Name: Op. 4 No. 2 by Iren Hope
Duration: 2 min 20 s
Description: Composed & played by Iren Hope. Visit irenhopepiano.com.

Great to find music like this in SoundCloud! :) Calm and inspiring!

I keep coming back to this one ... the composition is filled with interesting turns and perfectly beautiful lines, the expressive way you play it has the most delicate phrasing, but most of all it breathes with emotive feeling ... it lives

How splendid this is very very lovely and just simply wonderful

Bandcamp:http://stephanfischer.bandcamp.com/album/like-a-leaf
Cover Artwork by KaleylArts

Like A Leaf

YouTube: https://www.youtube.com/watch?v=EZkNqPVISTM
Follow me on SPOTIFY: sptfy.com/93U

And here comes the very first acoustic recording of my new grand piano :) Arty spent an hour playing with different positions of mics and finally got sound that he wasn't shy to share. Certainly, there is a lot of experimenting to be done to get a better recording, this is mostly a very first try to record my new baby.

Both me and Arty are big fans of "The Piano" movie and Michael Nyman's compositions and this piece is one of my all times favorites to play and improvise on. I hope I did it justice. I don't have notes, so it's an improvisation played by ear.

The Heart Asks Pleasure First (Michael Nyman) - Improvisation by Milana - VIDEO!

* Snowfall in Paris* is a romantic piano solo piece. 



Schneefall  In Paris

Préludes Op.11 No.14

Life is like a river flowing in reverse. We start off our lives in the ocean, and we are immediately confronted with an infinite number of choices: should we go up the Nile, or the Amazon, or the Mississippi?  We choose one and we proceed down that path, and after a while we face another decision:  should we go up the right tributary or the left tributary? Again we make a choice and proceed. Throughout life we go through this process over and over again and our life path evolves and takes from. 

As we make these choices our future options become limited in a fashion by the choices we make today, for while we can certainly always go back down the river to test another path, it requires an increasingly greater effort to make these kind of changes once we are already far down one particular path. Eventually as our life nears competition we approach a tiny spring on a mountaintop and we have no more choices. The path is complete and the journey is over.

I believe that there is an ideal path for everyone as an individual, and that this path can perhaps be called fate or destiny. I believe that it likely preexists before and outside our lives and is perhaps created by God or the universe or whatever your particular persuasion would like to call it. 

I believe that this ideal path is the one that will bring us the most completeness and satisfaction in our lives as individuals, and at the same time, this is the path that will greatest fulfill an even larger plan or path towards a universal fate or destiny for humanity. All of our individual paths function like threads in a cosmic tapestry which represents a larger, universal plan that unfolds upon itself over the sea of time.

The interesting thing however, is that it is up to us as individuals to earnestly seek out our own ideal path, and as a consequence, our contribution to the larger tapestry. It is not something we are forced into; it is an active decision we must make and it requires effort. We must have the strength to follow it. I do not believe in "apathetic fatalism", as I would call it - "if it is meant to be, it will be". I believe it is up to us to honestly and truthfully search our hearts for our own ideal path, and then diligently go after it with vigor and passion and make it happen.

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"Autumn Rains" is the second installment in a trio of neoclassical solo piano albums composed, performed, and produced by Andrew Souter. These projects have been two decades in the making and represent a return to traditional music composition, engaging song-writing, and the pure passion of emotional story-telling. This trio represents Andrew's most personal and intimate music. It is quite literally a love project. We hope it may help you on your journey, as it has us...

"Autumn Rains" is music inspired by the spirit of Agape. It is an album dedicated to the concept of spiritual love and universal compassion clothed in the metaphor of transcendental natural beauty. It is an album that simultaneously expresses deep love for both the creator as well as the creation. It is said God gave us music so that we could pray without words. It could be added that nature was provided as an example of exactly how to do this effectively. In this spirit, Autumn Rains is a prayer of gratitude for the opportunity to learn from the natural beauty of this world, and an expression of a sense of respect for the inescapable universal equality that nature imposes. It humbly attempts to capture deep feelings of awe, granduer, idealism, and a belief in the innate goodness of the world even when we all face exceptionally hard lessons.

Andrew Souter -- The River

Composed and produced by Oliver Sadie 
Live piano recorded at Red Room One Studio
© 2015 Oliver Sadie
--
I shot an arrow into the air,
It fell to earth, I knew not where;
For, so swiftly it flew, the sight
Could not follow it in its flight.

I breathed a song into the air,
It fell to earth, I knew not where;
For who has sight so keen and strong,
That it can follow the flight of song?

Long, long afterward, in an oak
I found the arrow, still unbroke;
And the song, from beginning to end,
I found again in the heart of a friend.

~ The Arrow and the Song by Henry Wadsworth Longfellow

Use this in film

Elusive

Composed & played by Iren Hope. Visit irenhopepiano.com.

Op. 4 No. 2

Composed & Produced by www.StanLeonard.com
Thanks for following!

Picture taken by John Thornton

As it is

As It Is

Dirk Maassen - Lumiere

Solstice d'été

Through sound, emotion seeks new dimensions, not as an escape from reality but rather in a search for the image of a new reality. Music that creates emotion, is like a wind that purifies, rendering visible all the obstacles and divisions. It is rather like a piercing arrow that alerts the parts of our mind we do not normally go to, in our daily lives. It opens up unknown and obscure landscapes, like a ray of light that filtering into a dark room, banishes the darkness and leaves nothing to hinder vision. 
”Canone degli Spazi” is about the sound that journeys in all directions, the sound that travels through endless space - through the outer world and the inner space - through the unconscious and the senses. 
When I play with precision and with specific intent, the emotion that rises inside of me is the mirror of the one that arises in the person who is listening - it provokes a sense of union and communion with those sharing the same moment. Music becomes a vehicle of an objective feeling, which is almost the same for most people. Similarly, if I am not One with the sound and my intention is not clear, the same notes played carelessly are empty - they lose their power and their intensity. The level of clarity of my expression depends on what I can make arise inside of me. When that happens, the inner nature of the melodies that are being played spreads out into space, into the air, into the earth and out to the whole atmosphere. A real spell takes place between the performer and his public, creating a magical aura of deep harmony and sharing. This is the wonder of a sound that has come from a long time ago, through myths and mythology, and returns us to the essence of Music, that most supreme of Arts. 
I composed “Canone degli Spazi” around essential elements - the harmony of the triads, the melodic repetition and the cycles that follow the orbits of the planets and the structure of harmonics - the very same fundamental rules that Pythagoras followed to make the laws of the Universe coincide. Sound can help us to realize that our inner space is as vast as our outer space and that in reality there is no difference between them. Sound travels through walls - the walls of the mind too – transcending both time and space. 

Canone degli spazi - Michael

Pianist/composer from Norway, Scandinavia.

Op. 4 No. 2

Iren Hope

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