Cercle is an artistic movement that hosts and curates experiences, events, festivals, a record label, and immersive musical journeys. At the intersection of music, aesthetics, heritage, and video, Cercle aims to create and produce innovative experiences on a global scale, highlighting unique artists on unique stages, offering a new perspective on the cultural and natural legacy of our world.

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Artist: @martin-cozar
Title: My Mind EP

Track list:
1. 1977
2. My Mind
3. Niksen
4. Lights Out

Label: Kiosk I.D.
Catalogue number: Kiosk I.D. 044
Release Date: December 12, 2025

Buy Link: https://kioskid.bandcamp.com

Follow & Support:

Kiosk I.D.
SC: @kioskid
FB: facebook.com/KioskIDMusic
Bandcamp: kioskid.bandcamp.com/releases
Beatport: beatport.com/label/kiosk-id/80379
IG: instagram.com/kiosk.id

Martin Cozar
SC: https://soundcloud.com/martin-cozar
FB: https://www.facebook.com/martin.cozar
Beatport: https://www.beatport.com/artist/martin-cozar/874521
Spotify: https://open.spotify.com/intl-de/artist/2L7kud2OEMcErUcqhdpvAJ
IG: https://www.instagram.com/martin_cozar/

About:
Argentine-born, Barcelona-based producer Martin Cozar returns to Kiosk ID with his four-tracker ‘My Mind.’ Building on the funky modernism of Resilience—his split EP with Gespona—and a commanding peak-time remix for Manucho’s Idea Reset, Martin Cozar now steps fully into the spotlight with a solo EP that tightens his artistic identity. My Mind delivers razor-sharp groove work, stripped futurism, and a captivating brand of dancefloor energy that shines through inventiveness and viscerality.

Opening track ‘1977’ unfolds like a widescreen dreamscape, with suspended fields of synths arcing over a warmly booming, long-tailed sub-bass. Heaving synth sweeps, melodically intricate arpeggios, and fluttering square waves paint a morphing, hypnotic canvas that floats across the periphery. Deeply meditative, but suited for the almost-peak-time with a throbbing groove and dynamic sub-bass, 1977 is a slow-burning journey that wraps warmly arcing, spaced out melodics around a tight rhythmic core.

‘My Mind’ turns the focus to the floor. Funky and razor-sharp in its sophisticated modernity with stripped-to-the-bone drum structures, the title track channels Martin Cozar’s retro-futurist edge through ominously
squelching basslines and pulsing stabs, arranged in a spacious, expertly crafted, and darkly oscillating Indie Dance framework. Every element clicks into place, yielding a high-voltage groove that radiates raw, physical
energy: stripped-down machine funk with a dark, circuit-bent twist.

With ‘Niksen,’ Martin Cozar crafts an eclectic groover that cycles effortlessly through percussive moods. Crackling with icy atmospherics one moment and sweltering in hazy Western guitars the next, Niksen traverses shifting textures anchored in a stripped lead theme that transforms the tracks’ dynamic soundscapes into pure dancefloor class.

Closing cut ‘Lights Out’ dives into grungier, more tactile territory. Shuffling, blown-out acoustic drums and mangled guitars collide with a peevish lead synth that escalates through morphing iterations, finally exploding into bursts of erupting electricity. Raw and groove-heavy, Lights Out channels untethered energy into a gritty, kinetic framework—tech’n’roll with a beautifully organic feel.

Across ‘My Mind,’ Martin Cozar delivers four distinct tracks—each a self-contained microcosm of motion across gritty floor energy, razor-sharp Indie Dance, and booming after-hour rollers. The result is a hypnotic,
meticulously engineered suite that feels both instinctive and deliberate, and succeeds in walking the fine line between the physical and cerebral demands of the dancefloor.

The year is 2016. Britta Arnold, space-girl, love child and musical jetsetter meets Unders, world-traveller, mad scientist and former Tin-Tin impersonator. It was here that two mirrors met, two ambitions joined and two styles merged to create what is now known as Britta Unders. Whether playing music to weekend ravers, swinging in the studio shaping emotions into sound, or casually planning their creative futures involving bus trips, mobile studios, remixes, releases and beyond, these kindred spirits are inhaling and exhaling each moment like the full moon does the tides. It’s natural. After their auspicious meeting at Britta’s Grrr Mit Brrr party in the magical country of Kater Blau on the banks of the river Spree, much was to happen for our spirited duo. In a matter of months, the chemistry between them had already created an EP for Katermukke, a remix for Jonas Saalbach on Einmusika and remixes for Nico Stojan & JAW, Be Svendson and Arman Miran. 

For Britta, who co-founded and managed the Bar 25 label, and
Unders, with twenty years of experience in the electronic industry as both DJ, producer and promoter, this combined love of music, life and international globe-trotting created an unstoppable flow. Soon they were playing at some of the most reputable gatherings around the flat earth: Bachstelzen stage at
Fusion Festival, Shoeless parties in Old Mokum, Woomoon in Ibiza — then Burning Man and New York through to South America, Africa and their home stomping grounds of Europe. Together, their productions and DJ sets are spacious, tripping, techy and transportive. But somewhere, there is also a bearded shaman in neon playing the Glockenspiel while channeling the spiritual music of the world. Simply put, this is the sound of an extremely bright future.

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All Day I Dream explores beautiful, emotional and melancholic shades of House and Techno through its label's releases, events and artists.

All Day I Dream events began on a Brooklyn rooftop back in 2011 and have since become an international sensation. Around the world, crowds continue to be drawn to the experience and to become a part of it's community. Spurred on by the music of Lee Burridge and his unique roster of artists, each brings his or her own emotive musical vision to the daytime party. Sounds that are all too rare in the current electronic music scene.

Each year the events continue to spread out across the world. From Los Angeles to London. Melbourne to Moscow, Berlin to Beirut to Brazil and back to their spiritual home base of New York City. They continue to flourish due, in part, to a core ideal. To create something truly magical. The passion to create magic manifests itself  both in those organizing as well as those attending the events.  

All Day I Dream also continually forges it's own unique ambience through a combination of the musical journeys taken by it's listeners as well as noteworthy venue choices. Each location transformed with the event's bespoke production design. Structural art, hanging gardens, colourful fabrics, fairy lights and lanterns. All melded together to fashion an unparalleled, irresitable atmosphere.

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