TÉRRITOIRE ORGANISÉ TEMPORAIREMENT EN ESPACE MERVEILLEUX

Depuis sa création en 1992, la Cie MATERIA PRIMA art factory développe, en parallèle à son travail de création artistique, une démarche sur les espaces périphériques de production artistique basée sur une approche transversale de la ville.
Une dynamique d'exploration, d'occupation et de métamorphose de l'espace urbain.
Ainsi, depuis ses débuts, elle a investi et développé de nombreux projets en lien avec la ville, dans des espaces aussi différents que la rue, les places, les galeries, les caves, les clubs, avec une affection particulière pour les friches industrielles.
Elle chine et dévoile de nouveaux lieux passant de l'ancienne Usine Noirot à l'immense cathédrale qu'est la Cartonnerie de Laneuveville, la Tanerie, le 115 (aujourd'hui devenu le Centre Georges Pump It Up), le Hangar (plateau de 400 m2 qu'elle auccupe de 1997 à 1999)  puis le T.O.T.E.M occupé depuis 1999 sur (l'immense sîte des anciennes Caves des Vins de la Craffe à Maxéville et des Anciennes Brasseries).
Lieu dédié avant tout à la création et à l'exploration dans le domaine des arts vivants, Materia Prima y développe depuis les débuts une grosse dynamique de programmation , d'accueil en résidence et d'organisation d'événements dans le domaine des musiques actuelles, de la performance, du Body Art, du Théâtre de Rue, de la Danse, du Théâtre et du Cirque.
Elle met en place également plusieurs événements d'envergure et des festivals :Beat Paradoxe (événement dédié aux musiques électroniques), Y'a Pas d'Fumée Sans Feu (dédié aux Arts de la Rue), Opus Negrido (Festival Rock, Metal, Dark Wave) et enfin - et surtout - le festival Souterrain corps/limites (festival international dédié aux formes émergentes, à la performance et aux Arts en lien avec les thématiques du corps et des nouvelles technologies).

ILS ONT JOUÉ AU T.O.T.E.M :

Psychic TV, Lydia Lunch, Light Asylum, Stelarc, Von Magnet, Mimetic, Missill, Dusty Kid, Anhony Rother,Tess Wassila, Laurent Ho, Suka Off, Lukas Zpira, Tuxedomoon, Morpheus Secrets, Kas Product, Dälek, Tiger Lillies, Torture Garden, Karma To Burn, le Poulallier, Jean Louis Costes, Yorga, Les Pascals, Ten Pen Chii, Taketeru Kudo, Keiji Haïno, Pascal Tourrain, Le Dernier Cri, La Cie Sang Cailloux, Do Theâtre, Cie La Salamandre, La Cie des Transports, la Cie Sans Sommeil, le Funambus, La Cie Thibody Paint, Cie Vatra Uchronia, Masaïochi Urabe, Olivier de Sagazan, Yann Marussich, Dead Sexy Inc., Velvet Candom, Ron Athey, Dominic Johnson, Impress Stah, Jad Wio, Alien Nation, Norma Loy, Die Puppe, Trauma, Joy Disaster, Maxime Dangles, Dj Storm, Anthony Adam, Kiko, Dj Tonio, Traumer, Redshape, Miss Ficel, Dj Flore, Veronica Nicolic, Felix Ruckert, Robocross, Lyle Doghead, Lords of Lightning, Aray, Steven Cohen, Jörg Muller, AMF, Heartthrob, Edit Select, Groundation, Cie Mille Failles, Cie Li Luo, Naccal, Dr Vandale, Blurt, Clair Obscur, Petra Flurr, Winter Family, Béatrice Dalle, Emmanuelle Béart, Virginie Despentes, Dorota Kletzsch, Club Bizarre, Wayfarers, The Love Toy, The Human Toy, Helena Hunter, Doc Scott, FLF, Irie Crew, Dynasty, Roxy Velvet, Xenomorph, Punish Yourself, Cie La Déformante, La B.O, Double Nelson, Alarm, Death To Pigs, Lilly desLys, Ana Bogen, Mortuary, Origin, Cie Jeanne Simone, Axel Bartsch, Chloé, Venus in the Dust, Okupamobile, Les Barbarins Fourchus, Cie Turbo Cacahuète , Daegon, Stimming, Marcel Li Antunez +++

Thanks for reading this and visiting my page.I have a pretty wide selection of styles and genres that I work in, so if you don't like the first track or 2 you hear, give a few more a try and I imagine you'll find something of value in the pile.I always appreciate your thoughts on my music, so please feel free to leave comments. I also accept any kinds of feedback/critique, my art grows better and stronger from it.If you ask me to comment on your track (that is unreleased), be ready for the possibility of 'feedback' - not ego-stroking.I'm not attacking you or trying to embarrass you.I'm seriously trying to help your mix/song reach another level, so if you have thin skin about your art/track/music, you may not want to directly ask me to listen/comment. That said, keep in mind it's based entirely on my opinion/experience only, and that's really not worth that much, but I thought it was fair to say this as a few people have gotten offended when I didn't just put "great track" in their timed comments. Honestly, most of the time I only mention what I really like or make mix suggestions, I can see the beauty in everyone's self expression.

