performed by Schallfeld Ensemble at the Bludenzer Tage zeitgemäßer Musik on October 8th, 2022 in Bludenz, Austria

Flute - Elisa Azzarà
Bb / Bass Clarinet – Szilárd Benes
Soprano/Baritone Saxophone – Matej Bunderla
Accordion – Mirko Jevtović
Piano – Patrick Skrilecz
Percussion – Manuel Alcaraz Clemente
Violin – Lorenzo Derinni
Viola – Francesca Piccioni
Cello – Myriam García Fidalgo
Double Bass – Margarethe Maierhofer-Lischka
Conductor – Leonhard Garms
Sound engineer - Davide Gagliardi

recorded by Chris Swithinbank
mixed by Isaac Roth Blumfield

commissioned by the Bludenzer Tage zeitgemäßer Musik with the support of the Ernst von Siemens Music Foundation􏰙􏰗 􏰎􏰓􏰍 􏰏􏰈􏰝􏰕􏰍􏰌􏰣􏰍􏰋 􏰤􏰊􏰠􏰍 􏰣􏰍􏰅􏰎􏰠􏰍􏰘􏰥􏰦􏰍􏰋 􏰧􏰝􏰖􏰅􏰨 􏰢􏰅􏰎􏰓 􏰎􏰓􏰍 􏰖􏰝􏰑􏰑􏰇􏰋􏰎 􏰇􏰡 􏰎􏰓􏰍 􏰩􏰋􏰌􏰖􏰎 􏰞􏰇􏰌 􏰐􏰅􏰍􏰘􏰍􏰌􏰖 􏰧􏰝􏰖􏰅􏰆 􏰪􏰇􏰝􏰌􏰕􏰊􏰎􏰅􏰇􏰌 􏰢􏰋􏰅􏰎􏰎􏰍􏰌 􏰡􏰇􏰋 􏰐􏰆􏰓􏰊􏰈􏰈􏰡􏰍􏰈􏰕 􏰩􏰌􏰖􏰍􏰘􏰙􏰈􏰎􏰓􏰍 􏰏􏰈􏰝􏰕􏰍􏰌􏰣􏰍􏰋 􏰤􏰊􏰠􏰍 􏰣􏰍􏰅􏰎􏰠􏰍􏰘􏰥􏰦􏰍􏰋 􏰧􏰝􏰖􏰅􏰨 􏰢􏰅􏰎􏰓 􏰎􏰓􏰍 􏰖􏰝􏰑􏰑􏰇􏰋􏰎 􏰇􏰡 􏰎􏰓􏰍 􏰩􏰋􏰌􏰖􏰎 􏰞􏰇􏰌 􏰐􏰅􏰍􏰘􏰍􏰌􏰖 􏰧􏰝􏰖􏰅􏰆 􏰪􏰇􏰝􏰌􏰕􏰊􏰎􏰅􏰇􏰌 􏰢􏰋􏰅􏰎􏰎􏰍􏰌 􏰡􏰇􏰋 􏰐􏰆􏰓􏰊􏰈􏰈􏰡􏰍􏰈􏰕 􏰩􏰌􏰖􏰍􏰘􏰙􏰈􏰍
Program note:

“End of summer, light between your eyes” deals with memory: not as something which flows easily and envelops you like a dream, but as a series of sensations, zoomed in, never able to regain the momentum or consistency of experience. 

Only the essence of the feeling, the strange details that remain after years, more present than the significant moments which always seem to disappear and reappear without reason, without a thread to hold them together. 

It deals with memory as distraction, as the inability to stay present in a moment, as a kind of zig-zag through realities both present and obscure; as something which binds together and something which is irredeemably isolating, which constantly presses on the ability to share anything at all.

End of summer, light between your eyes  |  for ensemble (2022)

for chamber ensemble, electronics, and lighting

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this piece is inspired by the devastating beauty of nacreous clouds. these clouds are both very rare and hauntingly beautiful, with luminous pastel colors streaking across the sky. 

despite their beauty, these clouds are irrevocably harmful to the atmosphere. while their beauty comes from the diffraction of light as it passes through tiny ice crystals in the air, their appearance acts as a catalyst for the reactions of toxic chemicals that deplete the ozone layer and contribute to the ozone hole in the antarctic. 

this piece is a meditation on the beauty and destruction of the world we’re making. 

