MOONBOOTICA

"I can sell out Madison Square Garden masturbating." 
—Mike Tyson


MOONBOOTICA saves lives. MOONBOOTICA guarantees the fun of excess. A great gift to mankind. Without fun, this world would recede into clouds of grey. And who wants that? With MOONBOOTICA, everybody has the freedom to say no to grey. On one condition: fun has to be discovered and used to full effect, with every sinew stretched. Once you’ve got that far, things begin to relativize, delusions of grandeur seem as easy as ABC, thanks to MOONBOOTICA. The powers that be strive for greatness, growth, expansion? MOONBOOTICA rise up to the challenge twice over! Composure through relativization, at the end of the day, MOONBOOTICA always have more in the tank. This calming influence comes courtesy of the “bigger than life” mindset, the classic Funkadelic lesson succinctly stated: “Free your ass and your mind will follow.”

As a DJ and production team, MOONBOOTICA has represented maximum torsion since 1999. But endurance is merely one of the Hanseatic duo’s most distinguished qualities. Together they represent a bulwark against inconstancy and are nevertheless always ready to smash borders. Including their own. There are two of them, after all. A two-headed unity IS MOONBOOTICA, and that’s what it’s all about, IS: double-loaded, twice as focussed, twice as big. The double greatest. Even when Kowe Six or Tobi Tobsen should tread the boards alone,the format remains the same. Each of them is double MOONBOOTICA. And vice versa.

MOONBOOTICA’s unique lack of respect in the interests of wildstyle is both a virtue and a call to arms. If refinement of taste should run the risk of imploding, there’s no better tonic than a dose of MOONBOOTICA. The antithesis to light and minimal dictates. It couldn’t be any easier or more effective. A track, an album, a set – well-being is just a question of the right dose. In case of doubt: more is more. Whilst somehow, the love of a grand pose notwithstanding, remaining the same, in appearance and reality. Without resorting to trickery, ironic dissociation or in-jokes, MOONBOOTICA offer themselves up to the audience. As vulnerable as they are sure of victory, the duo has everything a good, open drama needs. Only that everything does not end up in pools of blood.   

When others reach for anabolics and pimp their track to the limiter with everything they can get their hands on, Kowe Six and Tobi Tobsen simply rely on where they came from. Style was laid in their cradle like a golden curb chain. Their musical trajectory, five albums and hundreds of shows prove as much. MOONBOOTICA is, by nature, greater than everything else. Greater than you or I. Greater than Tobi and Kowe even. At which point we finally come to the introductory quote from Mike Tyson -  but we don’t want to explain the fun of excess again. Take a look in the newspaper if you want to know how important it is. Or spend an evening with MOONBOOTICA.   



Official Moonbootica @ Soundcloud
For every request please contact:
info@moonbootique.com
Presscontact: bruno@freelastica.com



HOBEL Rec. ist das Musiklabel des Clubs "DieTischlerei" in Linz. Frische, knackige Töne aus eurem musikalischen Wohnzimmer!

Booking requests:
chris@stilvortalent.de
Management:
music@stilvortalent.de

Gayle San's Upcoming Gigs
Sat 21 Dec, 19 
Technodisco, Wetzlar, Germany

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Gayle Sans career already began in the early 90 s in her hometown Singapore. She started as a warmup DJ for Bands such as Kool and the Gang Earth Wind and Fire and the Commodores,in the Top ten club which was the club of that moment on that island. Leaving her native Singapore in 90 s,to pursue her dj career in the UK, nobody expected such a massive success for Gayle in the music business. Gayle's first steps into the London clubs were via DJing at record company parties, various one-off guest spots and fashion shows.


These slots soon led to Gayle being made resident at 'Reach for the Sky' at London's Limelight club, where she played alongside global DJs which Gayle describes as "the steepest learning curve possible". Having honed her DJing skills and broadened her understanding of music, Gayle began to experiment with the harder side of dance music, particularly the lesser known techno sounds coming into Britain from Europe and the US of that time. Her chance to pioneer this music in England came when Gayle became resident at Universe's legendary Final Frontier club, at Club U.K. in south London, which then moved on to become Universe Voyager at their new club, the Complex in north London,and she was also resident at all the Tribal Gatherings Festivlas. Final frontier was widely regarded as one of the best club nights in the world, it was not long before Gayle had amassed a following of techno pilgrims who would make journeys from as far as Edinburgh to hear her play. Gayle's reputation of her 3 decks mixing skills and dj sets spread like wildfire over the techno centres of Europe, most notably a residency once a month at the legendary Omen club in Frankfurt, the socalled 'Mecca of techno' that opened doors.


