And this is when i start levitating. @jinsynth love it.

We are over the moon to kick of the 5th year of Introspective Electronics with this compelling mix recorded by our dear friend, an incredible sound artist and DJ ~ Jin [靜] ✨

Born in Taiwan and taking root in London, Jin has developed a strong sensibility to navigate the in betweens of mystery-tinted ambient and techno, often weaving the two to create spaces of reflection and listening and at the same time, somatic stimulation. In her live performances , Jin works with deeply tactile custom made electroacoustic instruments, synthesis and field recordings to concoct detailed and wildly transportive sonic experiences existing in between these two realms. This is a focus that is also mirrored in her DJing 🔮

In this hour-long mix, we are lured into Jin’s enigmatic ambient world ~ gliding through evocative sonic territories that constantly yet patiently expand and contract, introduce tension and offer relief, call us to dive into the vortex of our subconscious and then emerge back into our body.

Sounds by @jinsynth 🌝
Visions by @marcomaldarella 🌚

Podcast Series 31 | Jin [靜]

a morning meeting that had the texture of something very familiar, meant for all and shaped together

"The joy and thrill of having unrestricted creative space, setting and curating a festival stage, shaping its aesthetic, and amplifying the sound through our handcrafted soundsystem was an experience to cherish.

As we stepped up to play, Alfonso had already set the tone since sunrise, guiding the crowd with deep, dubby, and minimal sounds. By the time he passed us the decks, the audience was fully immersed in this hypnotic, mellow and groove-driven atmosphere, ready to carry on.

Playing on our soundsystem, on a stage we had envisioned and built from the ground up, was a truly special moment, both the fruition of a dream and the start of something more."

@javrsalazar
@klapenunsen

nunsen·live - javier salazar at la vallée electrique

"Gliding between dub and downtempo, this mix paints lush soundscapes. Every detail is carefully polished, each atmosphere flawlessly intertwined. The rhythm flows smoothly, creating a unified, enchanting story that’s hypnotic and deeply immersive."

Adhémar (@adhemarmusic) is a multi-disciplinary artist, establishing his universe through music and visual works. Constantly in search of the luminous quality of sounds, in a world made of shadows and light, his music is closely linked to his plastic work. This obsession with shadows leads him to think and create spaces, atmospheres that focus on the lightness and poetry of light. The idea of "narrative potential of music", allows us to confront the psychological and philosophical journey with a particular relationship on what is alive and what surrounds us (whether it is the material, immaterial world, the fact that everything is constantly becoming). With a particular rigour for transitions, whether in his own production or in his DJset, his universe is built little by little, with the passing of sound transformations and the light and poetic transportation of it all.

HOCast #204 - Adhémar

On the Saturday night of Monument Festival 2024, amenthia recordings co-founder agonis delivered a legendary session of futuristic, crystalline electronics. With the dancers engulfed in thick fog and red lasers, and the newly upgraded sound system of the Varden stage at his command, agonis drenched the crowd with tidal waves of finely tuned, precision psychedelia that was crafted specifically for the Norwegian forest. The ultimate high fidelity speaker test. 

Play it extra loud for your family over the holiday season.

Follow:

https://www.instagram.com/agonis_amenthia/
https://soundcloud.com/agonis-amenthia
https://www.facebook.com/agonis.amenthia/


Monument Festival 2024 : agonis (live)

The recording of my recent set at @thelotradio ❄️🦋🌀

For this set I wanted to dive into the realms of lucid dreaming, halftime~trippy~swirly~music for late night driving and moonlit astral travel ~ 

Whilst playing this set it started snowing heavily, and when I stepped outside after the show there was 10cm of snow on the ground! So this mix is also a soundtrack for the soft-coldness of nighttime snowfall 🌙 

Feat. music from: Nigm, Ghost Warrior, Agonis, Silent Era, Solarythm, Solma, Sub Basics, Re:Axis, Brendon Moeller, Räar, Uun +++

Also on https://youtube.com/watch?v=gmYdls14YHA

The Lot Radio

The Lot Radio ~ 08.02.25

DSS 106 comes form across the Canal.
Softi is quickly becoming one of London's most sought-after DJs. With her dynamic sets, seamlessly drifting across different BPM ranges and without being bound to a genre, she manages to keep a unique and psychedelic sound.
Her vision is further extended through her Cozi label, where she delivers ep's, dj-mixes and a residency at the Brussels based Kiosk Radio.

