electronic folk

Biography FR/EN

L’orage gronde sur les old harry rocks. Imaginez une montagne qui brûle et pourtant une lueur paisible qui s’y installerait. La brume se dissipe, la voix nous enveloppe. Des sonorités folk, ils n’en font ni feu ni lieu et on vagabonde quelque part entre les musiques bricolées de Tune Yards, les titres sombres de Billie Eilish, les mesures répétitives de Stereolab et la plume sensible de Kae Tempest. Sur scène, les fréquences électro qui parlent au ventre, la guitare lacérée, la lumière des synthés, les émotions exacerbées comme une réponse à la fureur du dehors.» Domination, célébrités, contradictions, réflexion personnelle sur un monde en perte de sens. Leur dernier album “Fearless” n’échappe pas à la règle, l’exploration c’est sans doute ce qui les anime le plus.

The storm roars over the Old Harry Rocks. Picture a blazing mountain, yet a tranquil glow softly settles upon it. As the mist clears, a voice surrounds us. Folk-infused sounds, neither a sanctuary nor a blaze, lead us on a meandering journey. Somewhere between the DIY music of Tune-Yards, the dark tracks of Billie Eilish, the repetitive measures of Stereolab, and the sensitive lyrics of Kae Tempest. On stage, the electro frequencies speak to the gut, the slashed guitar, the light of the synths, and heightened emotions, all as a response to the fury outside.
Domination, fame, contradictions, personal reflection on a world losing its meaning. Their latest album, Fearless, is no exception to the rule — Exploration is undoubtedly what drives them most, and what they do best.

Instrumental indie/alternative band from the heart of Russia. Formed in 2013.

#postrock #instrumental #alternative #indie #rock #electronic

Contact:
atwelve.band@gmail.com

In February 1999, three longtime friends from West Texas went to a pizza place in Austin, Texas, for a prearranged meeting with a young man from Illinois. The Illinoisan had just moved to Austin, and he had put up a flyer that caught the interest of the others. They ate pizza and discussed movies and arcana. They also decided to meet the next day with their various instruments (two guitars, bass, and drums). This happened, and over the coming months they picked a band name, then picked a better band name, then wrote and recorded an album. That album, called How Strange, Innocence, was largely out of tune, but the band members didn't really notice at the time. They optimistically printed 300 copies, and gave most of them away. It turned out they really liked playing together, so they kept doing so. A friend of theirs sent a recording of one of their live shows to a record label in Baltimore, and that label offered to put out albums for the band. The band agreed.

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Glass Animals are a Grammy and BRIT-nominated British band whose genre-blending sound and cult-like fandom have made them one of the most exciting acts in global pop. Their third album Dreamland became a cultural multi-platinum selling phenomenon and spawned Heat Waves, the record-breaking single that topped charts worldwide and made history as the first UK band to reach #1 on the Billboard Hot 100 in nearly 30 years. Last year, the band released their fourth critically acclaimed album I Love You So F**ing Much, a sci-fi-infused odyssey about love, connection, and what it means to feel real in a surreal world. It arrived alongside a 44-date world tour that included headlining The O2 Arena in London and Madison Square Gardens in New York. Frontman Dave Bayley — also one of pop’s most in-demand producers — writes and produces every song, often with an experimental DIY edge that blurs the lines between music, tech and visual art. This experimental production is particularly evident in the band’s Fresh Fruit series. Bayley uses these standalone singles to bring in guests and collaborators, giving himself space to play with new sounds. Their live shows are euphoric and surreal, driven by a deep connection with fans built through open-source creativity and unexpected digital drops.

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