Name: Spectral Beams Cubicle Dwellings (powerful retrograde serial, with flutes, brass percussion, drums) by irunak
Duration: 3 min 39 s
Description: A short serial work for percussion, brass, flutes and woodwinds where upon having completed the first part, at mid section, the players play it all over retrograde back to the opening. The title resumes the otherworldly and almost sci-fi ambience reflected humorously in the title:)

A short serial work for percussion, brass, flutes and woodwinds where upon having completed the first part, at mid section, the players play it all over retrograde back to the opening. The title resumes the otherworldly and almost sci-fi ambience reflected humorously in the title:)

The extraordinarily talented Belial Pelegrim and I have spent the past year working on a very special project.  The end result is an EP based on nature and the changing seasons.  Here is the first single - a lille taste of what is on our "Movements of a Cloud" EP which will be released on February 25th via Bricolage.  Working with BP * https://soundcloud.app.goo.gl/VZKQ3MBxyX1E2VVE6  * is always an exciting and fulfilling experience.  :) 

Check the EP out here:
https://bricolageglasgow.bandcamp.com/album/movements-of-a-cloud-bc068


We hope you enjoy!  Thanks for listening and for your support!  :)

The Myth of Wondrous Things {Minimal_Drone*GRL & Belial Pelegrim} from the "MoaC" EP

Mémoire

A short serial work for percussion, brass, flutes and woodwinds where upon having completed the first part, at mid section, the players play it all over retrograde back to the opening.
The title resumes the otherworldly and almost sci-fi ambience reflected humorously in the title:)

Spectral Beams Cubicle Dwellings (powerful retrograde serial, with flutes, brass percussion, drums)

https://youtu.be/lqXyHANJvsE?list=PLtY5lEzQWzaFygyk-1InFrbrGgAWZrVXC

Reminiscence

Old Love

🎶〽️🎶

"Az ember, aki a napot tartotta" című história negyedik zenei része :

1. Fehu - az első rúna - vagyon, belső gazdagság, tisztaság szimbóluma - Freyjához kötődő mitikus kapcsolat

2. Uruz - a második rúna - életerő, megszelídítetlen erő szimbóluma - Audhumlához kötődő mitikus kapcsolat

3. Thurisaz - harmadik rúna - védelmi és pusztító erő - Thorhoz kötődő mitikus kapcsolat

4. Ansuz - negyedik rúna - a bölcsesség, a fejlődés, az intuíció és a beszéd rúnája - Odinhez kötődő mitikus kapcsolat

https://hamarcsi.com/portfolio/runestones_the-man-who-held-the-sun/

🎵〽️🎵

ANSUZ - Runestones

The banjo is a musical instrument with African origins, believed to have been developed by enslaved Africans in the Caribbean and later brought to North America. The exact origins of the banjo are unclear, but it is thought to have evolved from similar stringed instruments in West Africa, such as the akonting or ngoni

The banjo first gained popularity in the United States during the 19th century, particularly in the American South, where it became associated with African American music and culture. Early banjos were typically made with gourds for resonators and animal skin for the drumhead, and were played using a technique called frailing or clawhammer, in which the player's fingernail or a piece of bone is used to strike the strings

In the late 19th century, the banjo underwent a period of rapid evolution, with improvements in materials and construction leading to the development of more sophisticated and versatile instruments. One important development was the introduction of the resonator, a wood plate behind the open drum that increased the volume and projection of the banjo's sound. Another was the development of the five-string banjo, which added a shorter fifth string that allowed for more complex playing techniques

The origins of the 5-string banjo are unclear, but it is believed to have been developed by African American musicians in the mid-19th century. The addition of the fifth string, which is shorter than the other four strings and is tuned to a higher pitch, allowed for a wider range of notes and made it easier to play certain melodies and chord progressions

One of the early pioneers of the 5-string banjo was Joel Sweeney, a white musician from Virginia who popularized the instrument in the mid-1800s. Sweeney is often credited with introducing the shorter fifth string, as well as other improvements to the banjo, such as the addition of frets and the use of metal strings

