Hit me up for remix requests.
niels.binias@gmail.com

You wonder where to get my tunes? 
Check my Bandcamp. Cheerio.
https://nielsbinias.bandcamp.com/music
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Kokeshi
Armada Music
Aphelion Imprint
Hymen Records
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It's hard to put a name to the music Niels Binias is making these days. His work inhales melancholy and exhales a deeprooted state of zen, shifting between the nostalgic autumn of life and the confident liveliness of springtime.
Shuffling beats, broken voices suffocating beneath a heavy bass, dark ambient soundscapes and dreamy arpeggios.
As part of a movement that's reinventing the new Futuregarage sound, his music contains conceptual ambient vibes and dark rhythms , washed amongst a bed of filters, delays and genuinely moving melodies.

Thanks for being here.

Contact: mountain.range.contact@gmail.com

contact-- pictureplanes@gmail.com
ALIENBODY.COM

Roel Funcken officially popped up on the scene in 2010, with his solo debut, titled Vade, out on Ad Noiseam. But fans of electronic music, and IDM in general, have been tracking this Dutch musician for over a decade prior, when, along with his brother, Don, the duo has released some of the genre defining music on labels such as Djak-Up-Bitch, Schematic, Sublight Records, Neo Ouija, n5MD , Arcola (Warp) as the one and only Funckarma. In 2009 the Funcken brothers kicked off their very own, digital-only, Funcken Industry imprint, which hosted a few of their other projects and offshoots, such as Shadow Huntaz, Scone, Quench, Automotive, and the latest from Roel's solo works. Roel continues to influence the evolution of music through numerous releases (Sapper Morton on Analogical Force, Semtinal Convex on Methlab and Prester Hynn on his own imprint to name a few) and active engagement in the community, with music festival curation, mixes on mixlr and soundcloud and weekly playlists on Soundcloud and spotify. Roel's music is advanced in sound design, often incorporating unique experimentation in electronic sound, with cut-up, twisted, atmospheric sonic soundscapes, leaving the cranium always begging for more. His ambient textures maintain a cinematic quality throughout, while his percussive arrangements retain a constantly mutating framework, always reconstructing its rhythm and structure, contradicting complex configurations and minimal design. It's always a pleasure to taste the latest treat from this aural engineer, and find the latest gem in his never-ending arsenal of sound. Definitely check out his music Funck’d subscription on bandcamp to check out his latest tracks and get some exclusive material).

We Love Music!
Here at Three Sixty we like to think of ourselves as a small artists collektiv. The best way to support an artist is to buy a song, but if you use Spotify you can follow the label
<a href="http://open.spotify.com/user/djdarkhorse/playlist/1iDABXoDdkWe1QjYzv3wAf" target="_blank"> Spotify </a>
 
We don’t like genres, so you will find it hard to put us in any, and while we come from an Electronic background, we dig all forms of music, specially where they intersect. Conceived in 1995 on Haight St one night in San Francisco, we now work with our artist’s to help empower them to sell music directly to their fans via the brand new world of digital delivery.

Film and TV <a href="http://threesixtyrecords.net/WP/music-supervision/" target="_blank">Three Sixty Music Supervision</a>

https://twitter.com/ThreeSixtyMusic

http://threesixtyrecords.net

All new music available on your streaming platform of preference.

BOOKINGS

North&South America/Oz: mahmood@concertedefforts.com
ROW: Josh@xraytouring.com / Hannah@xraytouring.com

PRESS 
pip@relapse.com

Here to bring you a new electronified, rock n' roll sound

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