The 'Dub Elements & Friends LP' is OUT NOW on all platforms! 
Stream / Download: https://bit.ly/DEM022

Download

Dub Elements & Neonlight - Lycaon (Audio Remix)

Something Something & AL/SO - Alsomething

OUT NOW on Beatport!
http://www.beatport.com/release/tales-of-the-undead/1300344

Smashing into 2014 with force, EATBRAIN presents it's debut album - Tales of the Undead LP. Featuring an all-star lineup of global drum & bass talent, this compilation is set to make an impact with 18 tracks hand selected by label boss and neurofunk innovator Jade. Truly an international effort, with 23 artists representing 15 countries around the world, newcomers and heavyweights alike have all brought their A-game to the compilation.

Dark. Deep. Unfiltered. Unrestrained. This is premier neurofunk drum & bass. This is Eatbrain.

12th May Beatport Digital
26th May Digital Worldwide + double CD

https://soundcloud.com/maztek

MAZTEK - Hyper Reality (Tales Of The Undead LP)

Buy here: https://inhabitrec.bandcamp.com/album/ih003-pitch037-chameleon-ep

Dublin's inHabit Recordings are back with their latest offering in Pitch037's Chameleon EP.

A three-part journey through rhythm and atmosphere. It begins with 'The Cut', a fast, sharp dive into chaos—like crashing headfirst into a jungle that doesn’t want you there. 'Chameleon' slows the pulse, drawing you deeper into something hypnotic and strange. It’s groovy, sub-heavy, and shapeshifting—like meeting a presence that mirrors you. Finally, our featured premiere of 'Headrush' marks the escape. Stripped back but purposeful, it’s the sound of finding your way out—cutting through the fog of the dream with clarity and momentum.

A momentous surge through the DnB low end from Pitch037, with a helping hand remix from DJ jubilee 1997 to boot.



PREMIERE: Pitch037- Headrush (inHabit Recordings)

disclaimer: i made a mistake so if you hear evidence of this song being put together in 2 flps you're hallucinating and also im really really sorry about the last parts mixing i know it sucks i might fix it later also i had no idea how to transition to the drop so i just did the freddy five bear jumpscare sfx

i am really really really really proud of this, i feel like this marks a large turning point in my music. i have many plans, stay tuned :3

ib: tokyo machine, sot-c, camellia, and that one song that i’ve heard before but don’t know the name of

OVERDRIVE!!!!!!

Merikan - Phase Lock

Buy & Stream:
http://smarturl.it/kosen38

Artwork by https://soundcloud.com/jondeerhill

The forthcoming LP from The Clamps and Kosen Productions isn’t just a collection of records which the French artist has spent months perfecting. It’s also a colossal look into the soundscape which such a high-calibre artist has at their disposal. Stretching across fifteen tracks, between drum & bass and garage, The Clamps focuses around the insanity that is stretching itself across the contemporary world and how he’s helped to define this sonically through each one of his records. There’s also a host of sci-fi inspired cuts which add to the LP’s explosive themes. From the already revealed record ‘LHS 1140b’, with a name that’ll resonate for any space fans, right through to the hard-hitting throws of ‘End of an Era’, there’s a taste to suit every palette throughout every expertly composed record. 

After already setting an enviable standard with the undeniably heavyweight standards on tracks like ‘Looking for Trouble’ alongside the notorious Nuklear MC, standalone offerings such as ‘Mankind’ and ‘30a #3a-23 Happiness’ peddle an unforgettable level of engineering whilst also pushing through a cinematic backdrop. Then a range of collaborations follow in their wake, including ‘Astronauts’ alongside Impak, as well as Snotrocket for ‘Friends in the Hood’. Merikan also joins the fray with ‘Fast Way’. 

The pace is continued to be set with ‘Cattle Mutilation’, whilst Mizo and The Clamps join forces for the meticulously sequenced drums of ‘Time Pressure’. ‘Medina’ pulls you through its half-time madness whilst adding to the LP’s strident versatility, which is followed in quick succession by ‘Soul of the Abyss’ with its throbbing LFOs. The Clamps and NickBee then merge their collective talents for ‘Addicted’, with its more old-school underpinnings. ‘The First and the Last’ platforms the creeping atmospherics which characterises many pieces of The Clamps’ sonic artillery, whilst ‘End of an Era’ draws the album to a close on a cataclysmic breakdown which takes you deep into the belly of the beast. ‘End of an Era’ alludes to The Clamps’ hardcore roots, whilst paying homage to the new foundations he’s laid down through his new music and Kosen Productions.



Follow The Clamps: 
https://www.facebook.com/theclampsmusic/
https://www.instagram.com/theclamps_music/
https://twitter.com/wayofcrab

Follow Nickbee: 
https://soundcloud.com/nickbee
https://www.facebook.com/nickbeeaudio/
https://www.instagram.com/nickbeeaudio/
https://twitter.com/NickBeeAudio


Follow Kosenprod: 
https://www.kosenprod.com 
https://soundcloud.com/kosenprod
https://www.facebook.com/KOSEN.PRODUCTION
https://www.instagram.com/kosenprod/
https://twitter.com/kosenprod

Abstractonia & Item - Intergalactic Reptile [FREE DOWNLOAD]

Item