JOHN 3:16 is Philippe Gerber, whose Heat From A DeadStar existed between 2004–09 and worked with Rick Harte / Ace Of Hearts Records in Boston. As JOHN 3:16, Gerber has released numerous works via Alrealon Musique, Industrial Complexx, Flood Records, Little Crackd Rabbit Records, Lost children, 75orLess, White Label Music, Venus Aeon, Classwar Karaoke, Trace Recordings, Sonic Entrails, Cruel Nature Records, and more. He has collaborated with artists such as Eugene R. Robinson (OXBOW), Pas Musique, The Use, Rasplyn, Be The Hammer, Anthony Donovan, Jan Swinburne, Mahr, Philippe Petit, I-Symptom, Eisenlager, Sobaki Tabaka, Lapis Exilis, Peter Webber, and Mark Harris.
john316john316john@gmail.com
https://www.thewire.co.uk/audio/the-wire-tapper/the-wire-tapper-47/16


Selected Discography:
2008 - John 3:16 (White Label Music/Alrealon Musique)
2009 - The Solemn Truth (Alrealon Musique)
2010 - Sinner's Prayer (Sirona Records)
2011 - Sinners in The Hands of an Angry God (P6M Records)
2012 - FluiD/JOHN 3:16 - The Pursuit of Salvation (Alrealon Musique)
2012 - Visions of The Hereafter (Alrealon Musique)
2015 - Anthony Donovan & JOHN 3:16 - Of the Hex and Its Likenesses (Flood Records)
2015 - From Darkness, Comes Light (Lost Children)
2016 - The Burnt Tower/Babylon The Great (Alrealon Musique)
2016 - Mark Harris & JOHN 3:16 - Victory Over The Sun (Little Crackd Rabbit Records)
2018 - Anthony Donovan & JOHN 3:16 - 'Four Attempts at Drawing a Catholic Priest (For Money) (Cruel Nature Records)
2018 - עשר (10-year Anniversary Compilation/Alrealon Musique)
2021 - Tempus Edax Rerum (Alrealon Musique)

Photo credit- Alex Brown: http://alexandraannebrown.com/

As Speak Onion, Dan Abatemarco treads on, then completely explodes, the line between producer and noisician. He spews seething noise, giant deformed beats and absolutely wrong atmospheres in fits and starts until nothing sounds like what it sounds like anymore. Breakbeats and basslines enter innocently but end up processed beyond recognition and drowning in feedback. Synth sounds are stretched, manipulated, and left ruined as chilling shrieks. The resulting sonic abomination slips between the dimensions of experimentalism, harsh noise, and beat-bashed breakcore. Dancefloor? Maybe. Slaughterhouse floor? Yes, definitely.

Deep sub-basements, dank warehouses and sketchy bars are a natural fit for Speak Onion’s mutant sound. Insisting on energetic, spontaneous, out-of-control performance, Speak Onion eschews a laptop for a cobbled together pile of hardware, intermingling synthesizers, wrecked guitar pedals, homemade sound destroyers and even an iphone. He wants to up-end your party and leave your crowd with blown-out heads. This cannot be overstated: Speak Onion loves playing shows and has the YouTube videos to prove it.

Lame Suckers Radio, the Lame Suckers Recordings Podcast hosting platform.
Mainly Drum & Bass, every now and then we play Dubstep and other EDM.

Lame Suckers was just a joke of the Masters Of Sound collabo from Finland, we decided to start a new soundcloud project called Lame Suckers, now it has grown to a huge Label currently legitimately releases music of many Dj's and Producers around the globe such as The Random Society, Murder Pub, Phenomenol INC, JPEACE, Masters Of Sound, Voltage Voodoo, Exit / Methline, Aldexx, Matralen, Hard Electro,  4lb, Wocal, Skin Itch.

Est. 2017, curated by Killroy,

If you wan't to we to release your stuff or made podcast for us, contact we @ Killroy__ twitter.

Thanks for your support.

Ambient music for connoisseur.

Samotnia is an Illustrative ambient music project.
I try to paint by sounds an ambiance of places. Impressional expression of the areas.

AUTHOR & PUNISHER, named, “one of the most prolific acts in aggressive music,” by Noisey, has just released his first album on Relapse Records entitled “Beastland”.  His newest and most intense album recalls Ministry, channeling Godflesh, traversing through dark, uncompromising, and often disturbing soundscapes, with occasional detours into rich melodies and splinters of light. After leaving a career as mechanical engineer in Boston to focus on art and sculpture, Tristan Shone, the creator and sole artist behind AUTHOR & PUNISHER, moved west to pursue his MFA in Southern California. In the metal and machine shops of University of California, San Diego, Shone forged a relationship with design, sound and fabrication that ultimately yielded AUTHOR & PUNISHER‘s first music and mapped the journey away from traditional instrumentation towards custom made, precision machinery. Shone used his technical knowledge, along with his artistic background to create what Wired Magazine has hailed as his own “special brand of doom metal.” All aspects of the AUTHOR & PUNISHER sound begin with physical movement, limbs struggling in unison to coordinate a wall of electronic rhythm and oscillation, ultimately conditioned by an organic and loose quality absent of sequencing and plastic perfection. AUTHOR & PUNISHER performances are a real amalgamation between man and mechanisms. They are direct, physical, heavy experiences that have amassed praise and intrigue from a wide array of audiences. Pitchfork styled him “immediate but mysterious,” Stereogum described his “chilling, unrecognizable form,” and NPR hails him as “a thrill [who] fires on all cylinders.”
“ In the contiguous realms of metal nerds and gear nerds, Shone possesses semimythical status. He performs within a semicircle of frightening homemade machines that seem at once futuristic and medieval.“ – The New Yorker (2016).

