ears always prick up when I see new KK, great work as always!!

For the Drive Home

Denis Yurgens je osnivač legendarnog 44,100hz social cluba i vlasnik Elephant Gait Music etikete, gde sredinom oktobra treba da se pojavi i prvo izdanje.
Denis nije DJ, i nikada nije bio, ali je smixao predivnu selekciju posebno za nas.
Uživajte.

Denis Yurgens is a founder of legendary 44,100hz social club and Elephant Gait Music label boss, where the first edition will appear in mid-October.
Denis not a DJ, and never had one, but he selected a wonderful mix specially just for us. Enjoy!

Tracklist:

1. Sunju Hargun - Extans Mantra (环境) 
2. Helen Ripley-Marshall - Under the Sun
3. Unknown - Unknown
4. Unknow - Unknown
5. Inkasso - Angewandte Dosen
6. Coil - Remote Viewing 4
7. Dip Friso - Alba
8. Toma Kami - Non Nete (feat. Wihtner FaGo)
9. Ubahnrider - Grandmaster Solaris
10. KGBK - Glue
11. Calma Tensa - Human Condition (Le Frit Remix) 
12. Forgotten Corner - Gallus
13. Tassilo Vanhoefen - Almagestes
14. CEO of Everything - Rozoviy Buhgalter 
15. Mimi Majick - Mimi's Utilities One

https://soundcloud.com/44100hzsocialclub
https://soundcloud.com/yurgensdenis

Denis Yurgens - Dubine Podcast #023

But i signed copy of the record here.
https://shop.versatilerecords.com/album/emmanuelle-parrenin-detlef-weinrich-jours-de-gr-ve-lp-verlp41
Imagine Prometheus, the thief of fire, the father of civilisation, had been spellbound by the sirens chanting and never felt pain, when the eagle bit his liver. Total enchantment, created by sound to overcome the pain of existence. A sound, styled by the ideal harmony of body and soul. And yet, the pain is still there, hidden between the notes, driving a romantic vision of salvation.

If Prometheus could have translated his fictitious epiphany into singing, it might sound like Ghédalia Tazartès’s chanting in “White Layers Over Black Paper”, one of the eight snake dance tracks-not-tracks by German producer Detlef Weinrich aka Tolouse Low Trax and French singer, hurdy-gurdy, spinet and harp player Emmanuelle Parrenin. During some days of intimate plays in Paris they created “Jours de Grève”, a bouquet of music full of mirrors, eyes, statues, secret doors, rooms, and blood. With the offhanded help by friends and like-minded souls like Versatile aura mystic Gilbert Cohen, French avant-garde saxophone player Quentin Rollet and his fellow countryman, experimental voice artist Ghédalia Tazartès, they transformed in Cohen’s studio impulsive emotions into a kind of medieval cult sound that dances with tribal dub layers in search for a higher ground.

The session took place during an intensive time of public strikes in the French capital, that tied up the public life of Paris and gave birth to the album’s title “Jours de Grève”. After the jam, Weinrich drove back to his old hometown Düsseldorf, sat down with his friend Jan Schulte aka Wolf Müller and mixed the captured notes, sounds, rhythms and singings into pristine tripping music, that avoids stylistic categorisations. As rather architecture, sculpture, painting, performing or film could express what Parrenin’s hypnotic hurdy-gurdy performances, Tazartès’s ancient deeply emotive ululations, Rollet’s almost religious saxophone notes and Weinrich’s toting grooves evoke in the psyche, it might be better to go back to Prometheus and the fire, that brought us light and warmth. “Jours de Grève” does too.

And it is a stolen one. A borrowed one. Affected by art and life outside of sound. Lent from a forgotten monument in a random city around the world. Swayed by an afternoon glass of wine in a Parisian street café. Affected by music of all ages. Unconsciously developed in the spirit of Philippe Doray and Les Asociaux Associés, Théâtre du Chêne Noir d'Avignon or Areski Belkacem’s collaborations with Brigitte Fontaine. Above all Emmanuelle Parrenin extramundane voice swings, mutating between speech and chant, while Ghédalia Tazartès mourns like a wise illusionist. In tunes like “Caltec’s Dance” you even feel the airiness of early Fun Boy Three recordings. All that is rooted on Weinrich’s Tolouse Low Trax magnetic signature grooves, this time floating between dark tribal upbeat sexiness and dubbed-down bass sculpturalism.

If it is true that illuminating music stirs by its mysterious resemblance to the objects and feelings which motivated it, then “Jours de Grève” is an in impulse composed primitive state of rhizomatic paranormal psychic phenomenon, that incorporates all the worlds, that the naked eye cannot see.
Michael Leuffen

Hephaistos Breeze

Drunken military men, learned to forget, tough meat and sour wine, re-counting cracks, gray back, shadow of hunched gray backs, walking holding walls with eyes and shoulders down, swallowing dust, outcasts, orphans, yellow faces, worn cuffs, stuttering, crowds of freaks, rotting markets, starving rats in search of a way out, naked to the waist, a creature without muscles and bones, dirty cup. Follow the flowing water parallel to ditches and gratings. Weigh again to what extent you are indifferent to everything. Urinals, Russian restaurants. Protected by the even wear and tear of clothes, by the inexpressive steps.

For a gray person, gray does not mean any gray.

Wall-colored leper, sometimes you look like a cow.

https://soundcloud.com/oltakarawane

LAYER #241 | Ólta Karawane

As the night veiled the world in its darkness, the nocturnal creatures came out to play. Burrowing out of their secret hiding places to make mischief away from prying eyes. This was their playground, amongst the overgrown weeds and dying flowers. Here they thrived, here nobody could touch them. 

