Really groovy doom sound, pretty damn powerful!

this is some serious heat. awesome work on this for real.

Hell yeah! That's really cool tune and awesome production. This world needs more music of that kind [reposted]

I dig your 7 string riffs, superb sound and composition!

I think you guys unlocked the universe with this track

instrumental: electronica beats & guitars

rockon2020

doubt

Prying open carefully, caught up by the stone canyons deep ingrown
A miniscule distraction please, there's nowhere to jump off
You started the clock, saturating bones
Flying tattered wings, a million trivial nothings
A fairytale of flame and magical insane
Combustible reality, when everything can suddenly explode
Radioactive glow

Guess I am the patient, tied neat in disarray
Falling down the dangers I've unlocked the vault of pain
May I be abrasive?
A needle in the vein

Like kerosene emotions, a fire in the eye
A stumbling block of mine
Living somewhere comfortably
There's no such thing as home
Anonymous, unknown
Call me crazy, maybe so
I guess we'll never know if I can be set free from all the chains prohibiting me
Can we be dead?
Maybe we really can be... maybe we really can be dead

Guess I must be patient, inventing up a ghost
While hanging on the mountainside of what scares you the most
Suddenly it's hard to breathe...
I'm gasping now for air...
This may take a while, but I'll handle with care

Guess I was too patient, inventing up a ghost 
While falling off the mountainside of what scares me the most
You make it so hard to breathe...
I'm gasping out for air...
You hurt me then smile
Yet I handled with care

Within It All We Have Been

Volatile

Albatross

It Started Last Fall

Sailing

my first attempt at a grindcore track/tracks. Always wanted to be a metal singer. I think it could use some more screaming, maybe I'll add some more in

Fire-O-sexual

Combstead Sent me a track and I added Lyrics, vocals and guitar.
So much fun.
Thanks, Mark.
COMBSTEAD: @markcombs-928282858

We All Need A 2nd Chance - COMBSTEAD / Robert Grigg

Music Video: https://youtu.be/YCkep3PJRhM

Written almost 20 years ago, recently rediscoverd, and now, finally, recorded with all the details that make it one of the most sentimental songs we've ever published.

Herbst (ich folge dir)

Ghost Theater for Two Female Singers, Large Chamber Ensemble and Optional Film. Duration: 11'. Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/robert-paterson-works/

PROGRAM NOTES

Ghost Theater was commissioned by David Alan Miller and the Albany Symphony for the Dogs of Desire, the symphony’s groundbreaking, eighteen-member, chamber ensemble. The only requirement, other than length and instrumentation, was that I work with a collaborator, so I chose award-winning, Vermont-based filmmaker Jay Craven.

The work is about what the title describes: a theater haunted by apparitions, and in particular, disembodied shadows and ghosts of soldiers killed in combat. However, as the work was created, it took on additional inspirations: the thought of being haunted by one’s past, especially via a musical lens, and also the memories of war stories told by my father when I was growing up, who was born and raised in Rensselaer, right outside Albany, and who was stationed in Korea during the Korean War. Throughout the work, I interweave abstract references to pieces and composers that have not only inspired (or haunted) me, but also my mentor and longtime friend, Christopher Rouse. In particular, I quoted the drum part for Led Zeppelin’s When The Levee Breaks, the same drum lick that also appears in Rouse’s Bonham for eight percussionists. The entire piece is presented as a series of connected, pseudo-programmatic vignettes, each one flowing into the next, without break. The vocal texts are derived from three sources: an epitaph found on many European gravestones, and brief quotes from poems by Wilfred Owen and Pablo Naruda.

Although this work may be performed as a stand-alone concert work, it may also be presented with Craven’s film. In the world of filmmaking, films are usually created first, with music added later or even at the very end, but Jay and I went back and forth quite a bit, treating the process in a more collaborative manner. Once we had an idea, Jay created a rough outline and then shot footage in collaboration with video artist Catherine Siller. After studying a rough cut, I composed the music. The film was then edited around a digital mock-up of the music. The result is a surreal, dreamlike work that interweaves music and film, creating an aural and visual tapestry.

Ghost Theater is dedicated with gratitude to Christopher Rouse, David Alan Miller and the Albany Symphony.

Unlocking The Universe

Irgan Himbeere

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Shani Ace

chris92

N.o.b.S.

Brutfxrce

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