New private playlist

GRAVE118 - Whirr 'Sway' out 9/23/14 on CD/LP/Tape/Digital (pre-order here: http://www.graveface.com/graveface-catalog.html)

When Sway begins, you might at first press pause, reaching for your headphone wire or peeking behind your speaker cables to make sure nothing has come undone. The blister of distorted guitar that opens the album comes only from the right channel, howling and hanging there in irascible isolation until it seems that something must be wrong.
But be patient: After a dozen seconds, the rest of Whirr—a five-piece of blanketing rock focus and comforting pop finesse—pours in from the left channel. They meet the guitar in the middle, together racing headlong into a short section that’s heavy as metal but pliable enough to be the springboard for the galloping shoegaze beauty that soon arrives.
For the next 36 minutes, you need not worry again about lost connections, split channels or anything else, really. More than any Whirr release to date, Sway creates a definitive sense of immersion, sculpting an environment that breathes you in instantly and breathes you out only when the record snaps into silence.
That bifurcated start is an appropriate image for Whirr in 2014. Last year, the band headlined a tour with the Philadelphia group and fellow admirers of heaviness and harmony, Nothing. Not only did the crews become fast friends, but their respective founders—Whirr’s Nick Bassett and Nothing’s Dominic Palermo—decided to start a group of their own, Death of Lovers. When the shared tour was finished, Bassett headed to Philadelphia for a month of writing and recording. He’s never really left. He calls Philadelphia home now, so Whirr has become a bicoastal band.
In Philadelphia, Bassett worked on Death of Lovers’ debut for Deathwish Inc., toured as the bassist for Nothing and steadily composed new material for the next Whirr album, their first full-length for Graveface. Back in Oakland, the rest of Whirr had committed to the project full-time, too, so the West Coast contingent wrote and rehearsed new material without Bassett. Joey Bautista took the lead on two songs, Loren Rivera on three.
Indeed, against most odds, Bassett’s move made for a more democratic Whirr. In their salad days, Bassett had written most of the material and built the bulk of the arrangements, too, using the support only to enrich and enliven them. After a slew of splits and singles and EPs, Sway is the second Whirr LP, but it is only the first to be rendered by a fully functional rock band, having shaped the songs slowly and over some distance.
Before the quintet entered Oakland’s Atomic Garden to work with longtime producer and collaborator Jack Shirley, they reworked the contributions of all three writers, massaging the material into a cohesive dynamo. Rivera, for instance, rewrote the words for Bassett’s material, folding his songs into the album’s presiding sense of dusky melancholy.
“It’s not conceptual, entirely, but it’s intended to ebb and flow in a certain way—one song being aggressive, then dropping out and being pretty but devastating,” Bassett says. “We tried to create an atmosphere, where you listen and get vibed into one tone. ”
That rhythm presides over Sway, tying its distinct parts into a seamless unit. The restless “Heavy” churns somewhere between Godflesh and Gish, its lumbering beat and foreboding guitar buoyed by a melody that feels like a secret hymn for which you’ve long searched. Gorgeous and sprawling, “Sway” floats through luxuriating guitars and pillowed vocals, offering an impressionistic but intoxicating inversion of Whirr’s typical propulsion. Even here, during the record’s prettiest moment, Whirr maintains a righteous minimalism, emblematic of members who met one another as skateboarding high-school kids.
“The aesthetic of the band is more aimed at mature punk rather than alternative rock,” Bassett confirms. “There are these more aggressive punk elements—noisy feedback, a snare roll that just goes into super-punchy, driving songs.”
“Clear” brilliantly paints its lyrical quest for lucid communication—“I want words/to understand you,” runs one plaintive, surging bit—in music that takes up the same challenge. Whirr pushes past a pastel instrumental haze into a hangdog march, with near-whispered vocals bruised by Devin Nunes’ drums and Eddie Saldago’s orotund bass line. But as the end approaches, the band builds together, the riffs and the rhythm colliding into one triumphant, redemptive crest.
And that’s the victory of Sway, too, an album written by five people on two coasts but executed with the force and splendor of, at last, a fully unified Whirr.
Graveface will release Sway on CD, LP and digitally September 23.

Whirr - Mumble

from the Pional 12" " last house on the left " ep 

Pional - Into a trap

Had a play around with this Seekae jam

www.facebook.com/flumemusic
www.flumemusic.com
@seekae
www.facebook.com/seekaemusic





Seekae

Seekae - Test & Recognise (Flume Re-work)

Opening track from 'Music Industry 3. Fitness Industry 1.' - an EP of new songs and remixes from Mogwai. The EP contains three new songs stemming from the writing and recording sessions for their critically acclaimed album Rave Tapes, released earlier this year, alongside remixes of three songs from that record by Blanck Mass, Pye Corner Audio and Nils Frahm. Recorded at the band’s Castle Of Doom studio in Glasgow, by the band with Paul Savage, the EP will be available in digital, CD and very limited edition 12-inch vinyl formats via Rock Action from 1st December 2014.

