D&D Writing Playlist - part 2

Faith burns. This is rebellion wrapped in ritual — choirs chant blasphemies while the sax mourns the fall of angels. The beat feels sacred yet poisonous. HERESY is the sound of God breaking.

Pray...
Pray for silence...
The choir burns tonight.

[Verse 1]
Flames in the chapel, truth in disguise,
Saints are falling, angels lie.
We built a heaven out of shame,
And sold forgiveness in His name.

[Bridge I]
HOLY FIRE — TAKE ME IN!
BAPTIZED TWICE IN BONE AND SIN!
EYES OF GLASS — FACE OF STONE!
EVERY PRAYER — CARVED IN THRONE!

[Chorus]
Burn the faith — let it shine,
God is gone — you are mine.

[Verse 2]
My halo cracked, my blood runs cold,
I kissed the cross, I broke the mold.
Your heaven’s gate — my funeral pyre,
I rise through dust, I walk through fire.

[Bridge II]
FIRE INSIDE! (Burn the choir!)
WORDS COLLIDE! (Feed desire!)
STONE AND ASH — HOLY GRAVE!
EVERY SIN — WE CAN’T BE SAVED!

[Chorus]
Burn the faith — let it shine,
God is gone — you are mine.

[Final Verse]
Mirrors crack — I see the proof,
Heaven burns — I light the roof.
If heresy is what I am,
Then I’ll die defying man.

Amen… to nothing.

INFERNO

Heresy

If this track hit the spot, explore the full playlist — I think you’ll love the rest too. https://on.soundcloud.com/ybtXzUqLa97tJgbtDd

Dance of Steel

🕯️ Lilith – Songs To Die For, Part IV 🕯️

The fourth chapter in Lilith’s haunting anthology, Songs To Die For, Part IV, burns brighter and darker than ever before — a requiem of fury, faith, and fatal beauty. Here, Lilith weaves her vampiric voice through the shadows of modern metal, industrial pulse, and gothic melancholy, resurrecting songs across genres and reshaping them into her own cathedral of sound.

From the thrash inferno of “Disciples of the Watch” (Testament) and the sinister seduction of “The Disease” (Living Dead Girl) to the industrial venom of “Love Like Lies” (Aesthetic Perfection) and the Germanic hunt of “Jagdzeit” (Megaherz), every track bleeds with elegance and rage. Her take on “Venomous” (Raised Fist) and “Repeat Until Death” (Bombus) channels pure defiance — while the reimagined “Torn” (Natalie Imbruglia) closes the record as a ghostly ballad of loss and rebirth.

Amid these covers lies “Mirror of Flies”, a crossover from Psychokult, tying Lilith’s universe deeper into the Hellmountain mythos — a reflection of chaos, beauty, and eternal hunger.

🩸 Part IV stands as a monument to transformation: where metal, pop, and industrial worlds collide — and where Lilith reigns supreme, draped in roses of red and violet, crowned in deathless gold.

The Fugitive (2015 Remaster)

Iron Maiden

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