After making appearances on two compilations, one for I'm A Cliche and another for Hard Fist, Russian producer Linja takes a different approach for his debut album on Malka Tuti; a cinematic collection of compositions that could soundtrack a Yuri Norstein movie. Made sometime between 2016 and 2017, the seven tracks that make up Velvet Noise feel more like a story; abstract drum motifs and modulations are laced with squeaks, bleeps and eerie effects, building in tension as the LP unfolds.

PREMIERE: Linja - In the darkness of the sleeping streets [Malka Tuti]

PHO BHO RECORDS: @phobhorecords
MATTEO COFFETTI: @matteocoffetti
FILIPPO ZENNA: @filippo-zenna

Hypnotechno is Pho Bho's second release made and arranged by Matteo Coffetti, the label's co-founder along with Federico Spini.

The record's distinctive feature is its original fusion between ethnic samples beaten by violent kicks and sharp snares from the rawest techno. What it generates it's a unique rhythm-flow ideal for the dancefloor.

The collaboration with Filippo Zenna is the result of the two artist's anxieties and fears over a past that it's no longer here and tomorrow hat stravise to come.

PREMIERE | MATTEO COFFETTI & FILIPPO ZENNA - È GIÀ IERI [PHO BHO]

TASSILO VAN HŒFEN [DE, FRANKFURT]
@eshu-est

CTW129 • Tassilo Van Hœfen

New album "Der große Preis", out on November 13th, 2020. Preorder via https://orcd.co/neuzeitliche-bodenbelaege

Neuzeitliche Bodenbeläge is the musical vehicle of Niklas Wandt and Joshua Gottmanns. They released a single – Ich verliebe mich nie – in 2018 and an EP entitled Leben in 2019 on the Düsseldorf label Themes For Great Cities. Now the time has come for the Berlin duo's long-awaited debut album. The 7 tracks comprising Der große Preis distil the inimitable NB sound which blends velvety synth-pop and crystalline digi-dub, basslines like cubes of glass and whiplash snares. The album title certainly lives up to its name: The Grand Prize. This is adventure time, from wild romance to petty crime – it's all waiting for you right here.

Der große Preis

Neuzeitliche Bodenbeläge – Haare

Komodo Kolektif - The Reptile [INVINC KK01]
@komodokolektif

"Back in March Komodo Kolektif were asked for a track for the second volume of the wonderful Bamboo Shows cassette series. 

Two takes were recorded just before we went into complete lockdown. One was rawer whereas the other was developed and refined up until the point we were no longer able to meet up and work with one another due to the restrictions. 

In the end the track chosen for Bamboo Shows was the rawer one, so here, for the first time...and exclusively availabale on bandcamp....is the version that got developed..... and then forgotten, along with the version that appeared on Bamboo Shows. 

We hope you like both. 

_____________________________ 

All proceeds of sales from this release will be donated to Glasgow Winter Night Shelter and Glasgow Night Shelter. The weather here in Scotland has been increasingly cold and we are only just at the end of autumn. Winter does not look promising and the conditions potentially life threatening for those who are homeless and living and sleeping on the streets of Glasgow. Glasgow Winter Night Shelter is operated by Glasgow City Mission and provides a bed and roof for anyone living on the streets whereas Glasgow Night Shelter provides beds for destitute asylum seekers who have arrived here with nothing."

INVINC KK01 Komodo Kolektif - The Reptile [samples]

Artist: Jonquera
Track: Bénédictin 
Label: Bamboo Shows
Format: 12" Vinyl, Digital
Release date: 10/12/20
Purchase: https://bambooshows.bandcamp.com/album/darkos-lp

After two compilation tapes released on Dec. 2019 & July 2020, Lyon based Bamboo Shows imprint announced next release, due for Dec. 2020, with a special limited-edition vinyl format to celebrate the label’s first anniversary.
Through “Darkos LP”, Lyon-talent Jonquera (also known as The Pilotwings, his collaborative project alongside Eiger Drums Propaganda & Lastrack) offers an incredible 45-minute 14-track album thanks to it's captivating atmosphere and an impeccable technique.
Produced in one week only, the project between medieval dark-ambient, HD sound-design and esoteric illbient takes inspiration from Noise Music and Doom to introduce alternately a gloomy, epic or spiritual atmosphere.
A surprising album narrating a feudal struggle between a heretic woman and a priest in the small town of Charlieu, France. A metaphoric way to highlight the duality of the project, always oscillating between medieval darkness and contemporary techniques of electronic music production. An occult thematic that we also find in the album artworks, painted by Toulouse-based Artist Alison Flora with her own blood.

https://soundcloud.com/jonquera-music
https://soundcloud.com/bambooshows

DARKOS LP

YouTube

PREMIERE #1327 | Jonquera - Bénédictin [Bamboo Shows] 2020

2 hours of transcendental music with your host Nummer, blending the ethnological with the technological

Détente Aux Enfers 04.12.20 (Feat. Nummer)

Providing unseen protection for the listener since 2015

Invisible, Inc. is run by GK Machine
Please see @g-k-machine for DJ gigs, live shows, Invisible Inc events and tour dates

Demos, DJ bookings, fan mail, love letters etc to info@invisible-inc.uk

If you are a female producer, please send me music...everything I get sent seems to be by men...I'm not quite sure why that is...let's get some balance into things...thanks

INVINC KK01 Komodo Kolektif - The Reptile [samples]

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