My name is Paul Amlehn. I am an artist working in the mediums of literature, music, visual art, theater, opera, dance, performance art, and film.

My poetry, prose, and texts for theater and opera have been published in literary journals in 23 countries, including Exquisite Corpse, the California Quarterly, Poetry Salzburg Review, and Evergreen Review.

My paintings, photographs, music, and video art works have been exhibited throughout the world, including at Artist's Space, Luhring Augustine, the Chelsea Art Museum, and Tate Liverpool, and at festivals which include Art 42 Basel (with the Serpentine Gallery - curated by Julia Peyton-Jones and Hans Ulrich Obrist), documenta 14, and the 51st, 55th, 56th, 57th, 58th, and 60th Venice Biennales.

On my music projects I have collaborated with Robert Fripp (King Crimson), Ulrich Krieger (Lou Reed), Chuck Hammer (David Bowie), Jamie Saft (Iggy Pop), Susan Stenger (John Cale), Leo Abrahams (Brian Eno), Michael Blair (Tom Waits), David Van Tieghem (Laurie Anderson), Michael Johnson (Joy Division), Mick Harvey (Nick Cave and the Bad Seeds), Joe Gore (PJ Harvey), Terry Edwards (Tindersticks), Mick Rossi (Leonard Cohen), Jem Finer (The Pogues), Mark Egan (Arcadia), Dieter Moebius (Cluster), Jess Stewart (Psychic TV), Eberhard Kranemann (Kraftwerk), Thomas Stern (Einsturzende Neubauten), Stephen Mallinder (Cabaret Voltaire), Susan Alcorn, Suzanne Ciani, Keiron Melling (The Fall), Julia Kent (Antony and the Johnsons), Laurent Petitgand (Wim Wenders), Jen Baker (Werner Herzog), John King (Merce Cunningham Dance Company), Robert Black (Bang on a Can All-Stars), Frank Cassara (Steve Reich and Musicians), Andy Findon (Michael Nyman Group), Mick Rossi (Philip Glass Ensemble), David Crowell (Philip Glass Ensemble), Melanie Russell (Philip Glass Ensemble), Eleanor Sandresky (Philip Glass Ensemble), Frank Cassara (Philip Glass Ensemble), Andrew Sterman (Philip Glass Ensemble), Joan Jeanrenaud (Kronos Quartet), and many others.

On my film and video art projects I have collaborated with actors, actresses, singers, and dancers, including Philippe Nahon (Gaspar Noe), Artur Barciś (Krzysztof Kieślowski), Anne Louise Hassing (Lars von Trier), Kate Moran (Peter Greenaway), Kate Fisher (Robert Wilson), Elisa Lasowski (David Cronenberg), Pamela Flores (Alejandro Jodorowsky), Stefania Casini (Andy Warhol), and many others.

I am currently working on an album of music which has texts and vocals by William S. Burroughs, in cooperation with the Burroughs Estate. I am also presently working on an album of music which reimagines the work of John Cage, in cooperation with the John Cage Trust.

Cover art for my albums has been provided by painter Gerhard Richter and artist, musician, and filmmaker David Lynch.

At the end of 2024, I worked on several re-creation compositions which utilzed sonic elements from pre-existing songs by Brian Eno and David Byrne, Nine Inch Nails, and Grimes, from their albums "My Life in the Bush of Ghosts," Ghosts I-IV," and "Miss Anthropocene, combined with new music by myself and other musicians.

Earlier this year, I collaborated with painter Gottfried Helnwein on a short film called: Epigenetic Trauma Painting No. 1.

I'm presently working on a new music recording project. Musicians who have contributed to this project thus far are: Stan Harrison (Radiohead), Bill Gilonis (The Work), Jeroen Visser (Trio Kazanchis +1), Nicholas Currie (Momus), RK Faulhaber (Nurse With Wound), Peter Hess (Philip Glass Ensemble), Hans Peter Kuhn (Robert Wilson), Audrey Chen, Max Eastley, Conrad Harris (String Noise), Pauline Kim Harris (String Noise), Jeff Zeigler (Kronos Quartet), William Klugh Connor III (The Centre for Transgressive Behaviours), Alan Splet, Ann Kroeber, and David Lynch.

Soli Deo gloria.

Label and mailorder for good music, active since 2001.

Duo or collective formed in Ensenada, B.C. (2009), based in Mexico City.
The group consists of lead vocalist and keyboardist,  but they often perform on any mixture or variation of diverse instruments.

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