Wow, what the hell was that!  lol  Love it.

Señior Patton, mucho HIPSAMOVINANDSHITMYNIGGA!!

Patton is the Boss! Awesome trippy tune! Mindblowing!

sempre piacevole ed intrigante. Un must come al solito.

Interesting proposal, clinking beat & much psychedelia about !!

Treat Em Right

Treat Em Right (Boards of Canada Remix)

Treat Em Right (Boards of Canada Remix Instrumental)

tētēma is a new duo project from Mike Patton (FNM, Bungle, Fantomas, principal Zorn interpreter) and Australian composer/pianist Anthony Pateras (Thymolphthalein, Pivixki, Pateras/Baxter/Brown, Beta Erko). geocidal is audio caffeine injected direct into your eyeballs. Recorded across half the continents on the planet, this record investigates the murder of place. Do borders even matter any more? Should we even leave the house?  Is there any specificity left in this generalised cesspool of culture? Or has the tidal wave of digitally-fuelled apathy swamped any sense of tangible individuality? tētēma demand another universe to this one, and have built one especially for you.

Boasting a 12-piece all-star cast of incredible musicians and featuring special guest drummer WiIl Guthrie (absolutely slaying), tētēma hand picked a devastating team of instrumental virtuosi to assist their quest to make indispensable music in the age of permanent refuse. As a result, geocidal brings the most glorious noise, interrogating the deepest cosmogonies and malformations of man. It's true! Antique synths? Check. Outlandish orchestration? Definitely. Face-frying vocals wrapped in velvet? You know it. 

If we could name some references for you to file this under, we would, but some application is eventually going to tell you what it sounds like anyways, so we won't. To us, it sounds like two maniacs in their respective studios having the time of their lives, rebirthing some of the most insane songcraft this side of  the godforsaken Miley-Cyrus worshipping millennium. So stop like-ing cat jpegs, stop drooling into your phone and listen to this freaking record - it will literally re-wire your existing perception of sonic possibility, although that's probably underselling it. Featuring absolutely gorgeous drawings from Sydney artist Nik Kamvissis, this album brutally articulates the hell of now! 


tētēma - Tenz

The self-titled debut for the trans-Atlantic project Split Cranium was a ferocious homage to Nordic d-beat masters like Terveet Kädet and Anti Cimex. The album’s no-frills barrage of charged hardcore might have been a little orthodox in its blitzkrieg riffage, stampeding pace, and gravel-throated ire, but its straightforward approach was an unexpected departure for bandmasters Aaron Turner and Jussi Lehtisalo. While Turner has hinted at an affinity for crust classics in the base misanthropy of Old Man Gloom and Lehtisalo toyed with peace punk aesthetics on Circle albums like Panic, neither musician has ever done such a faithful approximation of a pre-existing sound. But for two artists with extensive catalogs of challenging and groundbreaking music to take a stab at working within an established framework was, in its own way, an exhilarating middle finger.

Six years later, Split Cranium returns with their sophomore album I’m The Devil and I’m Okay. Turner and Lehtisalo waste no time establishing their new mission statement, opening the album with Popol Vuh-inspired keyboards by Faith Coloccia (Mamiffer, Mara) that saturate the ruthless reinterpretation of the Discharge template on “Evil Hands”. The contrasting breaths of sublime ambience serve to highlight the savagery abetted by bassist Nate Newton (Converge, Doomriders, Old Man Gloom) and Tomi Leppänen (Circle, K-X-P), making I’m The Devil and I’m Okay simultaneously more sonically rounded and more visceral and vicious. “We wanted to make a record that was less straightforward than the first one,” Turner says of their method. “Jussi loves melody and I love dissonance and noise, so that is probably the healthy creative contrast that made this record what it is.”

While Split Cranium continues to be driven by the blazing guitar malaise of Lehtisalo and the harrowing bellows of Turner, the melodic counterpoint provided by Newton on “Wet Shadow”, the ethereal vocals summoned by Coloccia on “Ingurgitated Liquids” and “Death Bed – The Yellow Room”, and the squalls of white noise on “Whirling Dusk” are a but a few of the components that knock I’m The Devil and I’m Okay off the axis of traditional d-beat hardcore. The strongest records in the anarcho-punk canon have figured out ways to inject melody or push extremes without diffusing their punch or diminishing their hooks. Split Cranium retains the principal components of speed and vitriol while expanding their frequency spectrum into realms of both beauty and sheer ugliness, making I’m The Devil and I’m Okay a white-knuckle headfuck in a realm of sterile imitations.

iTunes

Split Cranium - Evil Hands

Spotlights, the Brooklyn-based trio who released their Ipecac debut, Seismic, late last year, return with Hanging By Faith, a five-song EP featuring remixes from Void Manes and ISIS/Palms’ Aaron Harris.
 
The band is streaming the song “The Hanging (Hang Us All) Kris Dirksen Remix,” which can be heard here: http://smarturl.it/HangingByFaith. Pre-orders for the collection are available at the same link and include an instant download of “The Hanging (Hang Us All) Kris Dirksen Remix.” The fifth song on the album, “Faith,” is a cover of The Cure classic.

Spotlights venture overseas for a 15-date European tour later this month, with the trek including the outfit’s debut Roadburn performance. The band plays a hometown, record release show at Brooklyn’s St. Vitus on June 30. Toby Driver (Kayo Dot) and Somnuri open.  
 
Tour dates:
 
April 20  Munster, Germany  Gleis22
April 21  Liège, Belgium  Kultura/Insert Name Festival #4
April 22  Tilburg, The Netherlands  Roadburn Festival
April 24  Hamburg, Germany  Molotow
April 25  Copenhagen, Denmark  KB18
April 26  Dresden, Germany  Katy’s Garage
April 28  Graz, Austria  PPC
April 29  Wien, Austria  Arena
April 30  Cadca, Slovakia  Acafe
May 1  Budapest, Hungary  Robot
May 2  Cluj-Napoca, Romania  Form Space
May 3  Timisoara, Romania  Reflector
May 4  Zagreb, Croatia  Klub Mochvara
May 5  Luzern, Switzerland  Neubad-Keller
May 8  Bern, Switzerland  Rossli
 
June 30  Brooklyn, NY  St. Vitus Bar

Hanging By Faith

The Hanging (Hang us all) Kris Dirksen Remix

Ipecac Recordings is the brainchild of Greg Werckman (former label manager for the legendary punk label, Alternative Tentacles, employee for Mercury Records for a record 15 minutes, currently operating Pick-A-Winner Management) and Mike Patton (former frontman for Faith No More, Mr. Bungle, currently of Fantômas, Tomahawk, Peeping Tom).

Werckman and Patton had been scheming for years (in between video games) about starting their very own label, waiting for just the right moment to unleash their master plan. Ipecac Recordings is not about to make music biz history and execute a revolution (although one is surely needed) or bore you by waxing poetic about their original musical philosophies. But if we have to adhere to a "mission statement," how about the notion of being an honest, artist friendly label run on a shoe string with no outrageous promotional or production costs. This label is a home to Mike Patton's eclectic musical collaborations as well as a place where bands we admire have the freedom to release music they might not be able to, or want to, release on other labels.

tētēma - Tenz

Ipecacrecordings

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