performed by:
Clara Giner Franco, alto flute/piccolo
Isaac Roth Blumfield, objects
Miriam Paschetta, harp
Anastasia Agapova, viola
recorded live at the Grosser Saal of the Musik Akademie Basel on March 28th, 2022

like a stain only you see | for alto flute/piccolo, viola, harp, and objects (2021-22)

for chamber ensemble, electronics, and lighting

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this piece is inspired by the devastating beauty of nacreous clouds. these clouds are both very rare and hauntingly beautiful, with luminous pastel colors streaking across the sky. 

despite their beauty, these clouds are irrevocably harmful to the atmosphere. while their beauty comes from the diffraction of light as it passes through tiny ice crystals in the air, their appearance acts as a catalyst for the reactions of toxic chemicals that deplete the ozone layer and contribute to the ozone hole in the antarctic. 

this piece is a meditation on the beauty and destruction of the world we’re making. 

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premiered by collective lovemusic at Paine Hall at Harvard University April 28, 2023

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performed by collective lovemusic:
Emiliano Gavito - bass flute
Adam Starkie - bass clarinet
Emily Yabe - viola
Christian Lozano - e-guitar

volatile horizon

volatile horizon (2023) | collective lovemusic

Étude - SORA (2024)
for 8 soloists

Credit: Internationale Ensemble Modern Akademie 2023-24
Conducted by: Yannick Mayaud
Audio Engineer: Markus Güdel

premiered at Lucerne Festival
Photo Credit: © Lucerne Festival/Priska Ketterer

Étude SORA for 8 soloists

Bára Gísladóttir: Animals of your pasture (2021) performed by Å Collective

Recorded live on March 15th 2025 at the Norwegian Academy of Music (Oslo, Norway) as part of the Ding-Dong-Eller-Dong-Ding Festival.

Photo: Anna Maggý

Bára Gísladóttir: Animals of your pasture (2021)

microfauna I

for lower strings trio and stereo electronics
Performed by Catinblack Ensemble
Viola - Sofia von Atzingen
Cello - Ema Grčman
Double Bass - Javad Javadzade

ELASTIC(mother) - 2025

https://joshuamastel.com/Blur/
Performed by the New Fromm Players at Tanglewood Music Center August 18, 2025.
Sheena Lan, violin
James Gikas, violin
Audrey Wang, viola
Han Lee, cello

Blur | for string quartet (2025)

This piece is concerned with the subversion of discrete language to expose the innumerable phenomenology of phrase

-2025


released October 13, 2025
performed by Yarn/Wire as part of the Harvard Group for New Music's Fromm Concert Residency 2025.

recording by Jerry Macdonald
mixing by Jelani Surpris


GASOLINE LOVE F*CK STICK (2025) - Yarn/Wire

Volleyball (2025) - airborne extended

tooth & nail | Fabrik Quartet | 2025

MALCHUT [shir hama’alot] (2024)
for large ensemble and electronics (1.1.1.1./1.1.1.1/2perc/pno/keyboard/1.1.1.1.1.+electr)
WP: 29.6.2024, WDR Köln; 
Ensemble Musikfabrik, Friederike Scheunchen (conductor)
Duration: ca. 22′ - Excerpt: part towards the ending
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image: excerpt from a water color work by Elisabeth Naomi Reuter (Mondblumen, 1982)

MALCHUT (2024) excerpt

contact: isaac.blumfield@gmail.com

Isaac Roth Blumfield is a composer from Saint Paul, Minnesota, currently based in Cambridge, Massachusetts. He writes experimental music for acoustic and electronic instruments which explores resonance, materiality, and memory through expanded sonic approaches towards instruments and objects. His music looks for the strange spaces between subjective and unconscious experience, exploring uncanny places between beauty, pain, and strangeness.
His music has been influenced through  through work with performers such as ensemble sonic space basel alumni, Schallfeld Ensemble, violinists Austin Wulliman and Chris Otto, line upon line percussion trio, Ensemble Modern, Barcelona Modern Ensemble, guitarist Francesco Palmieri and Jamie Monck, and Quartetto Maurice at programs such as the Bludenzer Tage zeitgemäßer Musik, the Banff Centre for Creativity, Yellow Barn Young Artists Program, New Music on the Point, Valencia International Performance Academy, Ticino Musica Festival and Freie Universität Berlin im Sommer.  
His music has been broadcast on Swiss Public Radio and supported by the Ernst von Siemens Music Foundation, Fondation Nicati - De Luze, and the Hirschmann Stiftung. He graduated with his Bachelor's degree in composition at New England Conservatory in Boston and a Master's degree in composition at the Hochschule für Musik FHNW in Basel, Switzerland and is currently pursuing post graduate studies at the Universität für Musik und Darstellende Kunst in Vienna. His primary teachers have included Stratis Minakakis, Timothy McCormack, Caspar Johannes Walter, Svetlana Maras, and Clara Iannotta. He is currently a PhD candidate at Harvard University, studying with Chaya Czernowin and Hans Tutschku.