A hard hitting synthetic ride inspired in part by China Mieville's novel "Kraken."

Morning in Britain

The reason I create music is beyond my ability to explain. But If I try to dig into it, I think that my body and soul, been using music as a healing tool long before I can remember. I assume that my deep connection to music was born way before I was even aware of it. 
Over the years I have experienced life to its extreme, for the good and for the bad. Music has proven itself as a life saver, since it was the only way I could express my inner feelings and communicate with the world. When I finished my 3 years serving in the army, experiencing terrible fights and death, I felt that something got broken inside of me.
Music was there for me, even though I was not aware of the fact that I can actually use it to heal my soul.
In my music you can listen to all types of moods (love and happiness to the other side of pain and struggle. with pop, rock, reggae, electronic, experimental and even psychedelic and classical. 

I move between, instrumental music and song writing.


Im an alien. All else is classified. Derpaherp

Hailing from dark and beautiful Denver, Colorado. Invisible ASPS launched itself as a vehicle for exploring and bringing about dark electronic music, these songs are unique takes on that music and what excites us about it. What has resulted is dark and cinematic music that whispers its confessions to you while you are nodding your head to pounding beats crafted by Invisible ASPS

If you enjoy this music, please consider following us on Facebook, checking out our videos at YouTube and sharing us with your friends...

Hiding in the shadows of your bedroom...
Crawling across your mattress...

All tracks on this page are property of Ether Unlimited. Copyright ©2018

Looking for something more shadowy, stranger or just plain better?  Look no further.  From the murkiness of the ranch after dark, the Lone Writer, AB, wants to take you through different and otherworldly aspects of Neo-Noir music with the aim of taking over dark dance music, one set of ears at a time.  To make this happen he needs your help and appreciates it greatly...

im not die ;) The martian boy comeback again !!!

BFM Boy from Mars
Donostia-San Sebastian

Music to enjoy while meditating in the comfort of your own bathtub.

I bought a new Mac, and then between Catalina and weird hardware problems (I had to swap the laptop out twice…) it took over two months to get everything set up and work on music again. And I still have a few songs I can't play because they use soft synths or effects that don't run on Catalina. But I'm mostly back now.

Destroy the Sun 0.9 out now: https://paintedinvisible.bandcamp.com/album/destroy-the-sun-09

I mostly make synthpop, mostly.

Slapped-together demos; criticism (constructive, or even "this one sucks") very welcome.

I'm obviously using "synthpop" pretty broadly. But I don't want to pick a narrower genre. (Someone told me most of my music is "hard acid synthi", but I don't think anyone else does that genre, so… that just means I'm the best at it, right?) Nothing against people who make darkynth or futurepop or minimal or whatever (as you can tell from who I follow). Making music is all about setting up limits to push against, and an established genre is a great way to do that, but it's not what I want to do with this project. I want to range all the way from OMD to Apparat to the Screamers, and if I occasionally go outside the lines and accidentally sound like a movie soundtrack or early Front Line Assembly or even Scooter, that's fine. But it does mean that if you like one of my songs, you'll probably hate the next one—but skip around a bit and you might find another one you like better.

Except the the vocals and samples, this is 100% softsynths (and occasional custom software). I'm old enough that I used the real hardware when it was… well, OK, not new, but cheap at your friendly local pawnshop. I have no desire to go back to the days of converting between different brands of CV, programming a stepper without any visible feedback, waiting for the Minimoog to warm up (but not enough to overheat), and sitting around for 90 seconds while patches load.

Painted Invisible started as a side project in 2004 for music I made on the commute to and from work. But for over a decade, it's been the only project I work on. The name comes from a drug store somewhere in the Outer Mission district of SF. They had a bin full of clear nail polish in the middle of the cosmetics section, on sale super-cheap, with a sign saying ¡Invisible Paint!