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:: MANAGEMENT ::
luke.allen@redlightmanagement.com

:: BOOKINGS ::
N./S. America: 
Nate Sokolski, nsokolski@teamwass.com
Lee Anderson, landerson@teamwass.com
UK/Europe: 
Simon Halliwell, simon@activetalentagency.com
Aaron Cook, aaron@activetalentagency.com

AFTERLIFE OUT NOW 

bitly.ws/CMZ9

Since launching the Datsik brand, Troy Beetles continues to evolve as a solo artist all the while pushing his beloved bass music world to new lengths, both on a personal artistry level and as a genre as a whole. From bedroom producer to chart-topping artist, internationally touring act, and owner and founder of the enterprising Firepower Records, Datsik is poised to make bass music the sound of the future with his recent Down 4 My Ninjas EP (Nov. 2014 / Firepower Records) and upcoming release Smoke Bomb ft. Snoop Dogg (Nov. 2015 / Ultra Records). 

Datsik took his initial steps into global dominance in 2009 with his first official release, the Nuke ‘Em EP, which set the new precedence of the future of dubstep and bass music. Immediately following that was the Boom EP featuring Excision and the legendary Flux Pavilion as collaborators. In that same year, Datsik claimed 10 Beatport #1 releases. Additionally, he has also released massive remixes for dance music icons Skrillex, Diplo, Kaskade, and Zedd, as well as two collaborations with Bassnectar and two more with Diplo on his Express Yourself EP. He has also remixed artists from the mainstream pop world and hip-hop spheres such as Coldplay, Lil Wayne, MGMT, Linkin Park, Wu-Tang Clan, one of the biggest influences on his sound, and, most recently, Lana Del Rey.

Nonetheless, Vitamin D, his debut artist album released on Dim Mak Records in 2012, remains his gleaming trophy of work. Rightfully so, as Vitamin D was the first project to illustrate the full spectrum of Datsik’s production cannon and to give glimpses of the artist’s potential as a producer and songwriter. Vitamin D was the first major milestone of many to come in the Datsik storyline. The next chapter came in 2013 in the form of a two-part release, the Cold Blooded EP and the corresponding Let It Burn full-length album, both released on Firepower. While shorter in length, Cold Blooded packs as much a punch as big brother Let It Burn. Hand in hand, Cold Blooded and Let It Burn comprise the knockout one-two punch in Datsik’s artillery.

Datsik stands at a point of transition with his recent EP Down 4 My Ninjas. It exemplifies a more mature Datsik, both in sound and in vision, as it sees the producer taking vast steps outside of dubstep and deeper into his ever-burning fondness for hip-hop. In essence, it is his love letter to the hip-hop and bass music genres and sees a full circle for Datsik as it combines the best of both worlds. Featuring collaborations with DJ Paul of renowned Southern rap group Three 6 Mafia and the legendary KRS-One, Down 4 My Ninjas sees Datsik keeping one foot in bass and one foot in hip-hop and, for the first time ever, sees the artist pairing his original productions with bona fide, universally celebrated members of the rap world. 

With Down 4 My Ninjas in tow and a hefty supporting tour scheduled for 2015, expectations are higher than they’ve ever been for Datsik. Beetles welcomes the challenge, though. It’s what’s kept him developing since those bedroom producer days, and it’s what verifies Datsik as one of the leading figures in the bass music scene of today and tomorrow.

Fast Times is the musical alter ago of Jorge Day, a Brooklynite with a taste for slick, bass heavy rhythms and spaced out synths. 

Jorge's musical CV includes synth duties in Wierd Records mope-pop act Plastic Flowers as well as production for sultry neo-wavers Lingerie, but when left to his own devices he crafts dance floor ready beats under the Fast Times flag. Fast Times’ debut LP Bodytalk dropped with the purveyors of basement lux grooves over at LA imprint 100% Silk in 2013 with Gorilla vs. Bear noting the warm, analog vintage vibes. There's a starkness and crunch to these tracks that skews them more towards the proto-house vibe of various mid-80's analog sides, when productions were more about raw rhythms and melodic minimalism, instead of the prolonged tension-and-release model which dominates to this day. 

History aside, Fast Times creates a tripped out skeletal synthesis of numerous styles, including house and bass.

Yooo Ang here! If you're reading this.. Here is where I threw loops together and sounds that I liked around 2010-14 and deejayed under the alias CaptnP4nda aka Panda Crumbz aka P4nda20 🐼🍪🖤 
Now you can find me streaming often at https://www.twitch.tv/xngelo___

Musician/writer from Brooklyn, NY. 
thecradle.bandcamp.com

Lost Souls EP: https://lnk.to/LostSoulsEP

Death & Desire (Laidback Luke Remix): https://linktr.ee/knifepartyinc
Lost Souls (Annix Remix): https://lnk.to/LostSoulsAnnixRemix
Ghost Train (Muzzy Remix): https://lnk.to/GhostTrainMuzzyRemix

ipalydrums is following