Bravo. Another brilliant soundscape that captures uncertainty and passionate intensity ❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥

excellent progressive build ... beautiful work man !! :))

Such a powerful, expressive and moving work!

This should be in a movie, right? world class.

Some great songs from some Fantastic Artist's/Bands.

AB Playlist 101 Part 2

Photograph / my dear friend Mr. Spike & Satomi(U.S.A.)
Title / Satomi(U.S.A.) Complication or Bless me Father 
Vocal & songwriting / Shinobu
Guitar & arrangement / Hiro

Complication

Underground Maze

Ranting about the many problems in America. Please America, don't get me wrong. I love you, but you're bumming me out
Lyrics:
We can sleep behind the strip mall
We can live on Dollar Store bubblegum
In this country we don't do anything
About mental illness
We let it gestate
We don't do anything about guns
It just becomes an All-American character trait
Ain't that great?
Can you smell the decline?
American grotesque 

I'm gonna get to the roots of capitalism
I'm gonna open my own franchise store
Called the QANON store
It's got everything you need
It's in that strip mall
Over by that church
And the Mongolian all you can eat
Uh-Huh

Yeah, if I was a billionaire
I would give every homeless person an AK47
With unlimited rounds
Wouldn't that make you feel safe and snug in your bed?
So safe and warm in your bed!
And then you know what I'd do?
I'd pull those books from your Kid's School Library
Send them all down to the armory
Where we can burn em
If democracy
Doesn't work out how we like it
Can you smell the decline?
American grotesque

American Grotesque

TRÈS JOLIE PETITE 
I’M FALLING AT YOUR FEET 
AND I LOVE TO MEET YOU AGAIN EVERY MORNING

YOU MADE MY LIFE COMPLETE 
LEAVING NO ONE TO COMPETE 
VERY PRETTY PETITE LITTLE DAME 
WITH YOUR VIVID BLUE EYES SHINING

HAPPY ME HAPPY YOU HAPPY WE TWO HAPPY 72
PRETTY LITTLE QUEEN 
MET ON HALLOWEEN I
NSTEAD OF THE GREEN SCARIEST MONSTER EVER SEEN

HAPPY ME HAPPY YOU HAPPY WE TWO TOO HAPPY 72

OH DEBORAH I GOT NEWS 
FOR YOU WITH YOU LIFE’S A CRUISE 
ON A CARIBBEAN SEA CAN’T YOU SEE 
LET’S GO BACK TO ITALY

HAPPY ME HAPPY YOU HAPPY WE TWO HAPPY 72

TRÈS JOLIE PETITE 
I’M FALLING AT YOUR FEET 
AND I LOVE TO MEET YOU AGAIN 
EVERY MORNING OF MY LIFE

HAPPY 72 (Lyrics) song for Deborah

37°

The Hidden People Of The Forest

Help me out, my funky brother

We are in the process of recording On Track, so decided to release a live version first. It was recorded at the Con Club Lewes using a TASCAM DR-05X handheld device on 19th April 2025. This was the first song of the set, the band were on stage and Rick (the singer) started with the train information message from the back of the club and only joined the rest of the band during the solo. We'll put a movie on YouTube at some point.

On Track (Live) 250419

Hello again dear Listeners. 

Here's a Piece that Sprung forth this Spring whilst i was improvising.   

Here's to the Magic of 'Je ne sais quoi' Music !

May you enJOY!  

Cheers!  :-D

A Classical Kind of Flow * Anomon

Cast of Characters:
Cgmaness – https://open.spotify.com/album/42qOeOxPcclsxwxlPynFfL – Chris – Gretch bass, Guild Pelora electric guitar, SoundStone on a Harley Benton electric guitar, vocals, composition, mix, and production
Mistermark-- @user-432503709 -- Mark – organ
Llanpsych–@llanpsych –Tez– Fender Stratocaster electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Roland Phantom synth
TexMex Shaman– @texmex-shaman –Stephen– Gibson Les Paul custom electric guitar

This song began as a mostly fully fleshed out idea from Chris. He presented it to the rest of Eclectic Collective as a bass line with a rhythm guitar chugging the goove. Awesomely powerful groove, but pretty stripped down compared with the final version. 
  
We did this in an odd order this time, for no particular reason. Probably because Chris' bass groove was so strong, Mark was able to first add his ripping organ throughout, inspired by Deep Purple. Tez, again surprisingly, was able to add the fiery solos at the end and the intro, even before the drums were up. Although, we didn't have to wait long for that, because Ken filled them in perfectly, as he always does. Once the structure and rhythm section was complete, Josh decided to add the synth solo in the middle, at the crescendo, which he really enjoyed doing. Stephen came last to the party, but replaced Chris' rudimentary rhythm guitar with a ferocious, but more riff oriented, and less chordy line throughout.
  
Once it was in the bag, Chris was the natural choice to mix it, since his productions are always top quality, and it was his song to begin with. During the production, he also decided to add the guitar, including the an e-bow like device called a SandStone that sounds a bit like a synth, and vocal tones to the middle and end. He also added the vocalizations you hear in those parts, as well. 
  
This is an example of an Eclectic Collective song started by Chris, whose music we adore and with whom are always excited to work. His music is all amazing; check out his page if you haven't already. He is also on Spotify, which is where you'll find his new album, which is amazing! We hope you enjoy listening to this song as much as we enjoyed creating it.

