Name: Daisuke Ishida Live Rec Line Farby 20200827 Excerpt by Daisuke Ishida
Duration: 2 min
Description: A live recording of a stereo performance captured by line, Daisuke Ishida / Hugo Esquinca: live act at Farby, Poznan, Poland, on August 27, 2020.

A live recording of a stereo performance captured by line, Daisuke Ishida / Hugo Esquinca: live act at Farby, Poznan, Poland, on August 27, 2020.

Daisuke Ishida Live Rec Line Farby 20200827 Excerpt

Daisuke Ishida (1980, Tokyo) is an artist, based in Berlin since 2004, working with sound and contemporary media, studied Political Science and Economics, and Sound Studies in Japan and Germany respectively. He is interested in the consequence of artistic praxis and theory in sound, space and perception. His works explore the boundaries of ephemeral and time based media to open up new perspectives on spatialities, while his understanding of space extends from the physical, to the social and political realm. He strives to induce a multitude of complex individual experiences of space, that cause the spectator to reassess his/her/their understanding, position and relation to their physical and conceptual environment. 

Since 2020, he is a professor of Sound Art / Klangkunst at the master’s program Sound Studies and Sonic Arts in the Berlin University of the Arts. He was a recipient of the Work stipends New Music and Sound Art by the Berlin Senate in 2017. In 2002 he co-founded The SINE WAVE ORCHESTRA which has received Honorary Mention of the Prix Ars Electronica 2004 and 2019, Stiftung Niedersachsen work stipends 2009 at Edith-Russ-Haus für Medienkunst and Grant from the Saxon State Minister for Higher Education, Research and the Arts at Cynetart Awards 2018. 

Daisuke Ishida has presented his artistic activities in museums, festivals and galleries internationally such as Akademie der Künste (DE), Ars Electronica (AT), Arsenals of the Latvian National Museum of Art (LT), deaf – Dutch Electronic Art Festival (NL), Edith-Russ-Haus für Medienkunst (DE), ICC – InterCommunication Center (JP), International Triennale of Contemporary Art Yokohama (JP), ISEA – Inter-Society for the Electronic Arts (USA), MACO – Contemporary Art Museum of Oaxaca (MX), MART – Museum of Art, Rovereto and Trento (IT), MOT – Museum of Contemporary Art Tokyo (JP), Singuhr Hoergalerie (DE), Steim (NL), Transmediale (DE), WSK Festival (PH) and YCAM – Yamaguchi Center for Arts and Media (JP).