"When I see the towers fall, it cannot be denied,
that as a spectacle it is a realisation of the mind.
I’m standing on a mountain top, letting out a scream.
It is the languish of the earth, the language of a beast.
There’s no point in looking behind us, we’ve left the corpse behind.
Cos’ flesh is weak, and forms break down which cannot last forever.
When I see the towers fall… fall… fall… fall… fall… fall… fall… fall…”

...thanks for droppin' this in!! Such a old fav=)

best selection. Souffront somehow always ends up playing my all time favorites.

This week on There Is No Planet Earth Radio - I welcome guest Ron Morelli 

Ron put together a super raw mix of house records you’ve never heard of!💥🔥i’m calling this set “2004 dhp real audio player mix”

Ron is a DJ , Producer,  and runs L.I.E.S Records — originally started in Brooklyn, NY back in 2010 but currently operates out of Paris… L.I.E.S if you’re unfamiliar is primarily focused on Techno, House, and other bugged out sounds for the freaks.

@l-i-e-s

Episode 16/w Ron Morelli

Come experience the edge of your consciousness in distorted rhythms and dirty acid. Here is Carlos Souffront playing the prized 4:30 AM slot at No Way Back At All, Sunday 5/26/13 at 1515 Broadway during the Movement weekend, where Carlos fulfilled the promise of his legendary "truth in advertising" set at the original leaky warehouse No Way Back. Vinyl artifacts intact, set includes one record that was stepped on at the first NWB. Set begins with Carlos mixing in the AFX's "Elephant Song" over BMG playing the unreleased Shake Remix of Alpha 606.

http://interdimensionaltransmissions.com/podcast

IT.podcast.s02e07: Carlos Souffront Live at No Way Back At All 5/26/13 Movement 4:30AM-6AM

With roots in Pittsburgh and a recent stint in Denver, Paul Fleetwood @fleet412 is both a beacon and a connector within the North American dance music community. A co-founder of Hot Mass with hands in events such as Honcho Campout, Lot Mass, VIA Festival, the Great American Techno Festival, and Humanaut, his DJ sets and productions blend a classic, grounded Midwest techno sensibility with a modern edge, always infused with emotion and sincerity. In 2021, Fleetwood launched his own label, Perimeter Junk, which has already cemented itself as a forerunner in predicting the next wave of dancefloor heaters for kind-hearted weirdos.

Read the interview and see a tracklist:
spontaneous.zone/050-paul-fleetwood

"I knew I wanted a mix that featured mostly four-on-the-floor music, upbeat but smooth and not too aggressive. I imagined a much deeper and more emotive mix than what I originally intended but that didn’t make me any less happy with how it turned out.

This was recorded Saturday, October 8th, 2022 at my apartment in Denver, CO. I used two XDJ-700s and a A&H Xone:92 rotary mixer. I compiled a playlist of roughly nine hours of music from which to choose. Experimenting from that list, it took around seven takes to nail a flow that felt right.

The interview questions brought Molly Nilsson’s 'Never Coming Home' to mind so I decided to include it. I couldn't come up with a smarter way other than to place it as an encore so there ya go, my creative apex at work."

@fleet412

Interview + Tracklist

Spontaneous Affinity #050: Paul Fleetwood

Carlos Souffront - live vinyl mix at The Bunker / BEMF - Nov 2013

Concept04_CarlosSouffront_July2015.mp3

IntergalacticFM at Studio 508 Amsterdam - 28.04.23

Intergalactic Gary at Studio 508 28.4.23 for Intergalactic FM

Photo by Justin Aulis Long
https://soundcloud.com/justin-aulis-long
Justin Aulis Long is a sonic sorcerer, urban Homeric poet, and cosmic wanderer that exists within the liminal spaces where light meets dark. Long is the offspring of a gorgon, conceived within a brick and mortar labyrinth while surrounded by the supernatural electronic voices of angelic forces.

While engaging in themes of the uncanny and erotic, Long opens thresholds which lead to psychedelic realms during communal dance gatherings. Applications of sonic alchemy during ritual action generate vibrant forces created through collective effervescence, causing a bubbling over of ecstatic energy leading to rapture. During the rite, incantations are expressed through fusing a swarm of aural fragments composed from diverse temperaments by way of a personal and singular technique.Sacred objects (records), selector’s tools (turntables and mixer), body, spirit, harmonic and discordant voices unify and become one - The Soft Machine.

During a ritual performance, phonic collages are created intuitively on sight, sigils are aurally direct with specific intent, and offerings are bestowed before an alter, all charged by an engine of chaos. Time and space unravels while normality ruptures and disintegrates as foundational structures of the status quo are dismantled through intensive executions, founded in the practices surrounding musical selection.

RND 088 - Justin Aulis Long

Amber Gillen (IT / WCBN) meditates on craft, American music history, and the roots of funk right before Samhain. 

Moods is community curated and community supported. By helping us out, you're directly supporting artist commissions, curator fees, merchandise, and materials for parties. Give us a buck, four, or more a month here: danielsharp.cargo.site/Moods

For her first mix released in over a decade, Amber Gillen (immersive installation artist and visual artistic director for Interdimensional Transmissions) takes us on a journey through time—and ultimately ourselves. It’s also Samhain: the end of October where the boundary between the past, present, and future feels thin and energy flows thick. It reminds us of Keith Moxey’s suggestion that time might not “run at the same speed and density” in all places. Either way (or any way), it’s the right time to have Gillen take us through her sonic past across ambient, rock, and funk.

Read her interview, tracklist, and more on Substack: https://moods.substack.com/p/moods-62-amber-gillen

We’ve paired Gillen’s mix with a piece from Berlin-based, Sulaymaniyah-born Hiwa K. Hiwa, while originally a realist painter, now crafts sculptures, videos, and sounds that  “aim [not] for an accurate depiction of a reality that could be, but reinvent and transform the reality at hand.” Work such as Blind as the Mother Tongue unspool the debris of capitalism to better see how social structures like borders and time zones are reinforced. “The work I do is very much about reminding how many fingerprints we have onto each other,” Hiwa mentions, “[and] how much we are embedded into each other.”

For more on Hiwa, we recommend reading about his exhibition at the New Museum in 2018: https://brooklynrail.org/2018/11/artseen/Hiwa-K-Blind-as-the-Mother-Tongue

For keep up to date on Amber Gillen’s work, head here: https://www.instagram.com/amber.gillen/

For the interview, tracklist, and more, read on our Substack: moods.substack.com

Moods 62: Amber Gillen

The Drexciyan producer records his first ever mix.

RA.250 Heinrich Mueller

RobertAshley'sPrivateParts (LiveAtDeepBlueVancouverNov18)

25th of January 2003 at Fink Club -
http://www.substancenights.com/
Next Stop:
http://holywater.wordpress.com/next-holy/
pt.2 :
http://soundcloud.com/hunee/carlos-souffront-at-substance-nights-pt-2


Carlos Souffront - live vinyl mix at The Bunker / BEMF - Nov 2013

ithqdetroit

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