Name: Circle of Sleep Extract by Isnaj Dui
Duration: 3 min 28 s
Description: Extract from Circle of Sleep, full piece available at http://www.jointhecircle.net/radio/?p=1035 and on limited edition from www.fboxrecords.co.uk soon...

Rushes Recede, from Antiphonals. Out 10th September on limited edition vinyl & CD Pre-order now → https://latemusic.ffm.to/antiphonals

Rushes Recede

From forthcoming LP "Murmurations" available on Cibachrome Editions April 1st 2022 https://leabertucci.bandcamp.com/album/murmurations

A Vast Interiority - Lea B + Ben Vida

Whatever The Weather

36°C

Taken from the album 'Ett' released as LP and Download

Klara Lewis 'Shine' (eMEGO 190)

Akari is the third album from Tokyo duo Illuha. Following 2011’s debut Shizuku (12k1067) and 2013’s Interstices (12k2028), Akari takes the next artistic step for the band. While Shizuku was recorded in the US and completed separately by the artists, Interstices captured the duo creating their exceptionally detailed music together live during a Japaneses tour. Akari, in turn, is the first studio album where Illuha recorded and mixed together, throughout the entire process. The beautiful st-robo studio in Tokyo put a collection of amazing equipment at their fingertips, from vintage mics and outboard gear to a vast collection of instruments, both acoustic and electronic. Their writing sessions were numerous and long with details meticulously obsessed over for nearly a year. The result is the most bewildering music Illuha have created to date. An album swimming with the most delicately tactile sounds and instrumentation that draws the listener in with hushed, motionless attention.

While Illuha’s Corey Fuller and Tomoyoshi Date are often drawn to the most sparse notes of Rhodes and Wurlitzer electric pianos, acoustic grand piano and guitar, the breadth of instrumentation is partially what makes Akari so abosrbing. They have succeeded in creating their own universe of sound, so beautifully recorded, where each element not only has its own space but connects and interacts so fluidly with the other sounds. It is as if they are placed perfectly by nature, the compositions are fluid and organic, a far cry from anything calculated or structured. It is this open space that the music exists in which in turn defines the music itself. There is ample room to breathe within this forest of gentle tines, bubbling analogue synthesizers, clicking percussion and quiet field recordings. This is subtlety at its most refined; hushed without being saccharine, distant without being morose.

Akari is the Japanese word for light. Conceputally the duo used this word as a guide, as if they were searching through the dark, trying to keep the light alive, as if one is cradling a candle doing everything in their power to keep it alight in a storm. It is this almost visceral sense of sheltering, of protection, that gives Akari a very human and personal sound whose intensely deep focus is as impressive as it is arresting.

Akari

Structures Based on the Plasticity of Sphere Surface Tension

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Structures Based On The Plasticity Of Sphere Surface Tension

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Following a run of chamber recordings, Samuel Reinhard returns with a suite of electroacoustic collages. 

"Movement", the New York–based composer’s latest offering, is built from notes softly held. In his ongoing investigation of musical duration, perception, and attention, Reinhard deemphasizes progress through an embrace of repetition and negative space, inviting listeners to linger in time. Instrumental recordings are arranged according to a predetermined system, iterating fragments of sound in overlapping intervals of various sizes. Delicately layered snippets of decaying piano are joined by cello (Leila Bordreuil), bass flute (John Also Bennett), double bass (Vincent Yuen Ruiz), baritone sax (Michael Biel), and harp (Shelley Burgon). This breadth of instrumentation, arriving as individual notes stretched and overlapped, is treated not as an opportunity for immersive coalescence, but rather a gentle augmentation of texture, free-floating counterpoint. Notes are accompanied by the traces of the bodies and actions that produce them: a hand pressing a key or an arm keeping a bow aloft; breath filling an instrument’s body or glancing off its surface; a string vibrating and then softening to stillness. In sum, we hear resonance in the process of being sustained, as well as in the release that follows.

