@lizardlabel 2024
Mastering by Jason Letkiewicz
https://lizardlabel.bandcamp.com/album/inside-sun

Inside Sun [LizLab003]

Experimental duo 'games' present 4 new recordings that show off their full-spectrum production. A hauntingly exciting and beautiful escape from silence, Quarter Tone Sub is an exploration of bass, distortion and compression – reinterpreting composition and engineering.

Written/Produced by Jorge Camacho & Lawrence Goodwin
Mastered by Ike Zwanikken
Art by Jorge Camacho

stimul8

A pop-confessional detour from Kinlaw & Franco Franco’s scorched-earth sermonics, Pitstop 2024 is a fluorescent ballad for the disoriented suspended between memory and hallucination. Melodic, twisted, and deceptively catchy, it's a rare glimpse into the duo's softer circuitry — like pulling over on a long drive through an old satellite signal. 

Their second single from Faith Elsewhere lands with a sun-scorched home video directed by James Hankins — a hazy postcard from a road trip with the boys.

https://youtu.be/oKH0lsYnPVI?si=GyZpRfzCJRuWZsLh

From the album: Kinlaw & Franco Franco - Faith Elsewhere — Out October 3

https://drownedbylocals.bandcamp.com/album/faith-elsewhere

All music written and performed by Kinlaw & Franco Franco 
with additional vocals from Katy Sargent (Track 3) and Georgia Cusack (Track 10)
Bass by Luke Thornton (Track 3)
Mastered by Benjamin Oregaskes at Raw Audio UK
Recorded in Bristol 2021-2024

Album artwork by Kinlaw & Franco Franco
Embroidery of the prayer kneeler by Skye Turner

Press release text by Matt Light

DBL41LP
releases Oct 3, 2025

"The machine looms—it watches you from within. The finger points, but the face is missing."

Kinlaw & Franco. ATC’s original prodigal sons. A two-headed nephilim with an ever-growing tally of near-biblical performances – leaving shook audiences coughing dust for months after. Resurrected for 2025.

Those familiar know their hallowed-dogma – brimming with cyberpunk prophetics, surveillance state paranoia and rusted gothic futurism. Each chilling sermon, accompanied by a bespoke blend of crusted sonics, taut future-concrète prangers and only the finest industrial-trappist beats. 

Back with renewed precision. 11 hot-kneelers for your mental. 

On ‘Faith Elsewhere’, they lead the congregation into uncharted waters with pop-confessional, ‘Pitstop 2024’. There’s a fresh revamp of the beloved feudal anthem, ‘Crocs on the Plough’. Next, a long-fermented, yet still refreshing, kind of chamber-wave on the album’s self-titled track – and even, a touch of the devotional in the final ethereal reprise… Plus, there are plenty more teachings to be found elsewhere… 

The writing’s on the wall. Accept no false idols. Now pull up your cushion and kneel at their altar. It might just be their best yet….

Faith Elsewhere

Kinlaw & Franco Franco - Pitstop 2024

DEAR015 

First single from "Once in a while" by Daisy Ray, out June 6th, 2025 on Deardogs. 
12" LP *ORDER BY EMAIL FOR CHEAPER PRICE*
To avoid Bandcamp and PayPal fees and buy the record at a lower price (25€), order directly by email at connect@deardogs.xyz 

Artwork by Anaïs Fontanges
Design by Manon Michèle
Mastering by Lorenzo Targhetta
Produced and mixed by @daisyraydarkpark

Daisy Ray - scratch

SUN TO CLOSE

By Joonas Siren aka Forces:

"In June 2024 I was in the midst of making a new live set for an upcoming concert. Instead of making new tracks, I decided to use archival recordings and experiments from the past 20-22 years that I have stored in six old external hard drives. I wrote a SuperCollider algorithm to select audio randomly from a massive folder, where all the archived audio was copied. The recordings range from early ‘00 Board of Canada inspired electronica, to analog noise/drone recordings around ‘06-09, to ‘11 modular synth improvisations, to all the way forward to unused SuperCollider experiments of recent years.

Using the algorithm was uncanny. I encountered a lot of sounds that I have no memory of ever making. This felt like unearthing deep, hidden sediments of myself.

What do these different layers reveal? Much has changed during these years of music making, personally and historically. The early recordings have a sense of melancholy and longing that I can’t quite access anymore. Still they are distantly familiar. During those years, my gaze was turned inwards to personal struggles and a sense of sadness that I wanted to reflect with my music. Nowadays, I want to focus on more general discourses instead of personal ones.

After the concert, I used the SuperCollider algorithm again to make this album. All the tracks have been chosen by it. The algorithm also provides some additional manipulation like sudden jump-cuts and fx’s while recording. Only some fade-outs and mastering have been edited
afterwards.

I hope that the serendipitous nature of the album reveals something hidden, perhaps interesting, beautiful or meaningful, among the shifting aural sediments of different temporalities."

Artwork by Ronja-Elina Kappl
Cassette Design by Manu-Sophie Linder
Produced, written, mixed by Joonas Siren
Mastering by Ioannis Nafpliotis

Buy / Stream

Forces - Fluvial

slowly washed

https://soundcloud.com/imberbe1

No center
Only echoes and erosion
Half-lit
Slowly dragging

"Alpin Dub" comes from Imberbe's second full-length album "Presence." Pre-order here: https://imberbe.bandcamp.com/album/presence

Imberbe - Alpin Dub

Sixty second episode of our "States United" show on @n10-as, with guest @drgibby
___________________________

As summer drifts out of focus, so arrives the mandatory melancholia-inducing dj mix.


States United 62: Gibby

reflects and hides

Track 03 from the 4-track EP "Nested Skins" by ltfll (@georgeadelmusik).

Four deceptively complex, bass-heavy dancefloor deviations that challenge any preconceptions about the Arabian peninsula's distinctive rhythms.

[IRSH002]
Written produced & mixed by George Farid
Mastered by Beau at Ten Eight Seven
Artwork by George Farid

ltfll - Flechette Shells

Video series
Live + DJ sets
Killer compilations

ltfll - Flechette Shells

irsh