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Windhand - Woodbine

BL'AST!: An Unreleased Recording Session Brought To Life By Dave Grohl, Set For September Release Via Southern Lord

As far as stories of lost and found recorded material go, few tales can be told where all the pieces of the puzzle come together in fortunate ways, resulting in a brand new recording that surprised even the band themselves.

Having formed in 1982, infamous Santa Cruz hardcore legends BL’AST! released their first album, The Power of Expression in 1985. This debut blew everyone away and went on to become one of the highly sought after, “must- have” hardcore albums of the ‘80s. BL'AST! was beyond intense, continually pushing the boundaries of hardcore with their advanced musicianship, unstoppable energetic delivery and explosive live performances. This overwhelming power caught the attention of SST records, who released the band's second album, It’s In My Blood in 1987. Their third LP, Take The Manic Ride, was then released by the label in 1989. BL'AST!'s wide-eyed, ambitious approach and intense perseverance became an influence for many bands to come. Shortly after the release of Take The Manic Ride, the band broke up and their story was buried by time and dust....UNTIL NOW!

Earlier this year BL'AST! guitarist Mike Neider contacted Southern Lord with news that he had found some mysterious old BL'AST! master tapes in a abandoned storage locker. Greg Anderson, a BL'AST! fanatic, wasted no time in sending the tapes to a studio to be baked. Needless to say, after 25 years gathering dust, the quality had deteriorated. Still, nobody could have anticipated what would follow. With the audio digitized, Southern Lord contacted fellow longtime BL'AST! fiend, Dave Grohl about mixing this recording, his response was an enthusiastic “FUCK YEAH!, LETS DO THIS”!

Whilst inside Grohl's famous 606 Studios (and with the Neve console as featured in the recent Grohl produced documentary Sound City) an astonishing discovery was made; a completely unheard, unreleased BL'AST! recording session from the mid-‘80s.

The lineup of the band at the time of the recording included second guitarist William Duvall (from Neon Christ, and now the current vocalist for Alice In Chains) who had moved from his hometown of Atlanta out to Santa Cruz on a tip from mutual friends, Corrosion of Conformity, to join the band. Unfortunately, his tenure with BL'AST! was short-lived and no recordings from that lineup were ever released.

From the thunderous bass intro of “Only Time Will Tell” to the apocalyptic warnings of “It’s In My Blood,” the album completely rips and rages from start to finish. All parties involved were completely amazed at how vibrant, unique and fresh this newly-discovered material sounded. All things considered, it is miraculous the record survived this long and that everyone who was involved in bringing this recording to life, could be. Everything fell into place, when it could have easily crumbled along the way. This record is a time capsule that is meant to be heard!

There is no doubt in our minds that Blood will be a crucial purchase for any current hardcore fiend as well as punk/hardcore fans who loved the band back in the day. START THE MACHINE!

Blood will see release via Southern Lord in North America on September 3, 2013. Stay tuned for further details to be unearthed. For now, check out a visual trailer here: http://www.youtube.com/watch?v=S22aJ_948n0&feature=youtu.be
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https://www.facebook.com/pages/Blast/44354206391
http://southernlord.bandcamp.com
http://www.southernlord.com
https://www.facebook.com/SLadmin
http://twitter.com/twatterlord

BL'AST "Tomorrow"

Pleasure And Pain

Pleasure and Pain

http://smarturl.it/IWannaGetBetter?IQid=sc

http://bleachersmusic.com/
Facebook: https://www.facebook.com/bleachersmusic
Twitter: https://twitter.com/bleachersmusic


I Wanna Get Better

SHEIDIM - Amidst the Ashes of Consciousness

Taken from 'Vorage' demo CS, limited to 100 copies.
www.exitiumprods.blogspot.com

VORAGE - Deatheodidact

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

Lyrics to Trojans:
Take it off
Take it in
Take off all the thoughts of what we've been
Take a look
Hesitate
Take a picture you could never recreate
Write a song
make a note
for the lump that sits inside your throat
Change the locks, change the scene
Change it all but can't change what we've been

Your trojan's in my head

It's ok if it's gone
The thoughts that you had that it was the one
And oh what is left?
For all those times is that what you get?
Oh regardless
The walls get painted anyway
Oh you're guarding
The gates, but it all got away

Your trojan's in my head

Take it off
Take it in
Take off all the thoughts of what we've been
Take a look
Hesitate
Take a picture you could never recreate
Write a song
make a note
for the lump that sits inside your throat
Change the locks, change the scene
Change it all but can't change what we've been

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

Trojans

Buy on iTunes

from the upcoming THE TITAN SEA MLP on MSUO

FUNERARY PIT - The Titan Sea

Track from the upcoming "The Besieged Sanctum" EP by Serpentrance. Over 25 minutes of elite Russian death metal. Incantations on “Amongst The Timeless Tombs” by Blckprst of Abhorrot. All music & lyrics by Serpentrance. Mixed & mastered by S.D.. Logo by Horth, artwork by Morkh.

