The Soft's Uncanny Valley EP out September 24, 2013.

12" vinyl available here: http://ceremonyrecordings.bigcartel.com/product/the-soft-uncanny-valley

Contact: 
Label - info@ceremonyrecordings.com
UK PR - sandra@cscnarts.us 
US PR - matthew@ceremonyrecordings.com 

The Soft - Painted

Blacksmif
https://soundcloud.com/blacksmif
https://twitter.com/blacksmif
https://www.facebook.com/Blacksmif

Dems
https://soundcloud.com/dems
https://twitter.com/demsmusic
https://www.facebook.com/demsdemsdems

Buy debut album Muscle Memory on Vinyl / Digital:
http://demsmusic.bigcartel.com/

Made For Myself (Blacksmif Remix)

The British producer Ital Tek gives a rhythmic turn to Indian Wells' lush and hazy track appearing on his last Pause LP. Closer to his contemplative and melodic-driven efforts, his remix fits perfectly with the Italian producer spirit, adding the typical deep sub-bass he developed and might characterized his sonic identity.

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We believe that « everything is a remix »

Remixes are a major part of the electronic music history. The club culture take off on remixes, some of the greatest dance hits where made from remixing original tracks.
Our primary purpose is to highlight this exercise by offering the opportunity to artists to either work on a remix of their choice or offer a track to be remixed by an artist they admire. It is overseen and curated by independent music lovers and supported by The Absolut Company, a brand that is permanently involved in the field of contemporary arts and creation with a tradition of supporting artists such as Keith Haring and Andy Warhol. The Absolut Remix project is dedicated to the art of combining or editing existing materials, to produce something new.

As a start, every last Friday of the month, we will unveil a new remix, from a newcomer or a legend, from disco to techno or IDM and house music. And more to come...

'Games in the Yard (ft. Matilde Davoli)' was originally released on Indian Wells' LP Pause (Bad Panda Records) in March 2015
Bad-panda-records – Indian-wells-games-in-the-yard-ft-matilde-davoli
badpandarecords.bandcamp.com/album/indi…ells-pause

Absolut Remix
@absolutremix | www.facebook.com/AbsolutRemix| twitter.com/AbsolutRemix

Indian Wells
@indian-wells | www.facebook.com/Indianbells | twitter.com/IndianBells

Ital Tek
Facebook: www.facebook.com/italtek
@ital-tek | www.facebook.com/italtek | twitter.com/italtek

Indian Wells - Games In The Yard (ft. Matilde Davoli)(Ital Tek Absolut Remix)

Remix of 'The Clown' featuring Pedestrian, which is taken from the album 'Portraits', released 1st June 2015 on Counter Records.

Buy 'Portraits' from:

iTunes: found.ee/portraits-it
Ninjashop: found.ee/portraits
Bandcamp: found.ee/portraits-bc

Follow Maribou State -

Facebook: www.facebook.com/mariboustate
Twitter: twitter.com/mariboustate
Instagram: instagram.com/mariboustate
Spotify: bit.ly/1ITgYsF

counterrecords.com

The Clown (Gang Colours Remix)

Portraits

Maribou State - 'The Clown' feat. Pedestrian (Gang Colours Remix)

Tekst og musikk av Thomas Kjelsrud
Basert på en drøm.

En rakett går i bane 
rundt vårt hus.
høy fart. 
Et stille sus.
En lang grå skygge
Så nær så nær

Rett over våre hoder.
Klar bane. Du var der 
når jeg våknet.
Fremdeles der når jeg kommer hjem fra jobb

Virker som en ting vi burde gjort noe med
Vi burde gjort noe?

Hvorfor er du her?
Hvem satt deg på?
Vil du gå av?
Når går du av?

En grå skygge som freser
Lydløst, rundt akkurat vårt
Hjem, i mens naboer klipper plen uforstyrret
Ser de ikke et to tonns stridshode gå i bane 

Jeg bretter klær I stillhet
Løfter dem inn i skapet
Skyggen svever forbi vinduet
I en evig sirkel

Jeg skulle blitt forfærdet
Holdt pusten
Flyktet

Jeg skulle gjort noe med det.
Men jeg har et teams møte.

Usikker på hvem vi kan ringe.
Hva skal vi si? Nød-koder.
En rakett seiler over våre
hoder

Makt
Innvasjon
av 
stille
soner

Som om ingenting (rakett i bane)

söyle lan onlara

From the forthcoming EP, "The State of Things" out on thesongsays MARCH 25

Order here:
http://thesongsays.com/releases/the-state-of-things/

@visualsmusic
facebook.com/visualsvisualsvisuals



The State Of Things

𝙼𝚎𝚕𝚊𝚗𝚌𝚑𝚘𝚕𝚢 𝚂𝚞𝚗𝚜𝚑𝚒𝚗𝚎

'Take Them All' is the fourth single taken from my forthcoming album 'Make Up Your Own Stories', released on October 5th. 