However, it's important to note that the development of the 5-string banjo was likely a collaborative effort among many musicians, both black and white, and its exact origins are difficult to trace. Nonetheless, Sweeney's contributions were significant and helped to establish the modern form of the instrument that is still popular today

During the early 20th century, the banjo became a popular instrument in a variety of musical styles, including jazz, blues, and country music. The instrument was played by a number of famous musicians, including Earl Scruggs, who popularized a three-finger picking style that became known as the Scruggs style

In recent years, the banjo has experienced a resurgence of popularity, particularly in the realm of folk and Americana music. Today, the banjo is played in a wide range of styles and genres, and is appreciated for its unique sound and cultural significance in musical storytelling 

JTS

Jump Blues

Banjo Blues

Deathof Clubbing

Sixty - Ricomincio da 60

Did It Happen At All

ATTENTION Disclaimer:  The music track that I’m playing lead & improvising over is not mine and I do not own it. The track is created by YT Jam Tracks and all credit goes to him for the music track creation which I have listed below. Check out YT Jam Tracks on YouTube and Bandcamp. The links below are to the original material by the artist.  

Obtained from: YT Jam Tracks
YouTube site: https://www.youtube.com/channel/UCdMqonsla0BK21Fnf9Qx5Wg
Backing Track Title: Triumphant Melodic Rock Backing Track in E Major
YouTube Track channel: https://www.youtube.com/watch?v=ow47rfK4LTo
Bandcamp website: https://ytjamtracks.bandcamp.com/track/triumphant-melodic-rock-backing-track-in-e-major

The lead, improvising over the track was done with the following;
Picture with Track: Is what the Guitar looks like.
Guitar Used: 1998 Ernie Ball Wolf Gang Axis in HH configuration.
Color: Crimson Red, Flame body and neck
Strings: Ernie Ball Super Slinky Hybrid 9-46
DAW: Reaper
AmpSim: Amplitube 4
Preset: Mesa Rectifier EL-34 Lead
Interface: Focusrite 2i2 2nd Gen

Raw: What does RAW mean to me, not having undergone processes of preparing, finishing, refining, or mastering: It is what was recorded at that time in its current state.
Comments: Please follow if you like, comment if you like and I’m opened to feedback to improve my playing, recording, mixing etc.  Thanks for listening \m/.

Encounter_00X

Something True That Never Was

01 - NI - STRAYLIGHT - Exquisite Pulse
02 - SA - HCT - Earth Rumbles [Grid] - Industrial Grit
03 - SA - HCT - In The Light [Grid]

In The Light

This is to share my creations and discover yours.

Those sounds we put together and call ''music'' mean everything to me.
Regardless of the style, genre, or cultural ethnicity, 
All these kinds of sounds have always occupied a huge part of my time, attention and listening.

''Music'' has followed me and been a companion in the happiest and through some of the absolute worst moments of my life.

I have been taught in a way, by every composer, conductor and otherwise musicians, bands and performers I have admired and spent so much time listening to over the years. 

My biggest influence is Karl Heinz Stockhausen, for his textures and sonorities the experimental concept from which his creations and sounds came to life, for his approach to performing and the thoroughness of detailing and documenting his works.
 
I began creating and recording my own ambient-experimental soundscapes 10 years ago with the discovery of software synthesizers and Digital Audio workshops. 
Thanks to Soundcloud, I can now share worldwide what I do and take a plunge into this vast network of ''music''. 

I use mostly orchestral instruments, but also a vast combination of ethnic and modern instruments, including synthesizers.

I use all kinds of sacred chants, ethnic voices, choirs. 
I routinely route instruments to sound processing, where the effect is an instrument.
I often use various sound sources.

Please feel free to share your track with me, I am always eager to discover:)
I am not big at reposting tracks, I find it a bit confusing, but necessary.
What I do is if you repost one of my tracks, I will repost you. 
When I repost you, I automatically tweet you also and share your track on other social media.
That way, we both contribute to the sharing of our works!

Spectral Beams Cubicle Dwellings (powerful retrograde serial, with flutes, brass percussion, drums)

irunak

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