Chill #1

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Mojave

Original version appears on his 2012 album "Maraqopa". 

Enjoy

Damien Jurado - Maraqopa (Ole Smokey's Extd Edit)

Just a tribute.
Original version — http://youtu.be/o2PhGbG-WbA

LYRICS
Drink up, baby, stay up all night
With the things you could do, you won't but you might
The potential you'll be, that you'll never see
The promises you'll only make

Drink up with me now and forget all about
The pressure of days, do what I say
And I'll make you okay and drive them away
The images stuck in your head

[Chorus]
People you've been before that you
Don't want around anymore
That push and shove and won't bend to your will
I'll keep them still

[Verse 2]
Drink up, baby, look at the stars
I'll kiss you again, between the bars
Where I'm seeing you there, with your hands in the air
Waiting to finally be caught

Drink up one more time and I'll make you mine
Keep you apart, deep in my heart
Separate from the rest, where I like you the best
And keep the things you forgot

People you've been before that you
Don't want around anymore
That push and shove and won't bend to your will
I'll keep them still

Elliott Smith — Between The Bars (Isaac Delusion cover)

New single from forthcoming album "It's A Pleasure" out Oct 20th.
Available for preorder on iTunes : www.smarturl.it/itsapleasure

Baxter Dury - "Palm Trees"

Sebastian Boldt - Schwaanensee

Mirror Mirror- Adrian Brooks

Get 'Netzwerk (Falls Like Rain)' & 'Netzwerk (The Album)' here: http://po.st/KlangkarussellPreOrder

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Keep it coming (Klangkarussell Remix)

Lund Quartet – Love’s Madness

Brazilian Girls return in 2018 with Let’s Make Love, their fourth album and first since 2008’s Grammy-nominated New York City. Due April 13 via Six Degrees Records, the album release will be followed by a short U.S. tour in May (see dates below & tix here). 

Let’s Make Love was produced by longtime collaborator Frederik Ruben and came to life over the course of several years. The four band members—Didi Gutman (keyboards, vocals), Aaron Johnston (drums, percussion, vocals), Jesse Murphy (bass, vocals) and Sciubba (lead vocals, electronics)—are now scattered throughout the U.S. and Europe and they assembled when possible to write and record, piggybacking those sessions onto gigs in Istanbul and Madrid, Paris and New York. Despite the distance, the group consistently found their chemistry as kinetic as when they first started out. Sciubba notes, "It's a little astounding to us because we'll go so long without playing, and then we get together and things just happen in this very harmonious way."

Brazilian Girls "Karaköy"

It is the year 1998: What might have been the first decade in the history of pop music that was characterized by an overwhelming sense of fragmentation is drawing to a close. Anything goes: guitars & electro, retro sounds or wicked forays into the digitized future. Pop hasn’t sounded this optimistic and upbeat in a while, and there’s currently no need for Weltschmerz in Indie anymore. Gunnar Örn Tynes and Örvar Þóreyjarson Smárason have been making music together as múm for about a year at this point – though it’s not like anyone really took note of them or cared back in 1998.
The two band mates are basically nomadic drifters: They are constantly moving from one basement studio to the next, traveling through Europe, recording anything and everything that comes to mind. Whenever they feel like getting some fresh air, they go out with their DAT recorders to do some field recordings – only to return to some unfurnished apartment in Reykjavík, Montpellier or Berlin in order to mix and combine all the recorded material. Accordingly, the duo indeed also pushes the level of fragmentation in music. However, múm do not have set ideas or a clear mission. All they do is sample, play around, mix, recombine things, and ultimately marvel at the results. And then, at a theater production, Gunnar and Örvar meet twin sisters Kristín and Gyða. And then there were four.
Early Birds is all about those days: It’s a compilation of 15 tracks, all of them recorded between 1998-2000 and long-lost or extremely rare, taken from demo tapes or limited edition vinyl releases. Accordingly, you’ll find not only a track from the aforementioned theater production, but also the yet-unreleased “Hvernig á að særa vini sína”, a fan favorite ever since, that was included on the soundtrack to the movie The Exploding Girl.
múm had a trademark even back in the earliest days: their compositions were all about melodies. Yet, that’s about the only thing these 15 songs have in common. Especially the first half of the compilation focuses more on the playful, “full of beans”-type of experimental tracks: pastiche and experimentation are key, and it’s anything goes indeed: they go from hyped-up pre-Electronica sound to jazzy Drum & Bass, and they aren’t even afraid to present a double-neck guitar solo à la Hair Metal done kiddie style. However, as said above, all the early experiments nevertheless share a certain signature sound. The second half of the album is comprised of those quieter, rather massive múm tracks, with only a few analog layers, harmonious and blissful, revolving around each other for minutes. These tracks are somehow reminiscent of minimal music, but then again they are simply too charming, too wistful and clearly not made for academics.
Early Birds ends with a contemplative piece that’s 10 minutes long and comprised of field recordings, harmonica, accordion, and lots of room for reverb (you could almost call it Dub). In this case the song title pretty much translates to “No one was listening to the fiddler, because the fiddle-strings were broken (why can’t you be good to your mother?)”. This final track ultimately became the “Ballad Of The Broken String” on múm’s debut album “Yesterday Was Dramatic – Today Is OK” (2001), though this early version is indeed quite different. When the debut dropped, múm had found their sound. The rest is history: The band was hailed as a key exponent of “Electronica”, and with every release they sounded more and more unique and complete – only to become what might be Iceland’s most original band today.
Early Birds showcases the formative years and perfectly illustrates this evolution, though at the same time it shows that things could’ve turned out quite differently. Plus, it also proves one other thing: Yesterday was OK, too.
The compilation album comes with nostalgic artwork by Ingibjörg Birgisdóttir who experienced the early days of múm first hand. Both the LP and CD version include a booklet that explains how each of the 15 (mostly instrumental) tracks came about.



múm - 0,000Orð

Flunk - Play (Unreleased Alternative Version)

Frazey Ford - The Kids Are Having None of It

A new song from Sweet Baboo! Taken from his forthcoming album "Ships" due for release in April 2013 on Moshi Moshi.

Watch the brilliant video here: http://www.youtube.com/watch?v=zMQ8h42HOJU

FREE show at The Shacklewell Arms on 20th February and headline show at The Lexington on 23rd April. Get tickets here: http://bit.ly/Xa0Hlm

www.sweetbaboo.co.uk
www.facebook.com/sweetbaboomusic
@sweet_babs

Download

Sweet Baboo - Let's Go Swimming Wild

The Neighbourhood stopped by at Radio1's Late Live Lounge last night (Thursday 24th) and played a surprise Destinys Child / Justin Timberlake mashup alongside performing current single 'Let It Go'. Listen to the track below.

The Neighbourhood: Say My Name/Cry Me A River (Radio1 Live Lounge)

Meet Me In The Forest

☞Press ♥ and ↻ to share this song if you like it.

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Message To Bears - Wake Me /// FlicFlac Edit

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Elliott Smith — Between The Bars (Isaac Delusion cover)

Isaac Delusion

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