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premiered by collective lovemusic at Paine Hall at Harvard University April 28, 2023

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performed by collective lovemusic:
Emiliano Gavito - bass flute
Adam Starkie - bass clarinet
Emily Yabe - viola
Christian Lozano - e-guitar

volatile horizon

volatile horizon (2023) | collective lovemusic

Étude - SORA (2024)
for 8 soloists

Credit: Internationale Ensemble Modern Akademie 2023-24
Conducted by: Yannick Mayaud
Audio Engineer: Markus Güdel

premiered at Lucerne Festival
Photo Credit: © Lucerne Festival/Priska Ketterer

Étude SORA for 8 soloists

Bára Gísladóttir: Animals of your pasture (2021) performed by Å Collective

Recorded live on March 15th 2025 at the Norwegian Academy of Music (Oslo, Norway) as part of the Ding-Dong-Eller-Dong-Ding Festival.

Photo: Anna Maggý

Bára Gísladóttir: Animals of your pasture (2021)

microfauna I

A body of many bodies; a creature which--

[moans screeches sputters growls squeals howls]

--struggles to understand itself. 

This piece traces the mythic figure of the chimera as a body and a process becoming-with, a site of multiplicity and discovery; a body learning and relearning and unlearning its many selves.

premiere:
june 23, 2025 at the .abeceda contemporary music festival IV in bled, slovenia

for flute/alto flute, tenor sax, viola, accordion, prepared piano, prepared harp, & percussion

CHIMERA | .abeceda ensemble | 2025

for lower strings trio and stereo electronics
Performed by Catinblack Ensemble
Viola - Sofia von Atzingen
Cello - Ema Grčman
Double Bass - Javad Javadzade

ELASTIC(mother) - 2025

https://joshuamastel.com/Blur/
Performed by the New Fromm Players at Tanglewood Music Center August 18, 2025.
Sheena Lan, violin
James Gikas, violin
Audrey Wang, viola
Han Lee, cello

Blur | for string quartet (2025)

This piece is concerned with the subversion of discrete language to expose the innumerable phenomenology of phrase

-2025


released October 13, 2025
performed by Yarn/Wire as part of the Harvard Group for New Music's Fromm Concert Residency 2025.

recording by Jerry Macdonald
mixing by Jelani Surpris


GASOLINE LOVE F*CK STICK (2025) - Yarn/Wire

Volleyball (2025) - airborne extended

Wolfgang Mitterer - curtains 
(2017) written for airborne extended

Live Performance at ORF Innsbruck

Wolfgang Mitterer - curtains - LIVE

contact: isaac.blumfield@gmail.com

Isaac Roth Blumfield is a composer from Saint Paul, Minnesota, currently based in Cambridge, Massachusetts. He writes experimental music for acoustic and electronic instruments which explores resonance, materiality, and memory through expanded sonic approaches towards instruments and objects. His music looks for the strange spaces between subjective and unconscious experience, exploring uncanny places between beauty, pain, and strangeness.
His music has been influenced through  through work with performers such as ensemble sonic space basel alumni, Schallfeld Ensemble, violinists Austin Wulliman and Chris Otto, line upon line percussion trio, Ensemble Modern, Barcelona Modern Ensemble, guitarist Francesco Palmieri and Jamie Monck, and Quartetto Maurice at programs such as the Bludenzer Tage zeitgemäßer Musik, the Banff Centre for Creativity, Yellow Barn Young Artists Program, New Music on the Point, Valencia International Performance Academy, Ticino Musica Festival and Freie Universität Berlin im Sommer.  
His music has been broadcast on Swiss Public Radio and supported by the Ernst von Siemens Music Foundation, Fondation Nicati - De Luze, and the Hirschmann Stiftung. He graduated with his Bachelor's degree in composition at New England Conservatory in Boston and a Master's degree in composition at the Hochschule für Musik FHNW in Basel, Switzerland and is currently pursuing post graduate studies at the Universität für Musik und Darstellende Kunst in Vienna. His primary teachers have included Stratis Minakakis, Timothy McCormack, Caspar Johannes Walter, Svetlana Maras, and Clara Iannotta. He is currently a PhD candidate at Harvard University, studying with Chaya Czernowin and Hans Tutschku.