contact : booking@voodoohop.com

dates: http://voodoohop.com/live

VOODOOHOP is an outlandish art collective born from a series of underground parties and is now a striking artistic movement in Brazil. Through 6 years of collaborative events, Voodoohop has gathered a myriad of artists from different disciplines with the likes of Djs, live performers, dancers and visual artists. Together they have created a multi sensory tropical cabaret, mixing colourful and exuberant visuals, combined with elements of Brasilian traditional heritage and ritualistic performance. Nomadic in nature, the collective has transformed spaces ranging from abandoned buildings to natural hideaways. Always experimenting with different media and formats, Voodoohop is in constant flux.

Avec plus de 400 références et une vingtaine de parutions par an, Buda Musique a constitué en un quart de siècle l'un des plus importants catalogues consacrés aux musiques du monde, qu'elles soient traditionnelles ou 'urbaines', avec notamment les collections 'Musiques du Monde', 'Ethiopiques', 'Ethiosonic', 'Zanzibara', 'Trésors de la chanson Judéo-Arabe', 'Patrimoines Musicaux des Juifs de France'… et tout ou partie de la discographie d' artistes tels que: Yom, Wang Li, Lo Còr de la Plana, Forabandit, 17 Hippies, Les Yeux Noirs, Yann Fañch Kemener, Jaojoby, Teta, Ray Lema, Henri Dikongué. 

C’est un nouveau genre de Maloya que propose le groupe, plus précisément du Maloya-Elektro. Un puissant cocktail de musique traditionnelle et de boucles électro ternaires.

He might be evil on stage, but actually he's a pretty nice guy...

Releases so far:

Sved På Fanden (selected works 05-09) - creative commons

Featured on Australian - Electric Power Pole Records compilations 
Tech Tales I & II

Decay
12" & digital release on the danish Solid&Futz Records!

new stuff is only live stuff... maybe some recordings will be available here at some point...

ElektroSatan likes machines.

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contact:
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rosyán is the solo project of composer, cellist and improviser Rosanna Lorenzen. With the cello as her central voice and improvisation as her inner compass, she explores the instrument and its possibilities with a playful and open approach, both acoustically and through electronic manipulation, creating unpredictable soundscapes in constant transformation.

In rosyán’s sonic universe, you will meet atmospheric textures, noise dissolving into silence, and different rhythmic structures, moving from fragile, delicate moments to raw and massive sonic layers. Voice and field recordings are occasionally woven into the whole, expanding the narrative of the sound, while she continuously balances between free improvisation and composed elements. rosyán invites you into the space of the moment, pushing the boundaries in a way that challenges our expectations. 

Rosanna Lorenzen works and collaborates across genres, with both other musicians and with visual artists. She has performed in a wide range of settings – from sound wells in Frederiksberg, on a bass-vibrating floor, in a dome in Berlin, sleep concerts and in an 18-meter-high oil tank in Sweden with 25 seconds reverberation, to venues and festivals, including the Cathedral of Copenhagen, SPOT Festival, Copenhagen Jazz Festival, SPOR Festival, and the Danish Radio Concert Hall.

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