Pro manufactured cassette. Metallic gold cassette shell with black ink print. Double-sided three panel jcard.

Buy the Cassette

SERPENTRANCE - Sin

SERPENTRANCE - The Aphotic Temples

As the known purveyors of Total Death, VAULT OF DRIED BONES inaugurates their first complete offering with Manipura Imperial Deathevokovil (Scriptures of Reversed Puraana Dharmurder) the initiatory full-length album from Sri Lankan terrorists GENOCIDE SHRINES. The bone-dust has settled from 2012's Devanation Monumentemples EP and the slit throats are still hemorrhaging from the Mahabharat Terror Attack split with countrymen Manifestor, but the anti-Dharmic death call has been issued once again for there are still skulls to be crushed!

A line has been drawn in the sand. Choose your allegiance carefully. For GENOCIDE SHRINES are a piercing trishul thrust into the heart of the dogmatic weakling. A burning hatred guides the striking blow at the golden tower looming overhead. There is no time for over-wrought melodies or wheel-reinventing complexity when a cleansing eradication is the modus operandi. Whether it be by spiritual fire or firing squad – the message is clear: Fall in line or suffer at the hands of the reclaimers!

The balance between black Dharmic inversion and a swift rifle-butt to the face has been struck once again. Continuing the established tradition set forth, the loose mania of previous executions has sharpened into a spear-point. Hasty formlessness echoing the peers of old has given away in favour of a militant precision and chaotic, sickening tones. Volley after volley of razor-sharp gun blasts provide rhythmic terror as a well-oiled machine hammers away. Commandments issue forth intolerance from a place of morbidity, calling for the fall of the ultimate enslaver. Truly a DEATH METAL essence has found a foothold in the ideology of the enemies of the Manushya race! Using the cultural weapons of the enemy against him, GENOCIDE SHRINES strikes at the ignorance of the blissfully unaware with a keen perspective of their own DEATH. One step ahead of the herd. All and Nothing!

- Shawn Haché

Buy the CD

GENOCIDE SHRINES - Subterranean Katacomb, Termination Temple (Henotheistic Primal Demiurge)

taken from the same titled debut demo-tape.

Isabrut - Omen

taken from the Garotting Deep / For "Void Asceticism" Split 12"LP

Garotting Deep - Garotting Deep

taken from the Garotting Deep / Fōr "Void Asceticism" Split 12"LP



Fōr - Behexed By Mortuary Chants

taken from the "The History of Death & Burial Rituals part I." 

Death is as young as humanity itself. It accompanies mankind from the very beginning and it is an integral part of life.
As the cultural differences in society have been evolving throughout the centuries, different ways of burying the deceased as well as their worship and access to the dead were incurring. In particular, the emergence of different religions in the world had a crucial influence on funerary rituals, historical and current, as well as on the perception of death. Many cults of death were born...

I have always been fascinated by this topic and that was the reason behind the conception of this work. The LP "The History of Death & Burial Rituals pt1" is the first part of the musicalization of posthumous rituals and the perception of death in different cultures and countries around the world. This is my tribute to death and its great value and importance to man.

In the first part of this musical book we will deal with rituals in the following countries:

Slovakia - ancient burial customs of superstitious and deeply religious villagers still exist in certain areas till today.

Madagascar - dance with Death, in the name of Famadihana.

Mexico - the most famous dead town which once lived though death. Enter the mouth of the ChichenItza well - where people were buried in blood.

Czech republic- "Umrlčí prkna" provide a place for Death through the long and harsh winters, so the earth could accept the bodies in spring.

India – The Towers of Silence. Here one can feel and hear death the most.

China - Hanging coffins on high rocks so nobody disturbs the peace of the dead.


Death Karma - Slovakia- Journey of the Soul

taken from the "The Cosmic Trance Into The Void" 12"LP

Hic Iacet - Mahakala

taken from the "Initiation To Obscure Mysteries" Demo-Tape.