@jazz_brown

DSS 106 | Softi

BTB Radio 005 - gi

https://soundcloud.com/parautas64848754

https://soundcloud.com/espacio-perpendicular Festival 2025
Sunday 20:30-21:30

Obscure Echoes: Parautas (Live) [Perpendicular 2025]

Title:
Earth

1: "Earth", 05:02 (00:00)
2: "Parting", 06:22, (05:02)
3: "Trees", 05:28, (11:24)
4, "Insects", 1:35, (16:52)
5, "Visitor", 04:23, (18:27)
End (22.50)

Dates:
01-Nov-2025 (inception), 01-Nov-2025 (finalised), 04-Nov-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund
Music Video by Norman Freund

BandCamp Purchase:
https://normanfreund.bandcamp.com/album/earth

Description:
After recording "Granie Demo3 - Lyra Dreams The Halloween Edition" (Ref. [1]), I had to have a wind down session just jamming out, or was it going more hyper -- you be the judge.

Tracks 1, 2, 3 and 4 were recorded DAWless on the Granie, feeding it the Soma Lyra 8. Granie is my granular synthesiser Ref. [2].

Track 1 used a definite tuning library, whereas for tracks 2, 3 and 4, it was all modified and improvised. The tuning is listed below, negative frequencies meant play backwards, these were the grain play-back frequencies, which may differ to the human perceived frequency.

Grain Bank 1 frequencies [Hz]:
1: -1.635
2: 0.265
3: 0.985
4: 1.465
5: 2.165
6: 2.865
7: 4.165
8: 12.465

Grain Bank 2 frequencies [Hz]:
1:14.
2: 3.
3: 13.
4: 20.
5: 25.
6: 32
7: 28.
8: -2.4

Grain Bank 3 frequencies [Hz]:
1: 3
2: 14
3: 17
4: 22
5: 23
6: 25
7: 41
8: 47

Grain Bank 4 frequencies [Hz]:
1: 117
2: 122
3: 125
4: 129
5: 131
6: 136
7: 141
8: 40

The tuning was determined one grain bank at a time, all by ear, ensuring each new bank's ith note worked well with the next bank's ith note.

For track 5, I was curious what the tuning of track 1 would sound like with a fixed discrete tuning instrument, so took the raw track 1 tuning and put it into Ableton Live, an exact replica of tuning but with no granular synthesis human perceived tuning corrections. Some selective octave reduction was also used, this tuning is shown below:

ID, Bank, Local, FreqRatio, Cents
0, 0, 0, 1.000, 0c
1, 0, 1, 0.162, -3150c
2, 0, 2, 0.602, -877c
3, 0, 3, 0.896, -190c
4, 0, 4, 1.324, 486c
5, 0, 5, 1.752, 971c
6, 0, 6, 2.547, 1619c
7, 0, 7, 7.624, 3517c
8, 1, 0, 1.070, 118c
9, 1, 1, 0.229, -2549c
10, 1, 2, 0.994, -11c
11, 1, 3, 1.529, 735c
12, 1, 4, 1.911, 1121c
13, 1, 5, 2.446, 1549c
14, 1, 6, 2.141, 1318c
15, 1, 7, 0.183, -2936c
16, 2, 0, 1.835, 1051c
17, 2, 1, 8.563, 3718c
18, 2, 2, 10.398, 4054c
19, 2, 3, 13.456, 4500c
20, 2, 4, 14.067, 4577c
21, 2, 5, 15.291, 4721c
22, 2, 6, 25.076, 5578c
23, 2, 7, 28.746, 5814c
24, 3, 0, 1.118, 193c
25, 3, 1, 1.166, 266c
26, 3, 2, 1.195, 308c
27, 3, 3, 1.233, 362c
28, 3, 4, 1.252, 389c
29, 3, 5, 1.300, 454c
30, 3, 6, 1.347, 516c
31, 3, 7, 0.382, -1665c

I used a bell instrument, ok, this is weird, the tuning, not the instrument, but it worked, 8 notes for each of the Granie banks, strung together into 32 notes and just stuck with only using those 32 notes. I realised I needed a timing track, so picked a drum set and set the Push2 midi controller into 1/16th repeat note mode and improvised some drums into a 21 bar section. Improvised on the Bells track into 18 bars. Put the percussion and bells into looped playback and improvised on the Lyra 8 -- one take, improvised tuning oh ya.

This was all done in the session view of Live, then bounced into the arrangement view ready to play back and do the mastering by putting in volume swells for interest.

You can hear the whole album on my YouTube channel at:
https://youtu.be/Dd1BKzmb1hU

References:
[1]	Granie Demo3 - Lyra Dreams The Halloween Edition, Link: https://youtu.be/5HTL0VaQpvI
[2]	Granie, Granular synthesiser by Norman Freund, purchase at: https://normanfreund.gumroad.com/l/granie


Trees

Diphenhydramine Hydrochloride

Daitibeli

Platform navigating the liminal spaces between ambient and dance music and featuring regular radio shows, guest podcast series and intimate events ✨🌝🌚✨

Contact: info@introspective-electronics.com

Curation by @avsluta 🌱
Visual Identity by @marcomaldarella 🍃

Podcast Series 31 | Jin [靜]

Introspective Electronics

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