Composer and orchestrator for film, TV and games media.


Freestyler and pirate, Mr.smiff is a passionate explorer and sound architect. What matters to him is experimentation. He's interested in the abstract and the absurd, in unconventional artistic forms.
Since 2000, he develop individual project under the artistic pseudonym - MR.SMiFF. He has been actively involved as a trumpetist, synth player, bass player & composer in many bands, projects, meetings and workshops for improvised acoustic and electronic music.
MR.SMiFF is also known as DJ and composer for theatre, Audiovisual performances, 3D mapping, films & commercials.
He is currently a manager, artist & sound designer at Studio Otaika, with a focus on audiovisual arts, augmented reality & 3D mapping.


https://mrsmiff.bandcamp.com/album/5ssence

https://youtu.be/aoV1mtWPEts?si=BZTJ6r_v9vF9CnuT

www.mrsmiff.com

Deep house is a subgenre of house music that fuses elements of Chicago house into the 1980s jazz-funk and touches of soul music. In the early compositions (1988—89), influences of jazz music were most frequently brought out by using more complex chords than simple triads (7ths, 9ths, 13ths, suspensions, alterations) which are held for many bars and give compositions a slightly dissonant feel. Later deep house tracks (1993—94) were also heavily influenced by disco and even merged into a disputable disco house genre.[citation needed]
The use of vocals became more common in deep house than in many other forms of house music. Sonic qualities include soulful vocals, slow and concentrated dissonant melodies, smooth, stylish, and chic demeanor.
Deep house music rarely reaches a climax, but lingers on as a comfortable relaxing sound, with or without vocals.

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