@isburning your song🔥fr i can help it 📈 on my instagram @wehypedyou i got a great following dm me

FULL MOON

by 

ADHÉMAR + NILS EDTE
_

01
Lumière lunaire

02
Schwingungen

03
Éclat

04
Naturgeist

05
Moonlight Serenade

06
Flottant vers l'infini lunaire
_

This digital release is cut from the 24bit Master Source.

Produced by Clément Davout aka Adhémar and Nils Edte
Mastered by Brice Deloose at Incidence Studio (https://www.incidence.studio)
Artwork by Mark Wagner

Distributed by Triple Vision

This is PITCH54.
_

Follow AHDÉMAR

https://soundcloud.com/adhemarmusic
https://www.instagram.com/adhemar_music
https://www.facebook.com/adhemarmusic

Follow NILS EDTE

https://soundcloud.com/edte-1
https://www.instagram.com/nils_edte

Indefinite Pitch . Yantai

https://www.indefinitepitch.com

Full Moon

Moonlight Serenade

download\stream

Adhémar + Nils Edte - Moonlight Serenade

Blessed to welcome NYC based selector https://soundcloud.com/dj-ggggg to the BSRMIX with an mad selection of techno, bass, electro, house and all sorts. Enjoy!

BSRMIX #165 - DJ G

Gay Haze aka Brussels' whacked Sunday tea parties, musically balanced between 90's house music, balearic chill out, leftfield disco, New Beat and trance. Freedom to be weird. Lead by Dj's Fais le Beau and Vieria

Gay Haze w/ Fais Le Beau @ Kiosk Radio 09.12.2025

A seminal, pioneering figure in the 90s and 00s UK tech house scene, a mix from Pure Science is as bucket list as they come. With his first Australia tour over New Years approaching fast, the mysterious tech house luminary reappears from his subterranean science den with a whopping five(!!) hour live set, full of moody unreleased gems and carefully reimagined classics from his genre shaping 30+ year discography.

@purescience

Q. What an incredible journey this mix is! What sounds or feelings did you draw upon when gathering inspiration for the mix, and what listening environments could you imagine it being best enjoyed in?

A. Thank you for your kind words, Myles. I was initially asked to do a couple of hours, but thought, I would do at least four, and start with a good hour of unreleased ambient / downtempo tracks that I have made, that I wouldn’t necessarily play out to a dance floor, and build up the tempo. So to answer your question, I guess I was pulling out tracks that were made at a close tempo, and gradually build up to a Deep House / Techno range. There are loads of unreleased bits, which I will be featuring on upcoming albums. I guess the vibe was to keep it deep, and not to bang it out or play too obvious, and to add a couple of surprises in there, as it is for the Melbourne Deepcast after all.

Q. Are there any records in the mix that you were especially excited to share, and what is it about these songs that resonate with you so much?

A. I am not playing any records, CDJ’s or harmonicas on this mix.. Lol, Only Ableton Live, Korg ER1 drum machine, Roland System 100 modular (clone), Novation Nova & Evolution uc-33 midi controller.

There is one track that I have only played out once when I was in my teens, and it was written in 1989, when I was 15/16 years old. It’s called Circle, and is on the mix at around 3:43:43 mark (The hypnotic track with the organ).

Q. I know you’ve made special edits of some of your classic Pure Science records for this mix, tell us about how you like to reimagine your music from 20+ years ago, and how your sound has evolved since creating your most iconic records in the late 90s..

A. I’ve been re-recording, mixing, and mastering some of my classic releases, and preparing them for live, i.e. stripping down the parts to the basic form e.g. Kick, Snare, Hats, Claps, Toms, Congas, Percussion, Bass, Keys, Vox, etc, so I can re-arrange the tracks on the fly or break down to my drum machines / synths / recorded modular jams if I feel I want to improvise to the crowd a bit, or I can just concentrate on the blend of tracks, and the selection like a DJ would, and have complete control of the journey..

Q. We’re all very excited to see you play in Melbourne on NYD! Tell us about your hybrid live / DJ setup, is that something you’ve been refining for a while now?

A. I am very excited too, as I have been going through, my old floppy disks going back to 1987, from my old Ensoniq SQ80, as it has just come back from a service, and has had its 10-year internal battery replacement. 
I have been rediscovering tracks that I had totally forgotten about. Specifically a couple of tracks that I love, one is called Moon from 1992, and the other called Tibet from that same era. Both were made a little faster than what I would play out now, and were over 135BPM, but if you slow them down a bit, they just sound chunkier, and PHATer. x  p.s. It’s only hybrid if I DJ too, and I probably won’t have time for that. Live only on this trip. Thank you all for your time, and I hope to see you on the dance floor..

MDC.316 Pure Science

Operating on a global frequency with a knack for genre-blurred grooviness, Berlin-based Zeynep delivers a transportive blend of rolling rhythms and cross-pollinated mind-lockers that hit all the right spots. For those that like their grooves deep, percussive, techy and mysterious you've come to the right place.