Btw, the term "WIP" means it is a work in progress.  These are the developing tracks that I can use feedback on the most.  
p.s. If you should want a a mp3 of anything, just ask. Don't rip a lousy copy when you can easily get a hi-res version.
As Always, thanks for listening.

All of the artwork featured on this page are by myself and/or my close friends.  A particular shout out to C. Common ( http://www.redbubble.com/people/reason ) and Lacy Van Court for letting me use their images or letting me edit their images.  

Powernoise Rhythm Noise Experimental. Obviously not following a Sound-trend here. i do music that comes straight from my heart. 

there are few free downloads all over the net!
here is also one Split with Stainless.4571 http://archive.org/details/PowerOfDistortion available. 
Download: https://archive.org/details/CatastropheNoiseAggressiveMeltingFaces
there are more releases on bandcamp: http://catastrophenoise.bandcamp.com/ - check that out!

Remix Requests  please contact lipstudio2@gmail.com

EMPEROR MACHINE  Biography
Over 30 years since acid house’s summer of love and there are few of 1988’s cast of actors still left standing. Still fewer are those whose music is still resolutely pointing towards the future rather than endlessly looking to the past. In fact, there’s arguably only one candidate left in the UK. While his peers are content with revival parties and classical house nights at the Albert Hall, Andy Meecham is out on his own as one of the few whose gleaming analogue machines are still pointing towards an imagined future rather than an endlessly relived history.
As the Emperor Machine, Meecham’s solo project since 2003, he has been wrenching monumental basslines, strange keyboard figures and luminescent rhythms from his beloved synthesisers, inspired by everything from sci-fi movies and KPM library albums. In some ways, his mission has scarcely altered in the 35 years since he first heard ‘Planet Rock’ in the early 1980s. “That’s the thing that got me hooked,” recalls Meecham. “The fact that it was futuristic sounding.  Anything that was sci-fi: UFO programmes, Dr Who, Star Trek. Stuff that suggested the future.”
While he’s happy to plough towards the future, we still has some serious history to contemplate. Meecham is one of the clique of acts in Staffordshire inspired by house music that included Candyflip, Altern-8, Sure Is Pure and Nexus 21. Meecham’s band with long-time conspirator Dean Meredith, Bizarre Inc, was one of the most successful of their generation and 1991’s ‘Playing With Knives’ was a staple in all self-respecting DJs bag that year. Major label deals, led to swift dissatisfaction; Meredith and Meecham went back to the mixing board to rethink their future. 
As Chicken Lips, they re-emerged alongside peers like the Idjut Boys and Faze Action, to offer their delayed and dislocated rhythms to an audience hungry for relief from the monotony of the four-to-the-floor house rhythm, with joyously dubbed out originals and fiendishly clever remixes for luminaries like Ennio Morricone and Groove Armada to Wolfmother, transforming Love Train from a metallic romp into a disco-dub delight with a bottom-end bigger than a Kardashian. Then there are Andrew’s other aliases (he’s had more than Carlos The Jackal), notably Sir Drew, Future Four, Gino Fontaine, BIG 2000, Randee Jean and Zeefungk.
The Emperor Machine was born out of an online slating of one of his favourite synths, the Roland SH 3A. Indignant at this appalling slight, Meecham set to work on a track only using said Roland. James Dyer at DC Recordings loved it so much, he asked him for another and gave the project its name. Emperor Machine it was.


 As with most of the Emperor Machine music, the methodology goes against the grain of how most electronic musicians approach producing. Rather than reducing it to mathematical blocks of music on a computer screen, Emperor Machine is about long passes, played live and then edited down by a crack team of highly-trained Potteries-based orang-utans, lorded over by merciless taskmaster Meecham.
The key to success is not dancefloor domination, but a far simpler rule, says Meecham. “The music has to make me shudder. So I work on something until I get that tingling feeling. So it’s almost more of a drug thing really. I have to get that out of the music and I can’t get that from full-on 909 four-to-the-floor dance music.”
A shudder and a tingle. And maybe a monster bassline. Emperor Machine redux. 
Bill Brewster

Producer - Remixer - Analog Live Act

Electronic / Experimental / Deep / House / Techno

Moobox est une société coopérative, administrée par ses salariés prestataires de service dans le spectacle vivant et les métiers d’arts et de la culture.
Moobox offre des prestations de qualité supérieure. Nos studios, équipés de régie analogique et numérique, de traitements audio fabriqués sur mesure, de matériels de grandes marques et/ou de collection, nous permettent de répondre aux demandes les plus variées des clients. La société est équipée de régie video numérique en temps réel pour la création d’oeuvres numériques ainsi que d’une section de développement sur mesure: machineries traditionnelles pour le spectacle, électronique ou programmation informatique afin d’ intégrer les nouvelles technologies au spectacle vivant.

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