instru-mental

sary l.

A collection of works in which mostly I play the piano. Most works are mine, a few are others playing my piano works, some are classical tunes, others "influenced" by many things. Mostly live performances, some works have some electronics, some are "pure" acoustic. I love playing the piano, and sincerely hope you find some joy listening. Thanks for your time and focus.


Piano Music

Locomotive Symphony

13 - DLA - SARY - Laszlo - Kanon - A-felkelo - Naphoz

4 Sary László Magnificat

First peice we recorded . Kartikeya vashist on flutes Bintang and Rahul sharama on throat singing .produced by arman ali.

Meditation

African Djmbre and indonesian jew harp by bintang manira . australian didjeridoo by Rahul sharma

Jungle

Trippy Jams

Improvised instrumental communication for HEALING



Buddha's Light*Trippy Jams

Trippy Jams

Improvised instrumental communication for HEALING


Camel Ride*Trippy Jams

"Amba" is a soundtrack inspired by an Indonesian folklore.

Arranged by Bintang Manira Manik

Performed by Trippy Sama

Arman Ali Reza Dehlvi -Vocal
Bintang Manira Manik - Guitar
Hemant Chakraborty - Cajon & Vocal
Jayant Parashar - Cajon , Vocal & Ambience
Kartikeya Vashisht - Bansuri
Makrand Sanon - Ghatam and Tribal percussion

Videography - Priyanca Singh

Live Sound Engineer - Sukhjeet Chaggar

Special thanks to Alliance Française de Delhi & Antisocial, Hauz Khas.

Amba(Live at Antisocial, Delhi)

Alexander Skriabine's amazing and exhausting masterpiece "Vers la Flamme" Op.72 (towards the flame, into the flame). Starts out with a very quiet and distant theme which is unsettled, and is constantly shifting, never quite sure of its final resolution. His unique tonality gives this work a forward motion, even though its extremely placid in the beginning. As the work begins to have motion and flow, he creates a rippling effect with the Right hand playing in an uneven 9 (8th notes) while the left hand is doing an uneven 5 (quarter notes). The piece gains energy and focus as it begins to literally "tremble" and it continues all the way to the end in a giant climactic cadence that burns up (and the poor pianist is probably nearing muscle-failure at this point). Live performance of mine in Hungary years ago.

Skriabin: Vers La Flamme, Op. 72 (live performance)

translates roughly from Haungarian to “Rattling Rock in a Beer Mug” or "Pebble Playing in a Pot". Written in 1978.
I first heard this beautiful piece one night at the Franz Liszt Academy of Music in Budapest, Hungary. My teacher Szokolay Balázs was performing it, and I was turning pages. I instantly knew I had to play it. Its a minimalist work that uses a pure and simple additive and subtractive process with retrogrades and inversions. The harmonic content is limited to six pitches (technically 5, becuase both hands play a C#), three notes per hand, and the score is a bit like reading graph paper. 

Its wonderfully fun and requires a lot of concentration to play. It is simple, quite beautiful, and trance inducing. This recording is live at a New Haven Worx concert (now known as “SOUNDunderGROUND”), at the Neighborhood Music School’s Recital Hall in New Haven, CT. Please let me know what you think, and thanks for stopping by!
:-)

Kotyogó Kő Egy Korsóban (by László Sáry)

László Sáry (born Győrasszonyfa, Hungary, 1 January 1940) is a Hungarian composer and pianist. In the 1970s he began composing in a minimal style. He received recognition in 2002 for having created the scores for numerous animated works and was awarded a prize by the Kecskemét Animation Film Festival Jury for Best Music.

Sary Laszlo - Magnificat

Composer, musician, performer
Live on Twitch, buy on BandCamp,
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To all who drift
through this sonic-space
be it by fate or the
element of chance:
I sincerely WELCOME you
and give THANKS!

Kotyogó Kő Egy Korsóban (by László Sáry)

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