A new album "Hello Futurist" presents a combination of simple and understandable сomponents: breakbeats, roaring bass lines, and light guitar melodies arranged by various granulizers and glitchmachines.
The eight-month EP recording process began with daily 3-hour sessions lasting 7 weeks. These sessions were dedicated to recording of new sounds and deconstructing the old ones.
It was at this particular point that "Virtual Fatboy" got its raw hypertrophied percussion, while a "Fanky Fools" and "The Good, the Bad and the Evil" acquired light spontaneous guitar parts.
The final stage was the creation of an album cover using a neural network.

VK:

The Good, the Bad and the Evil

SOVVY is an electronic music producer.

Early works were created in duet with the bandleader of Owls' Catcher. The debut EP "Hypertrophy", which combines pulsating glitch - rhythms, IDM - textures and sound design, received good reviews from both listeners and musicians, including Noisia, Trifonic. 
Subsequent albums developed the idea of combining soft minimalist melodies, glitch - aesthetics and actual bass music.

#Bass / #Future_beats / #Halftime / #Glitch / #IDM

Bitch who's been hyperfixated on dubstep and bass culture since 2009. 

💜

VJ
Live projection/laser mapping
Touch Designer enthusiast 


Contact: hapticlive@duck.com

1975 if you come to party you are somehow protected this other older and younger somehow bla bla just evil flesh is coming for them they wanted me dead so here is for them to eat now dont act like you dont know to say no when you didnt say yes are you shure friends or ends worn out and ofense less in fences...i dont write i dont play im artist till young days sometimes beafore everyone wake up.sometimes beafore sleep.
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dont let them slave dead.
⢀⣴⡃⠀⠀⠀⠀⠰⢷⣾⣷⣶⣶⡶⠋⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠛⢿⣿⣿⣷⣦⣶⣶⣾⠿⠿⢿⣿⣷⠿⠛⠋⠉⠉⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠠⠶⠾⣿⣿⣶⣶⣶⣿⢛⡿⠟⠛⠛⠃⠀⠀⠀⠀⠀                ⠰⠾⠯⣝⠒⠒

Official soundcloud page of the Subscene Youtube channel.