Existential Noise

“I started the Overand project in 2001, a new identity I created after deciding I needed a musical rebirth.  My previous project, Sucrose, started in the mid 1990s, and was unabashedly techno with a dark, quasi-gothic feel.  When I started writing music as Overand, I didn’t realize how dramatic of a change I would undergo.

I continued in the “techno” vein until I started working with my modular synthesizer, tentatively exploring more abstract soundscapes.  In early 2006, I started working with the local musician Jeremy Kelly.  We rapidly moved into the even more avant-garde range of “noise music,” and formed Harry Xenu, a collaboration that would have a lasting impact both on my composition and perception of music.  (Since mid 2006, Harry Xenu has been mostly idle, as I left the New York Hudson Valley, and only occasionally am able to work with Jeremy.

These days, I write most of my music to facilitate the experience of new mental and emotional spaces in my listeners.”  –Overand

Hi, I'm a passionate bass music enjoyer exploring the dubstep and sound design. I focus on creating unique tracks and sharing them here.

Existential Noise

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