and the new sound they create together triggers a new idea in my head that leads me to a new song ...or may be left aside for a while or may be completely dumped. In the end it´s the creative process that matters most and the joy I feel when something is finally finished and I am satisfied with the result.

https://spotify.link/Q8NX7snbFBb

LIVE ON STAGE on 23th August, 2025: https://wannebachsummer.de
NEW Video Trailer "Living": https://www.youtube.com/watch?v=lKm28euxFuE
NEW Video Trailer "First Thing": https://www.youtube.com/watch?v=5Q-58t7gvyg
NEW: Hurting
NEW: FIrst Thing - (with Ian Collins)

http://potbarley.com
LATEST RELEASE ON SPOTIFY: "Old Friend" with Ian Collins. https://ffm.to/old_friend.bio

New song "Nancy Says" and a reel: https://youtube.com/shorts/D6OYurY7vgE?feature=share

Crash 'n Burn was charting up to no. 3 in RepostExchange

Hole In The Sky was mentioned in an article with Spotify playlist: : https://staticdive.com/2024/08/14/pot-barley

Check out the reel made by Overdrive on my YouTube Channel of "Crash'n Burn": https://www.youtube.com/shorts/aCx2da8Vxl8 and another one "Release Me": ttps://www.youtube.com/shorts/uCavmdcdtdY!

YT channel: https://www.youtube.com/@PotBarley
Instagram: https://www.instagram.com/potbarleyofficial

Musician & songwriter driven just by passion for songwriting and singing. I am releasing "SoundCloud first" but some selected songs are also on https://potbarley.bandcamp.com or Spotify etc, sometimes in older versions though.
Since spring 2023 I have been writing and recording mainly as a "one man band", using acoustic & electric guitars, bass guitar, keyboards, an old piano, conga, etc. and a voice.
Former member of German bands: In Rags (with Sami Yli-Sirniö and Roman Keymer), Sharkpool and Dutch bands Garbitsjkeng, The Wit, Trio van Putten and and a few others. I baptized my Alter Ego and named him "Pot Barley".

Caféine est un duo de chanson française qui souhaite proposer ses idées de chansons à des interprètes confirmés. Toute collaboration est la bienvenue! Compositions originales et artisanales - Chansons douces ou vitaminées à déguster avec le café du matin! 
Caféine is a French chanson duo willing to propose his songs to experienced artists. Every kind of collaboration welcome! Original, hand-crafted compositions ;- ) Work in progress ! songs to enjoy with your morning coffee!
#chansonfrancaise #Frenchsong #French_song #Songwriter #Pop-French #Feelgood #coffee #morningchill #jazzy #chill #Paris #frenchmusic #bossa #dreamy #calm 
Membre SACEM #France 
 Merci pour votre soutien ! Thanks for your support ! Grazie per  il vostro sostegno! Gracias pour su apoyo!  당신의 지원에 감사드립니다 !謝謝你們的支持  !ご協力ありがとうございます! cảm ơn sự hỗ trợ của bạn!

I'm a guitarist, music producer and beat maker from Portugal, and this is my brand new project for instrumental music, songs and remixes.

Artist BIO smartlink - https://ffm.bio/blackoldfarmbeats
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"Mind Racing" will be Out at 22/08/2025
                   ⬇️
https://ffm.to/mindracing-h2quare-ft-bofbeats

*since 2023

It’s me, everyone’s favorite walking corpse Cameryn Cadaver!

Follow me on Instagram to keep up to date with me ;)

Recording Artist / Music Producer /Multi-Instrumentalist / Audio Engineer 






Let out the craze, as long as it’s creative. Leave nothing left unsaid, as long as it’s clever. 
I live by this and hope to help inspire others like I am inspired. 
Head up, doubts down.


https://beatstars.com/jcrnolatas

https://youtube.com/@p00kinmusic

https://www.tiktok.com/@johncrnolatas6?_t=8s5bHrGR0SE&_r=1

Sketch and Noise, 
Sound and Texture
Guitarist and Composer

Born in 1980 under the name KRT, the band began its journey in the raw energy of live shows — in Spain, including a memorable concert in Burgos, and in Brussels at the Teatro. Those early years, intense and furious, were wiped away overnight: all archives, tapes, posters, and memories stolen in a single car theft, as if someone had tried to erase history itself.

By the late ’80s and early ’90s, the group found shelter in the former RKM studio on Avenue Molière in Brussels, under the demanding ear of artistic producer Jean-Claude Maury. From those sessions emerged Fast Beat and The Ballad of the Mouse and the Bird, defining tracks that carved NUR’s sound into stone — dark, restless, untamed.

After a split and years of silence, the band resurfaced under the name NUR, carried this time by the new promise of the digital age. The music could no longer be erased; it was destined to survive.

But fate struck again: the passing of one of the founding members closed the collective chapter. Today, NUR rises once more, as a solo incarnation. More than a project: a resurrection. A flame still burning, more than forty years after its first spark.

I Can't

Into the Fold