Music Industry 3. Fitness Industry 1. tracklisting
1. Teenage Exorcists
2. History Day
3. HMP Shaun William Ryder
4. Re-Remurdered (Blanck Mass remix)
5. No Medicine For Regret (Pye Corner Audio remix)
6. The Lord Is Out Of Control (Nils Frahm remix)

An autumn tour is now underway, see below for dates:

10 October	Düsseldorf, New Fall Festival
21 October	Aberdeen Music Hall
23 October	Rotherham, Magna
24 October	Liverpool, Camp and Furnace
25 October	Bristol, Simple Things Festival
26 October	Brighton, Dome
28 October	Ghent, Vooruit
29 October	Utrecht, Tivoliredenburg
30 October	Paris, Pitchfork Festival
31 October	Toulouse, Le Bikini
01 November	Barakaldo, Bime Live
22 November	Santiago, Movistar Primavera Fauna
24 November	Buenos Aires, Music Wins Festival

See www.mogwai.co.uk for ticket information.

Music Industry 3. Fitness Industry 1.

Teenage Exorcists

Mogwai // Teenage Exorcists

Ride

Электропоезд Ласточка

Static Daydream is the new project of Paul Baker (founding member of Skywave and Ceremony), and their first full-length release is comprised of 11 noisy pop songs swathed in reverb and distortion.

In 2012, Paul, and his girlfriend and musical partner, Jamie Casey, began recording what would become their debut EP, "The Only One," released on Moon Sounds Records in 2014 to much adoration.  Here's a review from Clank For Breakfast:

"Once you enter the door to the four melody-kisses-noise songs on this EP, you’re hooked and feel home in less than a sec. Whether it’s the dynamically circulating opener “The Only One” with its delightfully seductive, crisp chorus, the groovy “I Want To Break Your Heart” with its bittersweet charm and The Cure reminding guitar colors, the gently swirling dreampop cloud “Disbelief” featuring the fairylike, beautiful vocals by Jamie Casey and additional programming by Jake Reid (Screen Vinyl Image), or the closing noisepop candy “Inside” with its sparkling energy and sweet'n'yearning scent - this trip showcases skilful songwriting and offers embracing harmonies as well as crunchy edges, pulse-quickening, fiery moments as well as relaxed flirts".

Their self-titled album on Saint Marie Records with Moon Sounds Records, released in 2015, is full of melancholic, romantic, distortion-fueled songs, dripping with reverb and classic songwriting.  Inspired by 60's girl groups, 80's and 90's British noise-pop, and assisted by Jake Reid of Screen Vinyl Image and Ice Station Mastering, Static Daydream's debut is full of dreamy, hook-laden songs reminiscent of Skywave, The Jesus and Mary Chain and Slowdive.

Static Daydream - Until You're Mine

Ringo Deathstarr - Guilt

Released on February 5th, 2016.

Digital: smarturl.it/istheisare
Physical: http://www.omnianmusicgroup.com/products/is-the-is-are


DIIV // Dopamine

"Unless", the sophomore album by Los Angeles 3-piece Crescendo: www.wwnbb.net/artists/crescendo/

Crescendo - Said

Released on February 5th, 2016.

Digital: smarturl.it/istheisare
Physical: www.omnianmusicgroup.com/products/is-the-is-are


DIIV // Under The Sun

If you're not yet aware of  Michael Mayer , we suggest you read up.  Kompakt  co-owner, DJ, producer and don of collaborations has teamed up with French electronic heavyweight  Agoria  for five minutes of reflective bliss. Centred around 'taking all the time on the world', “Blackbird has Spoken” works up an unquenchable thirst  – regardless of however many rewinds it gets. 

DOWNLOAD & TRACKLIST: http://blrrm.tv/2hdxCB

Michael Mayer & Agoria "Blackbird Has Spoken" - Boiler Room Debuts

Мегавзрывной альбом Славутичской группы ГАСП включил в себя все каноны старого доброго поп панка и приукрашен теплым гаражным звуком. Бешеная энергетика песен, бомбовые припевы - всё это избавит тебя от грусти и печали и даст почувствовать настоящий вкус лета.

УДУШЬЕ НА ВЕЧЕРИНКЕ

RAINBOW AFTER STORM

ГЁРЛ НЕКСТ ДОР

MIXTAPE НННЧТПГ III

Троллейбус 54 — сквозь (для НННЧТПГ)

Spotify Link - https://open.spotify.com/album/1IZQRLkuPQzuOW628d6hgV?si=ca_VjqhmRJK_mvZDF4tTkA

[Prod. Discent X Hxrxkiller]

Ghostgirl (prod. discent x hxrxkiller)

Call My Name (prod. discent)

Троллейбус 54 - Флешбек (Bus 54 - flashback)

Троллейбус 54 – Флешбек 027

fake lights in the sky(DEMO)

Why do people keep asking me if am emo or goth
Can’t they understand I’m both

New private playlist

flowerpunk