Movement is a joint release from Hallow Ground and Präsens Editionen, and follows offerings by Kali Malone, Lawrence English, and FUJI||||||||||TA  on Hallow Ground, and Robert Turman, Magda Drozd, and Anna Homler on Präsens Editionen.

Samuel Reinhard - No. 1

ME 
(Felicia Atkinson & Jefre Cantu-Ledesma)

From 'Comme Un Seul Narcisse'
Shelter Press / SP070

https://shelterpress.bandcamp.com/album/comme-un-seul-narcisse

Comme Un Seul Narcisse

ME (Felicia Atkinson & Jefre Cantu-Ledesma)

Wandering After the Rain

The Senja Recordings

Berg

Extract from Circle of Sleep, full piece available at http://www.jointhecircle.net/radio/?p=1035 and on limited edition from www.fboxrecords.co.uk soon...

Circle of Sleep Extract

New album 'Bright Star' out now at https://textura.bandcamp.com/album/bright-star-2

BIO:
Since 2005, Isnaj Dui (Katie English) has stood awkwardly between neo-impressionism and electronica, conveying a minimal yet capturing sound using the pure tones of concert and bass flutes alongside home-made dulcimers and electronics.   Having done her grades on flute and cello, English has also studied electroacoustic music, alternative tunings and Balinese gamelan.  She has graced labels such as Home Normal, Rural Colours, Smallfish, Front & Follow and her own FBox imprint. 

Having gained critical acclaim for releases such as 2007’s Amacrine (Smallfish) and 2014’s Dead Albatross Prize nominated Euplexia (Rural Colours), English has been cited as a distinct voice, taking the flute away from its pastoral image whilst maintaining its unique mellow sound.  She has also composed several site-specific sound installations including UNThread as part of a series throughout unconventional spaces around Essex, and After the Flood as part of Hebden Bridge Arts Festival 2013.  A prolific live performer, English has performed in numerous high profile venues and has received extensive attention in Wire Magazine and air play on Radio 3's Late Junction and BBC 6 Music.

As well as her solo work, Katie plays in littlebow, The Doomed Bird of Providence, The Sly & Unseen and has collaborated live and on record with numerous bands including Piano Magic, Memory Drawings and Hybernation.


Reviews... 

Textura, July 2014 ‘There's a maturity of conception and execution on display that identifies English as an artist and producer of considerable merit, someone hardly content to merely string myriad sounds together in the hope that they'll coalesce into something meaningful.’

Norman Records, April 2014 ‘…delicately attuned balance between almost spiritual stillness and constantly shifting textures and melodies with a sometimes confrontational playfulness about them…  Quite remarkable, possibly the best of her many releases that I've heard.’

Boomkat (album of the week) 'Absolutely gorgeous music and a big recommendation for followers of [Home Normal] and good music everywhere.'

Smallfish (recommended) 'Truly a delight to listen to and something that is both familiar and strangely exotic sounding. You’re unlikely to hear another album quite like this in the near future and for that we must be thankful that Isnaj Dui is out there doing her own thing.'

DISCOGRAPHY

Bright Star (textura), January 2021

Sight Seeing (FBox), November 2019

Poiesis (Rural Colours), November 2017

Sunspot Loops (Courier), July 2017

Answers at Dawn split album with These Feathers Have Plumes (Was Ist Das), April 2016

Stone’s Throw split EP with The Declining Winter (Rural Colours), September 2015

Dioptrics (FBox Records), August 2015

Euplexia (Rural Colours), April 2014

Secondary Projections (Hibernate), February 2014

After the Flood (Hibernate) June 2013

Duodecim (FBox Records) subscription series running September 2011-August 2012, CD released Feb 2013

Abstracts on Solitude (Hibernate) June 2012

Circle of Sleep (FBox Records) February 2011

Protective Displacement (Rural Colours) December 2010

Unstable Equilibrium (Home Normal) August 2009

Patterns In Rocks (FBox Records) July 2007

Amacrine (Smallfish) June 2007

Sequence EP (FBox Records) May 2006

Isnaj Dui (FBox Records) March 2005

Circle of Sleep Extract

Isnaj Dui

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