Abyssic Occult Black Metal from Greece

"Summoning the Incarnations of the Worm"

Abysmal sacrilegious rites to invoke those with no eyes
starring deep through the eyes of the dead
invoking the grave, dwellers from the outer lands
spiritually bound in occult search for cosmic wisdom

Passing steps of dangerous rituals from the book of dead names
and the cursed writings of the worm mysteries

Longing for the forbidden knowledge from beyond
ancient power from the darkest path
hidden in the unfathomed depths and wells
of an obscure unknown world

The thick fog rises drowning the room
in obscure demonomanic ecstasy
a luscious maid naked lies
in the ankles of the Kadath star

As the forbidden names are hailed
the boiling maids menstrual blood
made as an offering, to awake(those who eternally sleep)
the residents of distant cold stars
the formless Yog-Sothoth
the evil Tsathogua
the merciless Azathoth
Appear to the mystical  call

Chaos gods of a living void
buried in the accursed emptiness
the lords of ALYACH, KEROSH N'KAI
dwelling behind the lines of ZENRIT MAYOSH
(horribly appear to the call)



Ithaqua - Summoning The Incarnations Of The Worm

Bullet For My Valentine - Hand of Blood (cover)

https://www.youtube.com/watch?v=W51-XSediEw

The content Belongs to Bullet For My Valentine and their record label, or their respected owners.

Bullet For My Valentine - Hand of Blood

Swarth - I

ADVERSARIAL PATHS:THE SINISTER ESSENCE
Was recorded during 2014 at Behind The sun Studios,Red House Studios and Studio Unglamorous.
Mixed and Mastered by Vicotnik(DHG).

Cover artwork was sketched by Bile with additional digital art design from S.I., for Incense Art.

Tracklist:
1.Channeling consciousness
2.Black Embrace
3.ÅÄÁÖÉÏ I/Edafio I
4.The Piercing Conjunctions Of the Sinister
5.Cordially Baneful
6.Through Lunar Wombs
7.Vibrating Crossroads
8.Arch Of Exceedance

Band statement:

"ADVERSARIAL PATHS:The Sinister Essence" shines as a monument
to glorify and praise all aspects of the Adversary,known through the
course of history by many names,while capturing HIS sinister essence through
various spiritual incentives.

To those who dare,
Hail Lucifer!

Kult Of Taurus - The Piercing Conjunctions Of The Sinister

taken from the "Hail the Triumvirate!" Demo-Tape

Intolerance - Perennial Thralldom

Hell Awaits

At Dawn They Sleep


From the album 'RUN' - download at http://smarturl.it/AWOLRun

Order CDs, vinyl, and bundles at http://smarturl.it/AWOLRunCD

Windows

taken from the "Trapped In The Pentagram" 7"EP

Spite - Trapped In The Pentagram

GENOCIDE SHRINES - Ethnoheretical Padmavyuha Consecration



As the known purveyors of Total Death, VAULT OF DRIED BONES inaugurates their first complete offering with Manipura Imperial Deathevokovil (Scriptures of Reversed Puraana Dharmurder) the initiatory full-length album from Sri Lankan terrorists GENOCIDE SHRINES. The bone-dust has settled from 2012's Devanation Monumentemples EP and the slit throats are still hemorrhaging from the Mahabharat Terror Attack split with countrymen Manifestor, but the anti-Dharmic death call has been issued once again for there are still skulls to be crushed!

A line has been drawn in the sand. Choose your allegiance carefully. For GENOCIDE SHRINES are a piercing trishul thrust into the heart of the dogmatic weakling. A burning hatred guides the striking blow at the golden tower looming overhead. There is no time for over-wrought melodies or wheel-reinventing complexity when a cleansing eradication is the modus operandi. Whether it be by spiritual fire or firing squad – the message is clear: Fall in line or suffer at the hands of the reclaimers!

The balance between black Dharmic inversion and a swift rifle-butt to the face has been struck once again. Continuing the established tradition set forth, the loose mania of previous executions has sharpened into a spear-point. Hasty formlessness echoing the peers of old has given away in favour of a militant precision and chaotic, sickening tones. Volley after volley of razor-sharp gun blasts provide rhythmic terror as a well-oiled machine hammers away. Commandments issue forth intolerance from a place of morbidity, calling for the fall of the ultimate enslaver. Truly a DEATH METAL essence has found a foothold in the ideology of the enemies of the Manushya race! Using the cultural weapons of the enemy against him, GENOCIDE SHRINES strikes at the ignorance of the blissfully unaware with a keen perspective of their own DEATH. One step ahead of the herd. All and Nothing!

- Shawn Haché

Swarth - I

Iron BoneHead Productions