See description in set: Chase - Halloween  Party - 1982 - Phoenix AZ

Lonely Is The Night - Billy Squire

Nightlife - Foreigner

The Ocean - Led Zepplin

Written by: Michael Elsner, David Thiele

Lose is a powerful rock ballad with big vocals and harmonies. Musically 	dynamic with lyrics about not giving up when times get hard.
In the style of: Duncan Sheik, Seal, Vertical Horizon, John Mayer, Coldplay

Lose / Chasing Saints

This is a tune Michael Heeney wrote with Johnny and I. Really fun song. This guys has all the skills man - so excited to be building his career.

Friday Night Mix

London is a 16 year old singer from Houston, Texas. She recently recorded her debut EP with multi platnium producer Warren Huart of Spitfire Studio. Her soulfully beautiful self titled EP just dropped worldwide through Mondo Tunes and Universal Music Group Distribution. London's passion for music shows in the depth of her songwriting and her absolutely beautiful voacals. Please follow london on facebook, reverbnation and londonlawhonmusic.com.

Lyrics...
Back To You
Written by London Lawhon 3/1/2014

Can’t forget our past love. 
Can’t live regretting it all.
Our mistakes weren’t worth making.
I couldn’t help myself, in love, I’d be bound to fall.
It’s the darkness that hurts the most.
It’s the lonely that chills my bones.
It’s the scars that hide the truth.
But It’s my heart that makes me run right back to you.
You were one, I should’ve never let go.
A memory of you that’s all I know.
You turned your back, on love in all. 
Tearing up my heart into pieces, to the ground you let them fall.
It’s the darkness that hurts the most.
It’s the lonely that chills my bones.
It’s the scars that hide the truth.
But It’s my heart that makes me run right back to you.
I know it’s wrong to want you. After all you’ve put me through.
But I’m helpless, I’m not whole. But I gotta let you go.
It’s the darkness that hurts the most.
It’s the lonely that chills my bones.
It’s the scars that hide the truth.
But It’s my heart that makes me run right back to you.


Back To You by London Lawhon

Trouble Is...

Blue on Black

We’re kicking off the show with a short mini-series covering every aspect of the mastering chain in turn – levels, EQ, compression, limiting and metering.

We’re going to be starting at the end and working backwards – and in case you’re wondering why, Ian explains during the show !

So in this episode we cover the “Three M’s” of mastering- and to find out what they are, you’ll need to listen to the show.

Show Links:

The acoustic treatment material we talked about in the show is Owens Corning 703, sometimes known as Rockwool.
http://www.gikacoustics.com/product/owens-corning-703-2-inch/

To find out more about using acoustic treatment to improve the sound of your studio:
http://productionadvice.co.uk/building-a-home-mastering-studio-part-3/

For more about loudness meters:
http://productionadvice.co.uk/lufs-dbfs-rms/

To assess the EQ balance of your music:
http://www.voxengo.com/product/span/

More about the mindset of mastering:
http://productionadvice.co.uk/heart-and-soul/


The Mastering Show #2 - The Three M's of Mastering

This track was inspired by a jam track Tim Collins had recorded on his Boss jam/drum machine.  The initial riff and breakdown ideas were there.  I added chord changes and the solo section.  Great to work with my long lost brother again (see the description for the CHASE Halloween Party tracks for further info).

DAW: ProTools
Drums: SSD5
Bass: Trillian Rock PBass patch 
Clean Rhythm Guitar: Deluxe Strat into a PodPro
Lead Section Rhythm Guitar: Diamond Bolero into the Eleven Rack/Pexiglass Rhythm model
Lead Guitar: Early 70's Ibaneze Les Paul Copy into an Avid Eleven rack/JCM 800 model
Synths: Alesis Quadrasynth + FM synth + ANA2 x3

Performed, produced, mixed and mastered at IofNewt Studios.

Subway

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