Other European and American dates have included some of the most underground clubs in the world,from playing at high profile parties for Prince,Chaka Khan and Kylie minogue to name a few, to playing clubs like Bionic in Detroit, Pure Pleasure parties in Chicago, Soma in Montreal, Twilo in New York, Zouk Club in Singapore, Florida 135 in Spain, Fuse Club in Belgium,M47 in Hungary and many more all over Europe, South America and the U.S.A. In 2000 she was voted number 6. of the most popular international DJs in Germany. Remaining in the top ten list has been a regularity ever since. In regards to the massive competition of the worlds DJs,and to be the only female dj in the top ten, it was an honour of her hard work in the last years. DJing has naturally led to various studio work and starting her own label Equator. Gayle has developed a sound that takes the intelligent beats of the underground, funky/hard/groove techno sound mixed with her very own style. Gayle loves producing on her own but also enjoys collaborations with other producers to absorb outside creativity. She has released on numerous labels throughout europe. Gayle has reduced her touring dates in the last 2 years,not surprising after travelling the world for 18 years to make more time for her production /collaboration works. Gayle never fails to rock the world..s dancefloor with her mixing skills and her choice of music. Gayle has already been called the best female techno legend and she is not ready to hang up her headphones just yet. 

https://linktr.ee/mowemusic

 
This Austrian deep house & indie pop duo have rapidly risen the ranks, stealing music hearts across the globe. Racking up a colossal 100 Million+ streams across multiple platforms, boasting 4 million Spotify listeners across 61 countries, and enticing fans by showing off their phenomenal DJ and Live PA performances at 100,000 crowd strong events such as Pride Vienna, and iconic venues and locations such as Ushuaïa Ibiza, Amsterdam Dance Event, Nos Trilhos Sao Paulo, Pacha Germany and BadenFahrt Festival Switzerland to name a few. 

Möwe was founded by members Clemens Martinuzzi and Melanie Ebietoma in 2013. Now in their mid 20’s and both music aficionados from the start, the two met while they were playing in Indie Rockbands; “Mary lost her Pathos” and “At Pavillon”. They quickly realised that their music stylings matched incredibly well, and began creating music together! First inspired by a bitter cold winter day in Vienna and their longing for something to bring them warmth and a high spirited feeling, they decided to create their new sound, which was the birth of Möwe. The rest, as they say, is history…

The unique duo released their first official track together in 2014 on Stil Vor Talent – the label of Oliver Koletzki. They then began developing their own distinct sound and style, bringing tunes like Blauer Tag (2013, 6 Million Streams), Sonnenkind (2014, 12 Million Streams), Birds flying high (2015, 17 Million Streams), and Lovers Friends (2016, 17 Million Streams). Their debut album "Back in the Summer" was released in 2016, which welcomed huge fan and notable DJ support. They have also had tremendous success on many of their single tracks, one of the most notable being Skyline in 2017, which has pulled in 10 Million+ streams and radio play worldwide including on the US taste makers station Sirius XM. 

They have stellar taste in labels, and have worked in tandem with Universal Music, Atlantic Records, Ministry of Sound, Big Beat, Armada Music, Ultra Music, Spinnin’ records and the powerhouse that is Discowax Sony worldwide. Among other interesting facts, they are extremely proud of their singing prowess, the fact that they both play guitar and bass, and that they both play keys. This impressive show of musicianship is just one of the reasons their live shows are a unique wow factor for the fans and are not to be missed! Showing no signs of slowing down for 2018, Möwe are bringing a stack full of new music including a collaboration with Sam Feldt, while also continuing to entertain fans with their live PA performances across the globe and Möwe’s Flying High Radio Show expanding to new levels. This duo is clearly a force to be reckoned with, and without question, they are artists to watch!

A complex distillation of classic punk rock, Celtic folk and American rock'n'roll, the albums put the band's diversity, intensity and sincerity on full display.

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