The Collective (The Eclectic Collective with cgmaness)

This song was inspired by a holiday on the coast. It starts in the style of ambient music and slowly turns into a classic piece of electronic music, inspired by the Berlin School

Have a listen to the extended version on Bandcamp:
https://lichtbildgestalter.bandcamp.com/track/vapour-island-extended-version

Video on youtube with spezial version:
https://youtu.be/QikiaW-p6_A
and on Vimeo:
https://vimeo.com/1087383281/a0aaaa4728

Vapor Island (link to video inside)

Across the Universe (Rehearsal)

July's Waltz

The Vanishing Path II
marks the final step of the album Tides of Melancholy. Nine chapters of doubt, longing, and inner struggles lead to this very moment – the end of a long and burdensome journey. Sadness lingers in its melodies, with the piano opening like a distant memory of everything that has passed. Yet with every note, something greater unfolds: choirs, strings, and percussion transform melancholy into something majestic, almost comforting.

This finale is not only a farewell but also a promise. It reminds us that every path, no matter how difficult, eventually reaches its end – and within that end, peace can be found. For those caught in darkness and doubt, this track seeks to offer courage: the courage to keep moving forward, the courage to let go, and the courage to discover a quiet strength in transience.

The Vanishing Path II bildet den letzten Schritt des Albums Tides of Melancholy. Neun Stationen voller Zweifel, Sehnsucht und innerer Kämpfe führen zu diesem Moment – dem Ende eines langen, beschwerlichen Weges. Traurigkeit liegt in den Klängen, das Klavier eröffnet leise wie eine Erinnerung an alles Vergangene. Doch mit jedem Ton entfaltet sich etwas Größeres: Chöre, Streicher und Schlagwerk erheben die Melancholie in etwas Erhabenes, fast Tröstliches.

Dieses Finale ist nicht nur ein Abschied, sondern auch ein Versprechen. Es erinnert daran, dass jeder Weg, so schwer er auch sein mag, irgendwann sein Ende findet – und dass im Ende auch Frieden liegt. Für all jene, die in Dunkelheit und Zweifel gefangen sind, will dieser Track Mut sein: Mut, weiterzugehen, Mut, loszulassen und im Vergänglichen eine stille Stärke zu finden.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Tides of Melancholy

The Vanishing Path II

Ballet after hours. Lo-fi beats glide under minimalist piano motifs and graceful, dance-inspired rhythms—adagio to allegro, plié to arabesque. Neon-sunset ambience and warm tape texture set a calm, focused mood for stretching, journaling, or late-night choreography notes. Classical elegance, modern groove—Drift Notion’s lo-fi ballet variations.

Haunting Love

TWO WORLDS - Re-Mastered Sept 2020
Written, Performed & Produced by Andrew Borderick
Copyright 2019/2020 AB Music
Mastered by Soundcloud Sept 2020

I'VE HIT THE MOON, LOOKING FOR YOU
IF YOU SEE ME SHINING IN YOUR LIFE,
PLEASE DON'T BE FOOLED

MAY'BE I'LL FALL, WAY BACK TO EARTH
BUT LIVING ON THE OTHER SIDE IS JUST A STEP AWAY

I THINK I'VE HEARD IT ALL BEFORE
I GUESS THE WRITINGS ON THE WALL
I'M HEARING YOU, YOUR HEARING ME
BUT NOTHING TO SEE

MAY'BE WE WILL FALL, LIVING IN TWO WORLDS

I'M HYPNOTIZED, THE BEAUTIFUL LIES
THE BLINDING WORDS THAT I CAN'T HEAR
BECAUSE I FEEL ALIVE

I THINK I'VE HEARD THIS SONG BEFORE
I GUESS THE WRITINGS ON THE WALL
I'M HEARING YOU, YOUR HEARING ME
BUT I CAN'T BELIVE

MAY'BE WE WILL FALL
LIVING IN TWO WORLDS
MAY'BE WE WILL FALL... FALL
(break)
MAY'BE WE WILL FALL
LIVING IN TWO WORLDS
MAY'BE WE WILL FALL
(LIVING ON THE OTHER SIDE IS JUST A STEP AWAY)
LIVING IN TWO WORLDS
MAY'BE WE WILL FALL
LIVING IN TWO WORLDS
MAY'BE WE WILL FALL
(LIVING ON THE OTHER SIDE IS JUST A STEP AWAY)
LIVING IN TWO WORLDS

2019 PRO TOOLS

TWO WORLDS

Dimensions

Last Night Of Love, First Day Of War ( Dimensions )

Hello Soundcloud, thanks for the Listens, Likes and Support. Im from Melbourne Australia, I have been playing guitar for many years now and played in two bands during the 80's & 90's (STOLEN CAR original) & (STORM cover),both bands never released any material. Since 2010 i have been writing songs and tunes and recording them in my music room (3rd Bedroom), i play Guitar, Bass, Keys, BFD2 Drums(programmed)and Vocals on all of my songs which i class as Demo's, I love all types of music but Hard Rock, Rock to Alternative appeals to me most.
ALL SONGS POSTED ARE SUBJECT TO COPYRIGHT.
ALL RIGHTS RESERVED BY THE OWNER.
Thanks again to everyone listening out there in the world, always looking forward to new material on Soundcloud,
Character Picture By, Rianna Borderick 2017
All artwork by Andrew Borderick
CONTACT : andrew@netec.com.au
Regards 
Andrew Borderick. (March 2017)

Ionut Mirel Udrea (Member Of APRA/AMCOS) is a music composer, piano player and music producer based in Sydney - Australia. 
Ionut Mirel Udrea composes emotive piano-based instrumental music.

Last Night Of Love, First Day Of War ( Dimensions )

Ionut Mirel Udrea

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