Lady Propane (Incl. Daniel Hokum Remix)

Bethlehem

Alacrán del Amor is a name that has quickly become prominent in Mexico City's downtempo scene. We are more than happy that he is in charge of Ancestral Origins, Vol. 2.

This set is a true testament and showcase of his unique sound. We could describe it as a post-ancestral, latin tribal slow rave that feels heavy yet refined. We hope you enjoy it as much as we do.

Alacrán del Amor is a Mexican musician and producer. He began his journey at a young age, listening to different genres and proposals from around the world. 
He has become an important member of the downtempo scene in Mexico City and with He has several releases on national and international labels, where he collaborates with multiple artists and producers from other countries. 
The origin of his sound is a fusion of Mexican pre-Hispanic music with electronic sounds and samples. He uses synthesizers and ancestral rhythms to take the night towards a ritual that seeks to unify the conscience and the soul to achieve an ancestral connection through music.

Alacrán del Amor:
@alacrandelamor
https://linktr.ee/alacrandelamor

Ancestral Origins, Vol. 02 by Alacrán Del Amor

The electronic duo Fluyd captures the whimsical spirit of ethereal soundscapes at play. Faintly psychedelic, and incorporating a plethora of soundscapes by mixing digital and analog instruments, their productions are a diverse combination of different styles. This thread of eclectic fusion runs throughout their tracks, and their first Sofa Beats EP "Magic Cabaret" leads us deeper and deeper into this playfully blissful world.

Get involved : https://soundcloud.com/flow-zeo

PREMIERE : FLUYD & Flow & Zeo - Magic Cabaret  (Original Mix)

I would love to invite you into a space of stillness and no movement. Lay down and take your time to calibrate all your cells for a new beginning!

This is the first time I recorded a set. Hope you enjoy this set as much as I enjoyed playing it at the beautiful Chateau Festival. It was an unforgettable experience for me creating the first state of 7 Vibes Journey @7vibesjourney together with the whole Flow Crew. 

Recorded 20.8.2022 France

Ambient Realm | Chat:eau Festival | 7 Vibes Journey

Vadim Bogac presents with Tibetania Records his fantastic EP 'Prometheus" - Organic House, Downtempo beats, mellow vocals, ancient melodies, traditional instruments, and wide harmonies that take you on a traveling mission, to different, distant worlds. "Prometheus" features a variety of remixes by: Mikhail Catan, Jack Essek and Stefan Alexander Thomas.
Listen to the Secrets of Life!

@vadim-vadixb

Reincarnation

Vadim Bogac - Reincarnation [Tibetania Records]

Pełnia księżyca.
Północ.
Dzika dżungla w centrum miasta.
Zamknij oczy, włącz muzykę, poczuj moc jaką niesie TOTEMIA.
/
Full moon.
Middel of the night.
Wilde jungle inside urban space.
Close your eyes, turn on the music, feel the power of TOTEMIA.

Oriental flow @TOTEMIA

Recorded live on March 12, 2023 in Giuba, Milan

Lyrics by Antonella Anedda and Arthur Cravan
Read by Mele Ferrarini

thanks to
@maria-luisa-conserva
@kave-collective

LIVESET3#4 - 12/03/23 - Live overture for ML

Tagebucheintrag Sonntag 9. April:
"Wow, was für eine Nacht! Das Ambientset von heute Morgen war wohl eines meiner besten Sets, das ich bisher gespielt habe. Ich bin so dankbar für diese Erfahrung und werde mir das Stück wohl noch einige Male anhören. Ich habe Recordings aus meiner Asienreise und von einem Frühlingswald mit-einfließen lassen. Dabei ging es mir nicht um den perfekten Klang, sondern viel mehr um das lebendige, spontane, unerwartete. Eine Reise zu mir selbst, einfach bezaubernd."

Schlafkonzert Ostersonntag

Boris Rogowski – The Darkness of Future Past
(out on piano and coffee records on November 7, 2025)

Jonas Burgwinkel—drums
Viktorija Kukule—vocals
Roland Muenchow—flute
Boris Rogowski—keyboards, (bass) guitar, percussion, programming, vocals
David Schuette—cello
Isabelle Seemann—vocals

Press info:
Somehow, Boris Rogowski’s The Darkness of Future Past manages to go from Renaissance and Baroque influences and minimalist piano pieces via Ambient all the way to arena-sized pop music. It has no right to work, but it works perfectly. I don’t know how.
If I had only one word to describe its general mood, I would call it haunting. And the album itself is haunted, too, by the ghosts of the past, of classical composers (Orlando DiLasso, Eric Satie and Alfred Schnittke explicitly, many others lurk in the shadows) and more recent musical specters. It’s called The Darkness of Future Past, and yes, that’s a Twin Peaks reference… but let’s not make too much of it, there are no real connections (I think!) except for a general love of mystery, darkness and beauty.

In contrast to Rogowski’s 2023 album The Waste Land that was largely defined by a good amount of classical rigor, consistent chamber instrumentation and a complete lack of vocals, The Darkness of Future Past is almost loose: We have long, winding instrumental pieces that straddle Ambient (The Past, Like a Strange Bird), Minimalism (The Bloom and the Flutter) and Jazz noir (the title piece). They are humming with sounds and melodies that always seem in a state of either synthesis or decay, giving way to one another or sticking around in the form of eerie echo loops that build up a dreamlike musical structure always on the verge
of collapsing into itself.
Those long-form soundscapes, some of which feature ominous spoken Journal Entries, alternate with solo piano pieces that sound like at least three different instruments—but were, in fact, all recorded with an old upright built in 1906 by some regal German manufacture. The audaciously titled Gymnopedie No. 4 wears its influence on its sleeve—and delivers on its promise: Rogowski’s love, respect and understanding of the original works of Eric Satie shine through in every note. Similarly, the other piano pieces, from the tiptoeing Sleeping Dogs to the dreamy, improvisational One Lonely Autoresponder Message, feel a bit like memory palaces—reminiscent of music that has always been around, but at the same time very much their own beasts.
And then, of course, we have the songs: Nothing Wrong is strikingly beautiful, its sparse musical arrangement serving as the perfect bed for Rogowski’s falsetto and the ghostly choir backing it. breatheINbreatheOUT is downright scary, like a field recording of some strange initiation rite: The words ‘breathe in, breathe out, it’s all right/mankind is no longer your kind’ are delivered in a moody croon that seems to channel the later Scott Walker.
And then, just when you think you have finally figured out how this album works, it leaves you with Them!, a monolithic sound colossus that begins as a shoegaze-y electro pop song and develops over 6 minutes into an arena-sized hymn with an otherworldly female voice lamenting ‘What a lonely world’ over and over. Rogowski did much of the work on The Darkness of Future Past in a desert cabin near Joshua Tree—maybe he passed Coachella on his way back; that, at least, would be a good explanation of the sound of Them!

There is a very clear and distinct consciousness of the past, and there are projections into the future that are as nebulous as they are frightening. The Darkness of Future Past has the power to conjure up mysteries, to shed just the right amount of light on them and keep us intrigued—without ever giving them up or serving us easy explanations. The beauty of the music itself remains a secret, one that Boris Rogowski as its composer seems hell-bent on protecting. After all, no-one needs to know who killed Laura Palmer.

Journal Entry #2—The Bloom and the Flutter : DiLasso, Schnittke, Goats, Ghosts

raumschiff

Ambient soundscape inspired by the Dune Universe.

SPICE - ATREIDES

📍 Zurich / Amsterdam
On our way home ✨

7 Vibes Journey

Ambient Realm | Chat:eau Festival | 7 Vibes Journey

Isabel Beyeler