@zeynep

Q. What sounds or feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being best enjoyed in?

A. First off, I want to thank you for letting me be part of this incredible mix series :‘) what an honor! As a big fan of MDC I wanted to tap into a deeper, more mysterious side of myself while still holding onto the sound that feels like “me”. I tried to let the mix slowly build into that, so you can hear different influences coming through before it settles where it needs to be.

As for the ideal listening environment... I like thinking about how it can live in different contexts. That’s why I love when people surprise me with where they play my mixes. Someone once told me they put one on at an orgy which might be the highest compliment I’ve ever received. So yeah, whatever place you’re in (physical or emotional) if it fits, it fits.

Q. Are there any records in the mix that you were especially excited to share, and what is it about these songs that resonate with you so much?

A. The opening track export city by project runaway from 2020 really captures the kind of rhythm I’m into right now. It’s built around infectious percussion and a sleek, pulsing groove. It kinda mirrors internal restlessness and the desire to move which is what draws me in I guess. 

The closing track No Reason by Vertical Blank from 1993 has these darkwave vocals that feel sad and euphoric at the same time. It’s got this “the end is near but you’re not sure if that’s good or bad“ energy which sounds strange but that ambiguity is exactly why it resonates with me.. if that makes sense? 

Q. I know you’re a big advocate of community focussed DIY parties, what are some events you’ve played over the last year that you’ve felt best embody community spirit, and what do you feel are some of the most important elements required to achieve it?

A. Two of my favorite gigs this year were Earth Dog in NYC and noclubs in Amsterdam. Both were proper DIY raves in secret locations, built entirely from scratch with great sound and music by great people who genuinely care. What made each of them so special was how much they embodied real community spirit: everyone contributing, looking out for each other and creating a space that truly feels owned by the people in it. 

You feel it in how accessible and transparent everything is, in the shared ownership and in the effort to keep things affordable while inviting diverse voices into both the lineup and the organization. Being part of experiences like these makes people feel safe and part of something they get to shape, rather than just attend. And I think that’s a key element. Big up to both crews and anyone out there for keeping that culture alive and staying real and true to themselves!

MDC.317 Zeynep

@jermaine-faustin with this months Smoke mix.
Rotterdam based, RAUM resident and above all a sweet person and amazing DJ.
Hosting a radioshow at @operator called ‘’rhythmic visions’’

Faustin played for the first time at IsBurning last year during our bday at Perron in Rotterdam with an amazing openingset and is now back with a soothing Smoke mix.

With this  deep and atmospheric mix faustin evokes a mystic feeling with an organic trippy feel. Ominous in a warm welcoming way and guiding you in the world of his rhytmic vision.

Thanks Jermaine<3 

Tracklist:

Sam Goku - 003
Space Afrika - bly 
OK EG - Open Sky [Cirrus]
Shoal - Digital Swamp [The Something Something...]
Zara - Minerality 
Inhmost - So Far Away [Tonight's Dream Records]
Tangerine - Cinematic Dance Music 
DJ Python - Juntos [Incienso]
Adam Pits - TipToe (Konduku remix) [Space lab]
Kincaid - Sudden Shifts in Perspective [Grid]

faustin - Smoke #27

Dj Fart in the Club at Waking Life 2025

Live from Sound Metaphors in Berlin.

A singular force in the Japanese techno scene, carving pathways into uncharted eras of expression
Based in Sapporo, Hokkaido, Japan, and anchoring the revered club Precious Hall with his ongoing “ARCHIV” series, he stands as a singular force in the Japanese scene, relentlessly pushing the boundaries of sonic expression while curating events such as Telepath/Womb, Sect/Vent, and Invisible/Circus Osaka. 

Drawing from the diverse musical perspectives and spiritual depth he has absorbed through his exploration of his own unique psychedelics, he transforms these influences into multidimensional structures on the dance floor through active mixing and meticulous construction. He aims to deconstruct even the audience’s sense of space and time, expanding their perceptual processing abilities and guiding them into unknown realms. 

Recognized for his rare presence, he has performed extensively at leading clubs and festivals across Japan and worldwide. In recent years, he has deepened his resonance with Spekki Webu, System Revival, and Axces Recordings, propelling his psychedelic network into an ambitious new phase.

OCCA  | Sound Metaphors TV - December 27 / 2025

Little Houses On The Moon

Stepping into the new year, Ivan Smagghe sets the tone for Études Studio’s latest É-Mix No.70

SC: @colonelgatito
IG: @ivan_smggh_jmm

Ivan Smagghe É–Mix No.70

Inversion Into Void

IsBurning: LGBTQIA+ night founded at Trouw A'dam https://soundcloud.com/carlosvaldesmuzik
Tickets New Year's Marathon -> https://www.isburning.com/events

faustin - Smoke #27

IsBurning

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