1. Overlook – Déjá Vu
2. Sam KDC – Vertex
3. ASC – Last Know Coordinates 
4. Grey Area 5 #1
5. Von Grall – End Of Borders 
6. Body Unknown – Unruh
7. Reeko - Las Virgenes Tambien Juegan Con Cuchillo 
8. SNTS - Figures In The Mist 
9. DiNT – Skewer
10. OAKE – Helicorde
11. Karim Maas – Civilize
12. Overlook - There Was Truth & There Was Untruth 
13. Overlook - The Totem That Guides Us 
14. Moddullar - Cellular Structure 
15. Kwarz – Black Horse
16. SNTS - Fearless 
17. ANFS – Salepsa

Timor

@meszkov from 2000 began his adventure with Techno/Electronic music world. Being in the scene for eight years, this man has been running riot as he not only established himself in his home country but found himself already crossing borders. With his fast and energetic sets, he guarantees to make your mind wander off in the broad blend of his sound and the extraordinary attention he lays into his message. Capable of creating captivating selections in deep hypnotic techno and ambient as well. 
He has been the guest of many recognised podcast series around the globe.
Helps to co-create events called Teoria Chaosu and Broken Bones. 
Has recently been co-creating a podcast series @teoriachaosupodcast

"THEY CALL IT NOISE
WE CALL IT TECHNO"

Jesús Bellota was born in Spain. He studied Law and an MBA in Birminghan University, United Kingdon. He also did studies at Professional Pioneer DJ  player at INTED Elecronic Music School, Madrid. He began his profesional career as residente DJ in Club Epoka, Madrid in 2.016.  His sets create a unique ambiance with a powerful and well-rounded sound; invoking  house, tech house, techno ... references without forgetting other vanguard tones.
For details or to book Jesus Bellota please contact jbellota2017@gmail.com

musical sounds with an unconventional character and organic playability.

@cyberfunk_music
@delta9recordings
@impactmusicdnb
@DEPHRECORDS
@sinfulmaze

When the veil of perception thins, the unreal seeps in.
Sound becomes fracture. Time loses structure.
There is no intent, only resonance.
No creator, only presence.
No truth, only the dream.

Notzing is an ongoing exploration of altered perception through sound. Dense drones, structural minimalism, and time-stretched loops converge to dissolve linearity and summon trance.

Influenced by oneiricism and surrealism, Notzing navigates the unconscious through sonic language — sculpting frequencies, bending time, displacing space. Modular synthesis, feedback chains, and processed textures act not as instruments but as conduits for dreamlike experience.

It is a ritual practice in cycles: sonic, thematic, subconscious. There is no final form — only recurrences, echoes, and the slow drift toward the unreal.

Timor

INTRO139