This song works well. Harder and softer part. Good vibes, cool guitar. Well done 

This is amazeballs and it's not even my usual cupe of tea, incredible vocals.

pretty nice riffs! I like the electronic work that is done here! Many kudos! <D

REALLY impressive!  One of the best things I've heard on here, frankly.  Great musicianship, excellent vocalist, top-notch production, and a fantastic blend of dynamics.

You definitely have a good hard rock sound. Metallica comes to mind.

Fingers on the keys feel the surge in my veins
Dope lord TV I’m the king of this game!
Modern Warfare’s my arena watch ‘em all fall
Headshots in the crosshairs hear the war call!
Mouse in my grip I’m a god in the zone
Droppin’ bodies left and right makin’ skulls explode
No mercy no rest I’m the one they fear
Top of the killfeed it’s all crystal clear.
Snipers in the shadows but I see through the smoke
Keyboard in hand I’m the one who provokes
Precision domination I control it all
PC beast mode hear the enemies crawl!
Clutching every match the apex no doubt
Dope Lord on the grind makin' ‘em shout!
From the first shot to the final breath
They all crumble meet their certain death!
Dopelord rules this it’s a one-man fight
Every click’s lethal every move's tight.
I run these maps no one stands a chance
Dope lordTV in the bloodstained dance!
Now they know the name now they feel the heat
Step into my stream prepare for defeat!

Beast Mode

Recorded by Christian Silver at studiomega, varberg, Sweden. Released 2020

Alcoholic cowboy

True love

True Love

Story of the born, rise and the fall of Partiboi.....

Too Fast For Life To Young To Die

Not Even Your Chains Are Free

Sun Trio for Violin, Cello and Piano
Duration: ca. 35'
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=908
For More Info: http://robertpaterson.com/sun-trio

PROGRAM NOTE
Sun Trio originated when I first started the film score for a documentary entitled Journey Into Courage. After writing opening music to the film, director Bess O’Brien and I concluded that it was best to change some parts in order to properly compliment the film. The theme was kept, but some of the other sections were changed and/or edited. I never discarded the original sketches, even though much of it remained on the cutting room floor. Thankfully, it came to good use later in this work.

The first movement, Sun Day, begins with the theme from the Journey Into Courage introduction. This movement is meant to evoke the feelings you get when summer, mid-day sunbeams appear from between the clouds and warm your skin.

Sunset, the second movement, was inspired by Lake Champlain in Burlington, Vermont and my wife Victoria. I envisioned us embraced, doing a Tango–like dance under a multi–colored sunset—at times, to themes from Stravinsky’s L’Histoire du soldat. Victoria is a much better dancer than I, and in this movement, she teaches me the steps. I fumble around and finally get it right, and then the sun sets.

The third movement, Absence of Sun, is connected from beginning to end by one long melodic line. The cello melody is modeled after a classical Indian Sitar raga, specifically the traditional, slow introductory section of a classical Indian composition. The bass piano part supplies the drone while a high-pitched tone row supplies a "starry night" texture. This texture gradually melds into a wind chime accompaniment. The movement peaks in the middle with an intense cello line. At this point, the violin intervallically supports the cello line. Each instrument—and in the case of the piano, each stave—represents a specific, individual texture. This movement intended to sound somewhat improvised.

Sunrise, is meant to evoke the feeling you get when watching the sun rise. There is a "Sun" peak of an octave, a bright yellow ‘E’, symbolizing the first, intense, bright sunbeam peaking over the horizon. In the middle of the movement, a string of rising chords mimics a "fast-forward" of the sun rising in the sky. Later in the movement, the violin and cello play decelerated bird motives. I wrote the bird songs down on the morning of April 17, 1995, while watching the sun rise behind the University of Vermont music building. I use the "mystic chord" by Alexander Skryabin as melodic and chordal material for the anticipation of the rising of the sun. While I was waiting for the sun to rise, I watched the mountains intensely. I finally was about to give up, thinking that the sun tricked me and rose behind some clouds when I wasn’t looking. As soon as I turned around to walk away, I felt an intense heat hit the back of my neck. I turned around and there it was! The sun was there, in all of its glory and splendor, lighting up the mountains. As well as evoking a sunrise, this movement also uses themes from the previous three movements.

The sprightly Sun Dance is a closure movement written to provide a vibrant contrast to the other four. The initial piano motive is taken from Five Movements for string quartet by Anton Webern. The first section introduces the themes, motives and patterns which are then used in subsequent sections. The second and fourth sections are percussive, while the third section is more placid and melodic. The finale is hard and driving, utilizing both snap pizzicati (plucking the string so it bounces against the fingerboard) and loud four-note chords in the strings.

Sun Trio was commissioned by Dennis O’Brien to commemorate the 98th birthday.

Spheres

Sun Trio - I. Sun Day

Sun Trio - Mvt. I. Sun Day

Dawn Of The Dimetrix

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I like to think alot, sorry if I space
Cover art: INSTA Lolangallery

Glad You Stayed

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A music illustration of a fortuneteller. 
--
Photo by Muhammad Haikal Sjukri on Unsplash.

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