I always like contrast within music; an array of elements that keeps a song diverse and unable to be specific on genre or style. Its what I wanted from this track, having fairly up front beats and basslines but with pretty and melancholic musical elements on top, along with the amazing vocal by The Slow Revolt! Its one of my favourite songs I've ever written, and goes on quite a journey.

Stream & Download here: http://smarturl.it/InvisibleMinds

Stream & Download

Invisible Minds - Take Them All Feat. The Slow Revolt

Above (2016)

Night Plane’s Miami Mix of Soul Clap is for the heat, palm trees, shimmering turquoise, tequila, bad neighborhoods, and a metal bar in Little Haiti. 
Out now on Soul Clap - The Alezby Inn Remixes (Wolf + Lamb)

Soul Clap - Ecstasy (Night Plane Miami Mix)

Make Up Your Own Stories is the debut album by Invisible Minds, and a title that couldn’t be more apt. Its creator, after all, is an acclaimed electronic adventurer writing an exciting new chapter of his own. When a sun-drenched swirl of child-like vocals, drum breaks and bright guitar jangles called ‘Yo Mae Leh’ hit the internet in late 2017, rocketing to half a million Spotify streams, no one knew it was the work of Tim Green, the UK dance innovator who’s pulsing rhythms and abyss-like synth murmurs have been making house and techno scene venue walls quake since 2008. Shining a light on a more melodic side to his musical personality, that track – and the others that sit alongside it on his effervescent debut album as Invisible Minds – are “honest and innocent and kinda searching for a feeling” as Green himself puts it. This album’s a story that’s been 12 years in the making – and it’s a story that proves well worth the wait.

Tims father – a keyboardist, who kept Tim’s family home flooded with the sound of artists like Pink Floyd and Joni Mitchell while he was growing up – often joked with Tim about making some “real music” as his house and techno flourished following breakout singles ‘Revox’ and ‘Mr Dry’. As the 34-year-old burrowed further into refined, clubby sounds under his own name, remixing the likes of Friendly Fires and Seth Troxler before being crowned Best Breakthrough Producer at the 2010 DJ Mag Awards, he wrote different kinds of anthems on the side: optimistic splashes of life-affirming electronica full of live instrumentation and infectious energy that, while not quite Pink Floyd, he laughs “should hopefully win my dad’s approval.”

From the guitar loop hypnotism of ‘Autum’ and breathy, balmy summer haze of ‘The Cut Girl’ (one of three tracks featuring newcomer vocalist Howard Hobbs) to the MPC hip-hop of ‘905 Users!’, it’s a record inspired by everyone from Peter Gabriel to Icelandic icon Bjork. Compiling all these songs written across such a long timespan, then working to turn them into a cohesive album, was a strange, surreal experience for Green: like looking back on old diary entries from across his entire adult life. “It’s funny – you go back to a particular track and can’t help but be transported back to where you were in your life when you wrote it,” he says. “There’s a lot of nostalgia in there.”

Nostalgic-sounding some songs may be, but Make Up Your Own Stories is future-focused in its production wizardry. Bit-crunched synth melodies grind up against deep bass squelches on epic closer ‘Take Them All’, the last track written for the album, while ‘Jump Jet’ feels every bit as soaring and propulsive as its title would suggest. “Just when you thought you could come out of the shadows, there comes that poison drizzle in your ear hole,” a ghostly vocal intones over its Radiohead-ish bed of guitar, atmospherics and experimental percussion. Making use of the original Moog Model D and Voyager synths plus world instruments picked up on his travels as an internationally celebrated electronic master – “there’s a Chinese toy piano, a mbira from Tanzania and a kora from somewhere in Africa, but I can’t remember where…” – its sound never stops evolving across its enveloping 11-track runtime.

It’s a new chapter that represents an ellipsis, rather than a full stop, on his work as Tim Green. “I’m not abandoning that side of what I do,” he says, having released his debut album under that guise earlier this year, in what’s turning into a whirlwind 2018 for the prolific producer. “I love how evocative the words Invisible Minds are, and was really attracted to the mystery of that phrase, which is how I landed on the name. It’s something I’d love to pursue and carry on. Hopefully it won’t take another 12 years to do the next one.” As Invisible Minds, on Make Up Your Own Stories, Tim Green’s story takes a glorious tangent. 

Contact: nick@ftmusic.net